Paree, Paree

A delight mini movie, a musical short based on three of Cole Porter's Broadway smash songs. Bob Hope's first credited film is a delight! He plays an American playboy millionaire on vacation in Paris. The film opens with him sitting at a table of an out door café telling his friends about this beauty that takes his breath away. Suddenly he spots her a few yards away. he is so over come his friends tease him and suggest "just show her your bank book." But Hope claims he can win her in less than 30 days with "no" money! They bet polo ponies over the issue and take all his cash and ID's. Hope follows her and when they are alone gushes out a proposal she does not believe he is sincere until he sings to her, "You Do Something to Me" by Cole Porter. But she must leave and he tries to earn money as a tour guide so he can pursue her. But when she sees him showing another girl around town, disillusioned she wants to drop him. He continues to chase her and catches up to her and her family at a race track where he bets his meager earnings on the last race hoping to win enough to impress her. Through a series of events and large synchronized dance numbers he loses the winning ticket and she decides to marry him rich or poor. So he wins the girl, the race and the bet and sings two more songs!

Netflix should mention this short feature on the info for Silk Stockings. Superior in every way to that over-produced fluff. This had much better Cole Porter songs and lots more energy. Silk Stockings turned out to be a big disappointment. Fred was getting too old for this sort of thing, though the dances and Cyd are lovely. I will be on the watch for the Garbo--Melvyn Douglas version of Ninotchka. Was Peter Lorre ill during the making of Silk Stockings--he seems to be very passive in the more active numbers and with less lines? Very glad that I ran across Paree--Paree by pure accident. Made the whole experience a lot more enjoyable. Bob Hope, as a simple "song and dance man' is pure joy.

Dorothy Stone may be top-billed in this mini-version of Cole Porter's FIFTY MILLION FRENCHMEN, but of course, it's Bob Hope you're interested in, not the Busby Berkeley shots or perhaps even the Cole Porter songs -- more fool you. Hope and Miss Stone sing two of Porter's better known songs, "You've Got That Thing" and "You Do Something To Me". Even us old-movie fans sometimes forget that Hope had a long trek on the vaudeville stage and was first noticed in two different Porter shows.

You can't see much of the Hope persona that he established over the first dozen Paramount movies, the wise-cracking, self-derogatory skirt-chaser, but he is in hot pursuit of the high-kicking Miss Stone, ready for an aside to the furnishings.

I would not say that Bob Hope was a major star on Broadway, that eluded him until he got into films, but he was a prominent Broadway performer during the Thirties before he went to Hollywood for The Big Broadcast of 1938. This short was made in New York probably between his run in Roberta and Say When.

What Paree, Paree is is a condensed version of the Cole Porter Broadway show Fifty Million Frenchmen. The soundtrack includes You Do Something To Me, Find me a Primitive Man, You've Got That Thing, and the title song all from the stage production of Fifty Million Frenchmen.

This short while it lacks a lot of production values is a marvelous opportunity to see something of a photographed Broadway show of the time. In that it's like The Marx Brothers Cocoanuts or Animal Crackers.

Bob Hope was not in the original Broadway cast of Fifty Million Frenchmen, but Cole Porter would provide him with a great duet with Ethel Merman in Hope's last Broadway appearance a few years later in Red, Hot, and Blue. He introduced It's Delovely with her from that show which did lead to his Hollywood contract.

Now that would be great if someone preserved them on film singing It's Delovely.

An American in Paris (a popular spot for Americans before Der Fuerur invited himself in) tries to woo his lady-love in 20 minutes or fewer.

Bob Hope, of course, isn't "Bob Hope" as we know and love him but he clearly has "movie star" potential. So did lots of photogenic actors whose careers went phut. You might guess he had a future in movies but he doesn't have "entertainment powerhouse" written all over him. It's amazing to think of people a century ago unaware they were seeing a figure who would be so dominant.

This is really like an extended music video advertising some Cole Porter's songs.

Leonard Maltin once made the shocking, but probably true, statement, that Astaire introduced more sung "standards" in the movies than anyone. Well, here's Bob Hope doing a creditable job of introducing "You Do Something to Me." Hope would never knock Crosby off the charts but he wasn't a bad warbler.

Whatever happened to Dorothy Stone?