Alibi Ike

Alibi Ike (1935)

*** (out of 4)

Third in Joe E. Brown's trilogy of baseball films has him playing Frank X. Farrell who gets the nickname of Alibi Ike because he comes up with an alibi no matter what's thrown his way. He joins the Chicago Cubs and becomes a wiz hitter and pitcher but a woman (Olivia de Havilland) falls in love with him and tries to change his ways. I really wasn't expecting too much out of this film but was pleasantly surprised at how many laughs Brown gives off. I'm sure many will find him annoying but the jokes were written very well and Brown carries them without a hitch. de Havilland is nice as the love interest and the supporting cast is nice as well. The highlight is when Brown tells his fielders to sit down behind the pitcher's mound so they can watch him strikeout the side. Many real-life baseball players can be seen on various teams and even Jim Thorpe can be spotted.

The character of Alibi Ike was well known to the American public. There was not only Ring Lardner's short novel but a comic strip for a couple of years, with Ring Lardner as one of the strip's writers.

Lardner's prose was funny, but it was also an incisive exposure of the ignorance and bigotry of middle America of the 1920s. He was inditing a culture which was smug in its ignorance and prejudices. There is, of course, none of this in this Joe E. Brown comedy, designed mainly for Brown to do his familiar shtick while cruising along with a well used plot.

Warner Brothers was willing to bring social criticism into their films at this period (unlike the other studios), but they knew that it wouldn't work in a Joe E. Brown comedy. Brown's movies were designed for rural America (and were very successful), and rural America could laugh as Brown made fun of "citified ways", but they wouldn't have appreciated cogent criticism aimed at them. At least, they wouldn't have laughed.

So this is a fast comedy, pretty funny, especially for baseball fans and baseball historians.

Alibi Ike is a mildly amusing baseball comedy based on Ring Lardner's character of a pitcher with an excuse for everything. It's a pretty good example of Joe E. Brown's hayseed type character at the height of his popularity. And of course because A Midsummer Night's Dream was held up in release, Alibi Ike marks the debut of Olivia DeHavilland on the silver screen.

Although Olivia has little enough to do in this film which is strictly a Joe E. Brown show, she's one pretty thing here. She was only 19 when she made this film and would have to wait through another film besides this one and the Max Reinhardt extravaganza before settling into her Warner Brothers niche as crinolined heroine, yearning for Errol Flynn to win her as he did in Captain Blood.

Joe E. Brown took naturally to this role, possibly because he was known as a very big baseball fan in real life. Playing his ever harried manager in Alibi Ike is William Frawley who in real life was also known as a baseball aficionado. Brown's son, Joe L. Brown didn't follow his father into show business, he became a well respected baseball executive best known as general manager of the Pittsburgh Pirates world championship team of 1960.

It's worth seeing the film alone to see how Joe E. Brown does that exaggerated windmill windup when he pitches. Funny as all get out, but in real life, a runner with the speed of Ernie Lombardi would have stolen two bases on him. Who's Ernie Lombardi, a Hall of Fame catcher with the Cincinnati Reds during this same period who was a legend for his lack of speed.

For baseball fans, and baseball film fans, make sure you don't miss this.

I had previously known Joe E. Brown more from brief clips and caricatures than from anything else, and I managed to completely forget the fact that he had done a wonderful job in a small role in "Some Like it Hot". Therefore, it was a pleasant surprise for me to discover that he was much more than just a goofy looking large-mouthed guy yelling "heeeyyyyyyy!". In this film, he does an excellent job portraying Alibi Ike, the small town hot-shot rookie pitcher with an excuse for everything. Even when he does everything right, he's got an excuse for why he didn't do better.

While helping his team win the pennant, he doesn't want to admit to the boys that he's actually fallen for a girl. His teammates, who are fully aware of what is going on, playfully goad him into one crazy excuse after another as he refuses to admit his romance. Brown gets excellent support here from Olivia de Havilland as his love interest and William Frawley ("Fred Mertz") as his grumpy manager, making this a thoroughly enjoyable film.

While A MIDSUMMER NIGHT'S DREAM was really Olivia de Havilland's first film, the studio in the meantime put her in ALIBI IKE which was released first--so this gave the public their first view of her.

She's a pretty ingenue here with just a hint of stardom about her. Joe E. Brown was very popular at the time and had already done a couple of baseball comedies. Apparently, his fans considered this Ring Lardner tale one of his best.

I couldn't work up much enthusiasm for it, although I did find several scenes rather amusing. However, unless you're a die-hard fan of Joe E. Brown with an addiction for baseball, ALIBI IKE comes across more as a curiosity piece than anything else. The night baseball scenes came as a surprise to me. Brown does his usual genial job in the title role and obviously relishes the limelight.

William Frawley plays a baseball manager and Ruth Donnelly has a brief role as Olivia's sister.

Trivia note: Ruth Donnelly would join Olivia thirteen years later for 1948's THE SNAKE PIT, as a fellow inmate.