The Return of Chandu

Bela Lugosi gets to play one of his rare good guy roles in a serial based upon the long running radio hit (which was also the source of a feature film where Lugosi played the villain.) Lugosi cuts a fine dashing figure and its sad that he didn't get more roles where he could be the guy in command in a good way. Here Chandu returns from the East in order to help the Princess Nadji who is being hunted by the leaders of the cult of Ubasti who need her to bring back from the dead the high priestess of their cult. This is a good looking globe trotting serial that is a great deal of fun. To be certain the pacing is a bit slack, more akin to one of Principals (the producing studios) features then a rip roaring adventure, but it's still enjoyable. This plays better than the two feature films that were cut from it because it allows for things to happen at their own pace instead of feeling rushed or having a sense that "hey I missed something". One of the trilogy of three good serials Lugosi made, the others being SOS Coast Guard and Phantom Creeps

To be honest, this serial was a bit disappointing, but had just enough good stuff going for it to keep the experience from feeling totally without merit.

Chandu was a 1930s radio and movie character who served as the inspiration for Marvel's Dr. Strange and also has echoes of the Shadow of pulp fame. His stories tell the adventures of Frank Chandler (Chandu), a man who went to the Far East to study the mystic arts under an ancient and good sorcerer called the Yogi, and came back with the ability to hypnotize, briefly turn invisible, and more. This serial was the second entry in the series, and it followed Chandu as he tried to defend Nadji, the princess of Egypt and his sweetheart, from a sect of dark magicians who wanted to sacrifice her to revive an ancient sorcerer-queen. Chandu's sister, niece, and nephew tagged along throughout and alternately helped or got themselves in deep trouble.

First, the good: it was a rare and pleasant surprise to watch Bela Lugosi in the role of the hero instead of an antihero or villain. This particular type of hero (vaguely Eastern, brain-over-brawn) seemed tailor-made for the Hungarian actor, and he generally did a pretty good job with it. The other actors, including the lovely Maria Alba (Nadji, whose cute accent reminds me of a 1930s Sofia Vergara) and those playing Chandu's family, also put in great performances. The whole story is also completely saturated in a certain retro pulp exoticism that I have to admit I really, REALLY love, and it does most of it in a way that's at least somewhat respectful the non-American cultures it pulls from, if in no way actually interested in depicting them accurately. They also showcased some very impressive, expensive-looking sets at times, especially several they borrowed secondhand from the original "King Kong" movie made just one year before.

Unfortunately, the bad makes up a much longer list, especially in the latter half of the serial. The second 2/3 of the serial gets extremely redundant, with the "last-episode recaps" sometimes lasting 5 minutes. Much of the dialogue is creaky and awful, with all of the villains aping King James English with "thees" and "thous" in botched attempts to uplift dull, bad writing. There's an obnoxious "jungle drum" that plays over the music and the dialogue any time the villains are featured, making much of it barely audible. There are also some extremely cringe-worthy "native savages" who serve as bad guys for parts of the serial, highlighting the dark side of that pulp exoticism I mentioned earlier.

The plot is full of little holes and deus ex machinas, and the direction is so bad that it actually makes Ed Wood's much later work with Lugosi look good by comparison. The director (Ray Taylor) has the lead male hero swooning under torture in a style that went out with the silent movie, and manages to give us multiple camera angles that look right up Bela's rather angular nose. (Talk about catching an actor's bad side!) Finally, though a lesser sin than the rest, I thought it was a waste that we didn't see more of Chandu's supernatural powers at work. For much of the serial, he's just a regular guy, and not even an especially capable one.

All told, I don't regret watching it once (with Bela Lugosi as the hero being the main draw), but the 12-part serial version of this story honestly wasn't worth the time investment. If the good parts intrigued you enough to want to watch it, there was a movie based on the first 4 chapters of the serial that I kind of wish I had stuck with myself in retrospect. That was easily the most interesting section of the serial with the tightest story, the best dialogue and direction, and the most interesting use of supernatural abilities. You do miss out on the cool "King Kong" sets, but it's well-worth it to avoid the meandering, frustrating, and often draggy latter half of the serial (and the cringey cannibal islanders, to boot).

Bottom line: "The Return of Chandu" is an okay story with an interesting role for its iconic lead actor, but stick with the movie on this one, not the full serial.

This might have worked better as a silent feature as it mixes up it's mythologies to allow Bela Lugosi's eponymous character (aka. "Chandler") to race to the rescue of the imperilled Egyptian princess "Nadji"(Maria Alba). Why? Well it seems that some Pharaonic cult from ages past has decided that she's the reincarnation of a goddess. What's slightly confusing is that they seem to want to sacrifice her so the goddess ("Ossana") can, well, reincarnate! Anyway, never let the plot get in the way of a rather pointlessly abridged version of the serialisation as it takes us through approximately one third of the story before we run out of reels and must search for him on his "Magic Island" film which doesn't come along til next year. To be fair, I like the genre and they do try a little with the score to create some sense of mystical peril and hypnotics, but Lugosi is at his most wooden here as he fears "grave danger" for the princess as if he were buttering his toast and Alba goes into dramatic overdrive as the damsel in distress. The "Yogi" says have faith, but somehow I fear this ought to have just stayed as a weekly serial with the odd cliffhanger and the slightest sense of jeopardy which is distinctly lacking here.

I enjoyed this serial. I got it in a set with two other chapter serials from the same era, Flash Gordon and Radar Men. Cheap sets, cheesy dialog and Bela's overacting surprisingly add up to an engrossing combination. It was strange to see him in the uncharacteristic role of good guy/hero, but he pulled it off with his usual exotic charm. While I watched I could imagine what it must have been like to see these one episode per week in the theater. The exotic natives must have really scared the pants off kids in the 30s, a time when there was much less sophistication and knowledge of the world. These episodes hold up much better than the Flash Gordon series from that time period.

Not a bad B picture with Lugosi as the romantic lead. The sets are kewl -- wonder where they came from?

Don't expect Indiana Jones and you'll be OK

The Plot.

The Black Magic cult of Ubasti, based on the isle of Lemuria, believes that Nadji, a princess of Egypt, is a reincarnation of their long-dead goddess, Ossana, and intend to sacrifice Nadji so that Ossana may be resurrected.

Nadji has taken refuge at the California home of Frank Chandler, an American raised in the east and possessed of White Magical powers, who calls himself "Chandu". Vindhyan, high priest of the cult's California outpost, learns of this and ultimately succeeds in placing her in a trance which Chandu cannot easily break, propelling him to move her to safety, choosing the port of Suva in the South Seas.

There, aided by his sister Dorothy, nephew Bob and niece Betty, Chandu is able to revive her and deal with Vindhyan, only to have the evil Voice of Ubasti, highest of the high priests, spirit her to Lemuria through the magic Circle of Ola.