Viva Villa!

Mexico in the 80's is ruled by tyrants. As a boy, Pancho Villa (Wallace Beery) exacted revenge upon the man who whipped his father to death. He would become a bandit in the desert with the song, La Cucaracha.

I am surprised that this got any awards consideration. It is not a bad movie, but it is not a serious movie either. Beery is playing Villa like a hillbilly bandit without any sense of danger. He has too much comedic sensibilities with all his facial ticks. It's weird. It is like a spoof but not really. It is a fun time shoot them up war film, but one cannot take this movie seriously in any way even when it tries for darker material.

After witnessing his father being whipped to death, grown-up Mexican bandit Wallace Beery (as Pancho Villa) becomes his country's revolutionary war hero. Boozy reporter Stuart Irwin (as Johnny Sykes) and peace-loving liberator Henry B. Walthall (as Francisco Madero) are important allies. Nurturing a taste for ladies and liquor, Mr. Beery marries Spanish spitfire Katherine De Mille (the real-life daughter of director Cecil B., as Rosita Morales). Later, Beery is tempted to add beautiful Fay Wray (as Teresa) to his harem.

The Mexican armies sing "La Cucaracha, la Cucaracha!" while future "East Side Kid" David Durand plays the bugle.

Beery's vanquished rival Joseph Schildkraut (as General Pascal) suffers a torturous fate, but dastardly Donald Cook (as Don Felipe) gets a last shot. MGM production values are high for this hammy, heavy-handed star vehicle, wisely introduced as "fictionalized." With "box office" Beery at the helm, "Viva Villa!" was a hit. It won critical acclaim at Venice, where Berry was the festival's "Best Actor". In a brief scene, the real-life son of early movie idol Francis X. Bushman plays a nerdy newspaperman ("Wallace Calloway").

****** Viva Villa! (4/10/34) Jack Conway ~ Wallace Beery, Stuart Irwin, Henry B. Walthall, Donald Cook

While the story is a bit on the fanciful side, it still has a good period look, and some of photography and action sequences are excellent. Wallace Beery is not as hammy as usual and does a creditable job. Henry B. Walthall is good (as usual) as Francisco Madero and turns in the best performance of the movie. Interestingly enough, while some characters (Madero, Villa)actually use their real names, others such as John Reed, Victoriano Huerta and Rodolfo Fierro are fictionalized as Johnny Sykes, Pascal and Sierra, respectively. Perhaps the best thing about it is, despite when it was made it treats the subject matter with dignity and has a real respect for Mexico and Mexicans. Some of the shots look as though they were taken in the 1910s thanks to Jack Conway's and Howard Hawk's direction.

The life of Mexican rebel and maverick Pancho Villa is brought to the screen is in this highly fictional but yet log-line or plot points accurate story. This is clear to anyone because the opening has one of those disclaimers that states that though the story is true, the movie has fictionalized certain scenes and scenarios but is in essence a true portrait. Whatever! That said, despite unexpected tonal shifts (Howard Hawks was the original director before Jack Conway was brought in and re-shot a lot of his footage. It makes me wonder how the new Exorcist movie that Renny Harlin is reshooting will play) the film is a touching portrait of a man of the people who could never lead a nation. It does not patronize the dastardly or generally inhumane tactics of Villa. As far as Villa was concerned, it is war and one must vanquish the enemies completely. Take no prisoners was his approach. It has the typical, rotten scoundrel and bandit to careful redemption of the soul arc but is handled atypical which is a plus. Beery, one of the biggest stars Hollywood ever produced is solid in the role and should have gotten an Oscar nomination. Directing is solid except for sudden comic ouvres among the chaos stopping the movie from achieving rich resonance but overall enabling it to still work. Sets are huge, action sequences are passable and scenarios and dialogue are either very good or cliched in certain respects. But I think the ending of the movie has one of the best written scenes and final lines I've ever heard. I won't spoil it but it lets you know that what you've seen and read about is essentially a myth and legend and that's what people choose to remember and live on. Kinda like the ending of the movie Big Fish.

I'm still not clear on how MGM got away with this film. Pancho Villa had only been dead for 10 years and his famous raid on Columbus, New Mexico almost 20 years. Surely not enough time for people to have forgotten Villa or what he did.

But the most famous thing he did, raid into the USA and provide a pretext for intervention into Mexican affairs, is completely forgotten by this film. The Villa we see here is a lovable lug of a guy, a typical Wallace Beery part who gets his social conscience awakened by Francisco Madero and gives up banditry to become a revolutionary.

If you're a big fan of Wallace Beery and liked him in such films as Min and Bill and Treasure Island than Viva Villa is simply an extension of the characters he played there.

Actually I think the most interesting character in the film is that of Francisco Madero. Henry B. Walthall's performance is the best and I wish Walthall had starred in a film where he was the central character. Madero was as you see in the film a man of high ideals, betrayed and assassinated by his supporters. But it was hardly Pancho Villa who took vengeance on his betrayers. After long time Mexican dictator Porfirio Diaz was overthrown in 1911 and then Madero assassinated in 1912, Mexico fell apart much like the former Yugoslavia did almost 20 years ago. Civil war raged there for a generation. Eventually it united under the PRI party which elected all of its presidents until Vicente Fox.

I've never really liked this film, it stray so far from the facts it's laughable. The players go through their familiar roles and it's a good cast that Howard Hawks later Jack Conway put through their paces. Of course the most famous story coming out of this film is about Lee Tracy getting blotto and going out on a balcony and raining on some Mexican soldiers. Got him fired from the film and Stu Erwin got the break and Tracy's part as the newspaper reporter who popularizes Villa.

If in fact you consider it a break Erwin got to be in Viva Villa.