Car of Dreams

For the purist pointer-outer, Molly wasn't Vera's sister, she was her friend so it didn't matter what kind of accent either girl had. "Vera", in point of fact, had an accent that was closely matched by her "father" (a man who reminds me of Felix Bressart).

OK, with that aside. This is a lovely fun movie with no pretenses whatsoever. The music is hummable and sticks with you after the film is over. The dialogue is witty and snappy ("Up goes her money, bang goes her reputation.") John Mills has a nice tenor voice and looks as if he is thoroughly enjoying himself. All the cast looks as if they are having fun and couldn't wait to get to the set each day.

The back-projection is no worse than any other picture of the period.

It has high production values. Very nice costumes and makeup.

The thought of the movie brings a smile to my face even as I'm commenting about it.

This isn't anything particularly special but if you fancy a fairly funny, good-natured and well made typical English mid-thirties rom-com, this is for you. It won't make you laugh but it will make you smile.

Don't worry that the story is completely crazy - nobody else involved does. The absurd silly humour feels typically English and yet this is actually based on an earlier Hungarian film. Perhaps that Englishness is because it was adapted for G-B by Stafford Dickens (no relation) who did a few Will Hay and Jessie Matthews comedies.

You're likely to forget this a couple of hours after watching it but - assuming you like daft old English comedies particularly silly farces and Will Hay as opposed to the slightly more sophisticated (and often un-funny) Ealing comedies - you'll enjoy it while you're watching it.

For what it is, it's absolutely fine and delivers a happy and cheerful mood straight into your head and into your heart. You also get to hear why you don't see John Mills singing in anything else! And one thing which does make this unique it it gives you a rare chance to see the former toast of Berlin's theatre scene (until the Nazis took over), Grete Mosheim in her only English speaking picture.

Intriguing mild (very mild!) British musical comedy. Noteworthy mainly for the eponymous car (a Rolls Royce Phantom III coupe - those were the days when you get a RR PIII and still get change out of £2,000...) and some Brirish film stalwarts. The hero is a youthful John Mills near the start of his cinematic career; Robertson Hare has a supporting role, both trying to inject some life into a leaden script. The rather clunky back projections give some fascinating glimpses of 1930s London and the Lake District.

(Purists might quibble why the heroine (Grete Mosheim)has a German accent while her "sister" has a "cut glass" English accent) RW

Likable young John Mills plays a part in Car Of Dreams that Cary Grant would perfect over in American films. In one of his earliest films Mills plays the rich young owner's son of a store that sells all kinds of musical instruments. A rather dreamy young woman played by Grete Mosheim starts working at the store, but she doesn't meet him quite yet.

Grete loves to windowshop and dream of things that she can't afford and when she's in a Rolls Royce dealer's shop Mills is there and they take a test spin. Later on though her world gets turned upside down when the car arrives at her family's all paid for. Imagine having enough money to just plunk down and pay for a Rolls right up front. The Rolls Royce wasn't quite the expensive status symbol it later became, still it was a mark of prosperity especially in those Depression years.

Not only does he buy the car for her, but Mills assigns himself the role of chauffeur. He wants to see if she really loves him for himself or his dad's bankroll.

Car Of Dreams is yet another one of those rich boy meets girl from other side of the tracks that's a universally popular theme. It has a musical score and we get to hear John Mills sing. Mills had a pleasant voice, but Bing Crosby was in no danger. Grete's accent was popping up throughout the film with no real explanation. Robertson Hare was very funny especially trying to teach Grete the proper rhythm to rubber stamp orders.

I'm not sure the musical score was necessary, the film would have been good without it. Car Of Dreams is an entertaining piece of romantic fluff that film audiences loved during those hard times.

This film was shown about 30 years ago on BBC. It has just been shown on London Live. It is a delightful film. John Mills in his matinee idol days. Grete Mosheim may not be the best of the German actresses in exile who came to this country in the thirties but she has a rather endearing disposition, not withstanding her difficulty with English. With the support of Robertson Hare and some pleasant tunes this is a very entertaining musical.