Les croisades

The production values of this picture are excellent. You can tell from the sets and costumes a lot of money was spent. The great weakness of this film is the script and acting technique. The script is straight 19th century maudlin melodrama. Unfortunately, the acting technique is the same. Lines are delivered in a stilted, formal manner common to the stage of an earlier era instead of the more natural technique we are accustomed to seeing in film today. The 30's was indeed a transition period in acting technique: the over wrought melodramatic technique of the silent pictures and stage in the early thirties to the natural technique finally adopted in the late 30's. Of course, the plot itself is implausibly melodramatic "love conquers all" for "world peace" kind of thing. Still, for a film student its still worth watching for the fine directing.

The first part of the film is excellent with only credits to the sustained grand cinematography with constantly impressing settings and great acting, showing all the best of what made Cecil B. DeMille the greatest director of epics in Hollywood. The second part is ridiculous, a very liberal rewriting of history, the script writers using it lavishly to construe their own fancies, resulting in a monumental soap opera. Loretta Young is the star of the film, constantly bewitching as Berengaria, and actually living up to her real legendary beauty - her beautiful legendary hair, very much emhanced in the film, has sometimes been confused with the constellation "Berenice's hair", while Berengaria couldn't have been far from it. Henry Wilcoxon also makes a Richard Lionheart with credibility enough, he actually was like that in reality, outragesously insolent, politically impossible for his lack of realism and reliability, a great romantic but no good as a husband, and a hopelessly foolhardy daredevil. Here of course he is made more ideal, as Hollywood always did in the 30s, and you forgive the gross distortions of history in the second part because of his charming chivalry. The film is good but not one of DeMille's best, but it is impressing enough, and the first part, until the ridiculous Saladin-Berengaria affair gets started, is among the best of DeMille's works.

After the release of Ridley Scott's KINGDOM OF HEAVEN and 70 years after the premiere of DeMille's CRUSADES, I found it interesting to see the film. Cecil B DeMille is usually associated with ancient or biblical epics like TEN COMMANDMENTS, CLEOPATRA, KING OF KINGS or THE SIGN OF THE CROSS. However, after the two great epics of the early 1930s, he made a movie about a different historical period, the infamous crusades that aimed at protecting the Holy Land from the Muslim "infidels". The problem with this film, however, is that it looks historical but contains serious historical inaccuracies. Therefore, it cannot be treated as a serious historical epic and it is not a history lesson whatsoever. Nevertheless, it is a very interesting movie being an authentic look at DeMille's talents and a real 1930s movie. Consequently, it can still touch some of the 21 century viewers, particularly classic movie fans.

CHARACTERS: Most of the names that we hear in THE CRUSADES are historical. They are, however, showed in a different perspective and addressed to the audiences of that time. DeMille calls our attention foremost to Richard the Lionheart (Henry Wilcoxon) and his lovely wife princess Berengaria (Loretta Young). Richard is a man of courage, a king who, unlike other kings, is close to his people. But, he joins the crusade due to entirely different reasons than other kings. He does not have any faith in the cross he is to wear but wants to escape marriage with Alice (Katherine DeMille), the sister of Philip, king of France. On the way to the Holy Land, he meets the love of his life, Berengaria, a very noble and pure lady who, in the long run, changes Richard into a peacemaker and believer. These two characters are very well developed and their plot has much to say to today's viewer: the love between a man and a woman does not have to be based on sex only. Their love is mostly a spiritual love rather than sexual one (so appreciated by Medieval people). It is showed a bit humorously in the moment when Richard dares jump into his wife's bed, dedicated to John, Matthew, Luke and Mark... Another character that needs mentioning is the Hermit (C.Aubrey Smith). This is a man of great courage and faith whose sole aim in life is the cross. "Take the Cross to your hearts," as he says to the people in England gathered to join the crusade is a particularly powerful moment.

CAST: Even though Henry Wilcoxon plays the main role, he is not that good in this movie. As a matter of fact, I far more liked his performance in CLEOPATRA (1934). His acting, behavior of a proud man suits Antony very well but does not suit Richard that well. Stars who deserve highest attention in this movie are C.Aubrey Smith as the Hermit, Ian Keith as Saladin, and Joseph Schildkraut as Conrad, Marquis of Montferrat. Smith memorably presents a stereotypical hermit (this face and this voice!), Keith stresses Saladin's wisdom and an indefatigable desire to defend his religion. He shines in the scene when visiting the royal assembly. Finally Schildkraut undeniably deserves careful attention in his magnificent portrayal of conspiring Conrad. It is true that his role is distorted historically, but he does, in this performance alone, a terrific job. Loretta Young's performance, however, is far from masterpiece. Sometimes, she is sweeter than chocolate with sugar.

DIFFERENT DeMILLE: It is noticeable that THE CRUSADES, though an epic, concentrates more on message rather than lavish sets and costumes. As a result, DeMille is less noticeable than in lavish CLEOPATRA or THE SIGN OF THE CROSS. What we get here is the story, vivid characters, message of peace. That is very important to state since a lot of people associate DeMille ONLY with sets, visual effects, costumes and bathes. Here, he gives something more. It is true that there are monumental moments, like the siege of Acre or a touching scene of crusaders leaving their families for the Holy Land, but they are not in the main focus.

This film is filled with one more thing that I consider significant to mention, SYMBOLISM. It is in other DeMille's movies too, but never that much as in THE CRUSADES. The most memorable moment is a scene of salvation. Simple crusaders die and just before their last breath, they desire to touch the Cross. They climb high steps enlightened by the light coming from above. It is similar to Christians going to arena in THE SIGH OF THE CROSS, but here, it really seems that DeMille wanted to show a vision of heaven.

In the end, the film shows the victory of peace. It is a historical fairy tale but partly refers to the period of peace between Christians and Muslims termed by Saladin. This led another director to make a movie, 70 years later... THE CRUSADES, however, is still entertaining in some way. It is not for historians, but a must see for all DeMille's fans and all people interested in early talkies. 7/10!

In his autobiography, C. B. Demille indicated that he found the greatest compliment ever given to the film was during an IRS audit. The agent doing the audit was astonished that a film that good didn't make any money.

The historian and author Harold Lamb was instrumental in the scripting. Demille wanted the flavor of the Crusades in the one film, so The Hermit was used to outline the cause of the Crusades, and was used to "compress" the timeline to the Third Crusade. He also wanted to show that Saladin was as "knightly" as any of the Crusaders.

The film provides spectacle throughout, from ceremonies to battles, but that was Demille's style. The political intrigue in the background was more pronounced in this film than behind-the-scenes activities in . other Demille films, but that touch may have been Mr. Lamb's.

I first saw this on television, many years ago, by accident. It wasn't scheduled, but I happened to tune in to it when it started. It caught my attention, and I was hooked. It's one of his better films. It's also an interesting contrast to Kingdom of Heaven.

While "The Crusades" features a very impressive cast, the film itself is tedious as well as often historically inaccurate. It's not terrible...but you could do a lot better.

In movies from the 1930s-50s, Richard the Lionhearted (Richard I of England) is a very noble warrior (such as in "Robin Hood" and "Ivan hoe") but in real life he was a blood-thirsty maniac--a man who had no interest in ruling England (having spent very little time there during his lifetime). He was NOT very noble or chivalrous and was probably one of England's worst kings. Instead, he delighted in going to war and was renowned for his bravery and brutality--sacking cities and killing everyone inside! He spoke French--or at least the French language of his empire in what is modern Western France. Although he adored war and manly deeds, he showed little interest in women--and pretty much ignored his wife. This has led to speculation that he was gay. Not surprisingly, he didn't leave an heir.

Now the Cecil B. DeMille version of Richard (Henry Wilcoxon) in "The Crusades" is not as flowery and ridiculous as that in many other films of the era. He was a warrior first in this film--which is who Richard truly was. But, in the film he is a nice and good king--a man to be admired (ha!). And, although initially showing no interest in women or his poor wife, the film later shows a touching romance between him and his queen, Berengaria (Loretta Young). Weirdly, however, his strange relationship with his enemy, Saladin (Ian Keith) isn't that far from reality. Despite being enemies, there was a strange respect and admiration between them--and when ill, Saladin really did apparently send doctors to treat Richard! Let's put aside the historical problems with the film (there are many more). After all, as a retired history teacher, it's easy for me to go on and on about this...and thus bore you to tears! How is the film as entertainment? Well, it's a very mixed bag. Despite being a film about war and death and the like, it's amazingly subdued and VERY talky through the first half of the film. I kept hoping to see someone kill someone--but they kept talking and talking. Some of this wasn't all bad (there was a serious rivalry between Richard and the King of France--and a lot of plotting) but for an action film, there was a tremendous lack of action. Later, things did heat up a bit and I must admit the costumes and battles were pretty well orchestrated--though on a relatively small scale (despite nice props, for a DeMille film is lacked the huge cast you'd usually expect). And, even when fighting FINALLY broke out, there still was a lot of talking and talking. It's not good...but at least it beats "King Richard and the Crusaders"--a horrible epic about the same material done in the 1950s.

So, overall, it's a dull film with some historical errors. It's certainly not among the worst films about the subject but you can certainly do better. For example, the wonderful series on the Crusades by Terry Gilliam is leap-years better--more interesting, more accurate and, oddly, a bit funny.