IMDb RATING
6.3/10
1.1K
YOUR RATING
An heiress switches places with her secretary in order to find a man who will love her for who she is and not for her money.An heiress switches places with her secretary in order to find a man who will love her for who she is and not for her money.An heiress switches places with her secretary in order to find a man who will love her for who she is and not for her money.
- Nominated for 1 Oscar
- 2 wins & 1 nomination total
Charles Coleman
- Undetermined Secondary Role
- (scenes deleted)
Brooks Benedict
- Party Guest
- (uncredited)
William A. Boardway
- Party Guest
- (uncredited)
Harry Bowen
- Pinky
- (uncredited)
William Burress
- Haley's Editor
- (uncredited)
Edward Cooper
- Jones - the Butler
- (uncredited)
Oliver Cross
- Party Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Richest Girl in the World, The (1934)
** (out of 4)
Miriam Hopkins plays Dorothy Hunter, the richest girl in the world who also happens to be a recluse. Mrs. Hunter always sends her secretary (Fay Wray) out to pretend to be here. One day at a party Hunter, pretending to be the secretary, meets a man (Joel McCrea) who claims that he could fall in love with a rich woman even if she didn't have money. This RKO comedy was certainly inspired by Barbara Hutton, who at the time really was the richest girl in the world. The built up love story was probably the creation of someone in the RKO front office but the end results are fairly disappointing considering the cast involved. The story itself is the biggest problem as is goes from A to B to C without anything new being done and by the time the film is over you can't help but feel as if you've witness nothing but one cliché after another. The highlight of the film would be a scene where McCrea and Wray are out in a canoe when a jealous Hopkins comes up in a large part to tip them over. This sequence was a very funny one but there aren't too many laughs after it. McCrea and Hopkins made enough films together to be charming and they do that here. The two of them bring their characters to life even though the screenplay doesn't offer them much. Wray is also pretty good in her role but again, the screenplay doesn't give you anything. In the end this is a completely forgettable movie that most people will overlook so unless you're a fan of the stars then it's best to just keep this one in the vault.
** (out of 4)
Miriam Hopkins plays Dorothy Hunter, the richest girl in the world who also happens to be a recluse. Mrs. Hunter always sends her secretary (Fay Wray) out to pretend to be here. One day at a party Hunter, pretending to be the secretary, meets a man (Joel McCrea) who claims that he could fall in love with a rich woman even if she didn't have money. This RKO comedy was certainly inspired by Barbara Hutton, who at the time really was the richest girl in the world. The built up love story was probably the creation of someone in the RKO front office but the end results are fairly disappointing considering the cast involved. The story itself is the biggest problem as is goes from A to B to C without anything new being done and by the time the film is over you can't help but feel as if you've witness nothing but one cliché after another. The highlight of the film would be a scene where McCrea and Wray are out in a canoe when a jealous Hopkins comes up in a large part to tip them over. This sequence was a very funny one but there aren't too many laughs after it. McCrea and Hopkins made enough films together to be charming and they do that here. The two of them bring their characters to life even though the screenplay doesn't offer them much. Wray is also pretty good in her role but again, the screenplay doesn't give you anything. In the end this is a completely forgettable movie that most people will overlook so unless you're a fan of the stars then it's best to just keep this one in the vault.
"The Richest Girl in the World" is reclusive Miriam Hopkins (as Dorothy Hunter). She attracts men, but wonders if it is possible to find true love. After breaking off an engagement, Ms. Hopkins meets attractive Joel McCrea (Anthony "Tony" Travers) in her regular guise, pretending to be pretty secretary Fay Wray (as Sylvia). Hopkins uses Ms. Wray to switch roles, so she can play pool rather than attend business meetings. When Mr. McCrea meets Hopkins, he is quite taken, but winds up on a canoe date with Wray, instead. Hopkins and Wray's husband Reginald Denny (Phillip "Phil" Lockwood) knock their boat over. Hopkins decides to test McCrea by encouraging him to pursue "fake" heiress Wray. It sounds silly, but everyone manages to make it mildly engaging. Norman Krasna's script even received an "Oscar" nomination. Mentor Henry Stephenson (as Connors) and maid Beryl Mercer (as Marie) are also good.
****** The Richest Girl in the World (9/21/34) William A. Seiter ~ Miriam Hopkins, Joel McCrea, Fay Wray, Reginald Denny
****** The Richest Girl in the World (9/21/34) William A. Seiter ~ Miriam Hopkins, Joel McCrea, Fay Wray, Reginald Denny
Miriam Hopkins may be the richest girl in the world, but no one knows what she looks like. Under the direction of her guardian, Henry Stephenson, there are no pictures of her, and her secretary, Fay Wray, poses as her, even to her board of trustees, while Miss Hopkins appears to be Miss Wray, which annoys her husband, Reginald Denny. Along comes Joel Macrea, who quite obviously falls in love with Miss Hopkins, and she with him. However, he doesn't realize it, and when they discuss things, he says he expects to marry one of these days, to some nice girl, and if his bride had an immense pot of money, that would be nice. So Miss Hopkins, in a fit of self-loathing pride, pushes him to go after Miss Wray.
This was a big hit for RKO, and they remade it twice. Like many of their shows, the original is best. Among the reasons are that as society changed, the an attempt to update the themes made the movies seem irrelevant. The two ladies are absolutely gorgeous, and The under-rated Nick Musuraca's camerawork is dark and sharp, and flattering, the glossy look that RKO sought in its society comedies.
The show centers on Miss Hopkins, and director William Seiter shows a lot of the movie through her reaction shots. Hers was an odd beauty. She could look like a rubber-faced dolt in high fashion, but dress her in simple styles and no one looked more gorgeous.
In many ways this is a confluence of three talents respected at the time, but largely forgotten now. Miss Hopkins, if she is remembered, is recalled for being in Lubitsch's Trouble In Paradise; Seiter, if anyone thinks of him, for a couple of early Shirley Temple features; and almost no one thinks of Musuraca, who started as J. Stuart Blackton's chauffeur and worked through the 1960s. Just three of the innumerable talents that populated Hollywood during the Studio period.
The other people who worked on this movie were no slouches either.
This was a big hit for RKO, and they remade it twice. Like many of their shows, the original is best. Among the reasons are that as society changed, the an attempt to update the themes made the movies seem irrelevant. The two ladies are absolutely gorgeous, and The under-rated Nick Musuraca's camerawork is dark and sharp, and flattering, the glossy look that RKO sought in its society comedies.
The show centers on Miss Hopkins, and director William Seiter shows a lot of the movie through her reaction shots. Hers was an odd beauty. She could look like a rubber-faced dolt in high fashion, but dress her in simple styles and no one looked more gorgeous.
In many ways this is a confluence of three talents respected at the time, but largely forgotten now. Miss Hopkins, if she is remembered, is recalled for being in Lubitsch's Trouble In Paradise; Seiter, if anyone thinks of him, for a couple of early Shirley Temple features; and almost no one thinks of Musuraca, who started as J. Stuart Blackton's chauffeur and worked through the 1960s. Just three of the innumerable talents that populated Hollywood during the Studio period.
The other people who worked on this movie were no slouches either.
When a movie stars Joel McCrea, you can pretty much guarantee it will be enjoyable...and so I wasn't surprised that I enjoyed this film. It's cute and enjoyable and Miriam Hopkins is quite nice as well.
When the film begins, you learn that the heiress Dorothy Hunter is a bit of an enigma. No one knows what she looks like and folks about to meet her are curious what she looks like. However, what they don't realize is that this 'Dorothy Hunter' is a fake...hired by the real one (Hopkins) because she wants to retain her privacy. This has created a problem, however. How will she meet men and how will she handle it when she meets a nice guy? Well, she gets to try this out when Tony (McCrea) enters her life. She CONTINUES to pretend to be someone else and her assistant continues to pretend to be Dorothy. The problem is that Tony finds he's falling for BOTH women!
This is a sweet film and the stars do a nice job...almost nice enough to give this one an 8. The script isn't easy to believe but the cast do their best to breath life into it.
When the film begins, you learn that the heiress Dorothy Hunter is a bit of an enigma. No one knows what she looks like and folks about to meet her are curious what she looks like. However, what they don't realize is that this 'Dorothy Hunter' is a fake...hired by the real one (Hopkins) because she wants to retain her privacy. This has created a problem, however. How will she meet men and how will she handle it when she meets a nice guy? Well, she gets to try this out when Tony (McCrea) enters her life. She CONTINUES to pretend to be someone else and her assistant continues to pretend to be Dorothy. The problem is that Tony finds he's falling for BOTH women!
This is a sweet film and the stars do a nice job...almost nice enough to give this one an 8. The script isn't easy to believe but the cast do their best to breath life into it.
Thanks to a fine and intelligent script by Norman Krasna and to some very good acting, this is a very entertaining and charming little film, about a "poor" rich girl (sort of Barbara Hutton type), seeking for true, "uninterested" love.
Miriam Hopkins is very good and looks pretty as Miss Dorothy Hunter, "the richest girl in the world", and works very well for the first time (they did four more pictures in the following years) with Joel McCrea, who is thoroughly believable as a regular average guy, being (unknowingly) tested by this heiress, who's pretending to be a secretary.
Beautiful Fay Wray, who had worked with McCrea once in 1932, in the very good chiller "The Most Dangerous Game", also at RKO, is excellent as the heroine's pal and secretary, Sylvia, who has to pass as the millionairess, and old pro Henry Stephenson is just right as Hopkin's Tutor.
This nice little movie (short by to today's standards) has good pacing, real, likeable romance and some funny (not so screwballish)situations, even some pretty racy ones (due to the fact that "married" Sylvia impersonates "single" Dorothy), considering it was made in the 1930s, so I believe it must have been released before the Production Code was fully enforced in 1934.
Miriam Hopkins is very good and looks pretty as Miss Dorothy Hunter, "the richest girl in the world", and works very well for the first time (they did four more pictures in the following years) with Joel McCrea, who is thoroughly believable as a regular average guy, being (unknowingly) tested by this heiress, who's pretending to be a secretary.
Beautiful Fay Wray, who had worked with McCrea once in 1932, in the very good chiller "The Most Dangerous Game", also at RKO, is excellent as the heroine's pal and secretary, Sylvia, who has to pass as the millionairess, and old pro Henry Stephenson is just right as Hopkin's Tutor.
This nice little movie (short by to today's standards) has good pacing, real, likeable romance and some funny (not so screwballish)situations, even some pretty racy ones (due to the fact that "married" Sylvia impersonates "single" Dorothy), considering it was made in the 1930s, so I believe it must have been released before the Production Code was fully enforced in 1934.
Did you know
- TriviaThe first of 5 films that Miriam Hopkins and Joel McCrea appeared in together.
- ConnectionsRemade as Bride by Mistake (1944)
Details
- Runtime
- 1h 16m(76 min)
- Color
- Aspect ratio
- 1.37 : 1
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