Les hors la loi

Only four years after his iconic portrayal of Tom Powers in "The Public Enemy," James Cagney switched alliances and played Brick Davis, a G Man or Federal Agent. Educated through the generosity of a racketeer, who eventually goes straight, Cagney is an unsuccessful lawyer. However, an old friend, who is a Federal agent, suggests that Cagney apply for a job with the FBI. When the friend is gunned down in the line of duty, Cagney decides to use his inside knowledge of the mob and pursue a career as a G-Man.

Although not as colorful as his gangster performances such as Rocky Sullivan or Cody Jarrett, Cagney nevertheless is always fun to watch, and he is as tough on the side of the law as he is on the wrong side. However, the fine cast of Warner Brothers stock character actors also shines, especially Barton MacLane, who makes Cagney's chief nemesis, Collins, particularly despicable. Lloyd Nolan, in his first film role, and Robert Armstrong as Cagney's fellow G-Men pale in comparison to the more interesting gang of thugs. Like Nolan and Armstrong, Margaret Lindsay is one of the good guys and provides somewhat bland love interest for Cagney. Meanwhile, Ann Dvorak as Lindsay's rival from the past hangs out with the gangsters and has some good moments, particularly a clumsy musical number near the film's opening.

Although William Keighley's direction is not particularly imaginative, heated gun battles, car chases, fistfights, and flashes of screaming newspaper headlines will keep viewers engrossed. While not among the greatest, "G Men" is a fine example of 1930's gangster films that is executed in a solid and entertaining, if unexceptional, style.

This is definitely Jimmy Cagney's film all the way. He is superb in it and his acting actually makes the rest of the cast better in support. Cagney was such a great actor he would always help elevate others performances in his films and he does so very much in this one. This film is well done for it's time though it looks a little flawed with age now.

The story is actually based upon a real FBI case in the early 30's. It stretches the truth after a while in order to fit the task. The gun fight sequence towards the end is amazingly violent yet most of the what seems to be thousands of shots fired seem to miss everything.

This is one of many films that established Warner Brothers as :Gangster Films Inc" during the 30's & 40's. It is a strong entry which was well produced for a 1935 (early) film. It treats it's subject pretty well. If you like Cagney, this is a film you must see to understand how far he had already developed his acting skills in 1935.

Recently, I've watched a lot of James Cagney's gangster movies. Usually, he plays the gangster. He is always the mafia leader. But in this one Cagney is a FBI agent. That's right. This time, James Cagney is fighting against the gangsters. At first, it sounded weird, but it works quite well.

The movie tells the story of Brick Davis, a lawyer related to the mafia that decides to join the FBI force, known as 'G-Men' after his friend, also a 'G-Men', is killed.

As usual, James Cagney gives a fine performance as Brick Davis, regardless his better works, like in 'White Heat' and 'Public Enemy'. The other members of the cast do a normal job, just like William Keighley's direction. A supporting member of the cast that did a great job was Barton MacLane, as the villain.

The movie sounds more like a propaganda to the FBI force, but this isn't a bad thing. For 1935's, the movie has great action scenes, with car chases, shooting, kidnapping, robbery, etc, and they are all very well filmed for its period. Even though I prefer the action sequences in 'Scarface', they are great here also.

In resume, another great gangster movie from the 1930's.

8 out of 10.

In the 1930s Warner Bros was the unrivaled home of the gangster picture. These films were so much fun, filled with action and drama with a heaping dose of social commentary on the side. Despite the criminals usually dying in the end of these movies, WB was accused by some of glorifying hoodlums. So, in answer to that, they made this little gem that was designed to glorify the "good guys" instead. How did they do that? They took their main tough guy star, James Cagney, and made him a fed (or G-Man). In this movie, Cagney plays a lawyer who joins the Department of Justice after his federal agent friend is killed.

This is a first-rate gangster picture, directed by William Keighley and written by Seton I. Miller. No matter which side of the law he's on, Cagney is his usual charismatic self, not too far removed from his other gangster roles. He's still the tough runt who would sooner break your jaw or plug you with his gat before he would place you under arrest, but he's got a badge this time and he does follow the rules...for the most part. Fantastic cast backing Cagney up. William Harrigan is a scene stealer as the soft-hearted gangster who helps Jimmy out and pays for it in the end. Perennial heavy Barton MacLane gets plenty of scenery to chew as the main villain. Robert Armstrong is the agent that rides Cagney hard but eventually decides he's a good egg. Margaret Lindsay is Armstrong's sister and one of two dames that fall for Jimmy in this picture. The other being the lovely Ann Dvorak, who shines as she almost always did. She is really one of the more underrated actresses of her time. Despite her appealing performance, though, her first scene is a bit cringeworthy as she's badly lip-syncing and awkwardly dancing around like a wounded chicken. She was a fine dramatic actress but not a great singer or dancer. Others rounding out the cast include Lloyd Nolan, Regis Toomey, Harold Huber, Jonathan Hale, and Edward Pawley as a vicious hood named Leggett.

It's a beautiful-looking picture, courtesy of cinematographer Sol Polito. The big shootout between the feds and the gangsters is one of the film's highlights. The scene where Cagney gets a jujitsu lesson is also a real treat. There's an amusing FBI 'crime does not pay' type of prologue that was tacked on for the 1949 re-release that is present on most prints today. Definitely a must-see for fans of Cagney and WB gangster movies. If you aren't one of those already, you should be.

"G-Men" is one of the best of Warner Brothers gangster films. It casts James Cagney, known at that time for his gangster roles, on the right side of the law for a change.

Lawyer "Brick" Davis (Cagney) is a well educated lawyer with no clients. He is visited one day by an old friend Eddie Buchanan (Regis Toomey) who encourages Brick to join the Department of Justice Bureau of Investigation (soon to be named the Federal Bureau of Investigation).

When Eddie is murdered by gangster Collins (Barton MacLane), Brick decides to apply to the Department of Justice. It should be noted that in the FBI's early days they could only engage lawyers and accountants and were not permitted to carry firearms. Brick is assigned to tough laconic Jeff McCord (Robert Armstrong) who is of the opinion that Brick will never make an effective agent.

McCord and Bureau Director Bruce Gregory (Addison Richards) both believe that to be effective, the bureau needs to have national jurisdiction, be allowed to carry weapons and hire law enforcers and not lawyers.

As it turns out Brick was rescued from the street by gangster Mac McKay (William Harrigan) who took him in and provided him with his education. Brick soon demonstrates his capabilities and quickly gains the confidence of his superiors. Along the way he meets McCord's sister Kay (Margaret Lindsay) and the two fall in love. Bad girl Jean Morgan (Ann Dvorak) also has this thing for Brick.

When Collins' gang disappears, Jean is brought in for questioning and we learn that she has married Collins after Mac closed his night club. She gives Brick the lead he needs and the Bureau takes action. Collins escapes the Bureau's attack on his gang and.....................

Director William Keighley gives us one of the classic gangster movies. It changes the focus on the hero from a gangster to a law enforcement officer, but at the same time offers one of the best shoot outs of the genre.

Cagney loses nothing in his switch from the wrong to the right side of the law. He remains his usual cocky fast talking self. Armstrong in a role that usually was played by Pat O'Brien, is effective as McCord. Of the female leads, Dvorak has the best role. Lindsay is merely around as Cagney's good girl love interest. MacLane, Warners resident gangster, turns in his usual good performance as the brutish Collins.

Others in the cast include Lloyd Nolan in an early role as Brick's fellow agent, and Edward Pawley, Noel Madison, Harold Huber and Raymond Hatton as assorted gangsters.

In 1949, the film was re-released to help mark the FBI's 25th anniversary. A prologue featuring David Brian showing the film to a group of new recruits was added.

A word about the DVD commentary by film historian Richard Jewell. For someone who should know better, he makes two glaring errors regarding the cast. He identifies David Brian as Brian David and Margaret Lindsay as Margaret Livingston. I wouldn't have been surprised to have heard him call Cagney, James Pygmy or MacLane, Barton Fink. A little more thorough research Mr. Jewell.