Aran, l'île des tempêtes

I really enjoyed this film. It is best to ignore any questions about the plot and whether it is a movie or a documentary and just sit back and be transported back in time. The island is a beautiful, yet harsh and isolated place and the people are a product of that environment. I just saw the film after returning from a trip to Ireland, where we spent several enchanting days on the island, hiking in the rain. The locals told me about the movie, I had only a vague knowledge before then.

What has really sold me on the movie was the DVD edition we viewed it on. There is a wealth of details about the movie, the director, the island, and much more now available. Fans wedded to todays ultra-slick color and CGI productions might be disappointed, but for the serious movie fan this is a gem!

As a child, I saw Man of Aran in my grandfather's living room. I didn;t understand why he seemed so moved by the Man of Aran. I recently learned that Colman King (the star) was my grandfather's first cousin. Delia King Donahue was my great grandmother, and her nephew was Colman King. As far as the film goes, it is what it is, the life and times of those trying to eek out a living under very adverse circumstances.

Does anyone know where I might obtain a poster(reproduction) of the movie? Yah, nostalgia)

Thanks, Sue

I taped "Man of Aran" back in 1992 off a TV broadcast. I'm glad I still have it, because I'm certain I've never seen it on the air since. My father grew up on the smallest of the Aran Islands (hence my user ID), and I heard quite a bit about the film before finally seeing it. The baby girl in the crib, for instance, grew up to marry the brother of our one-time neighbor. Dad also assured me that Robert Flaherty didn't follow the islanders around unobtrusively with his camera, but staged all the action. Hunting sharks, for instance, may still have been done at the turn of the last century, but not by the 1930's. That same year (1992), Dad came across Robert Flaherty's daughter at an Irish festival. She mentioned that she had some unused footage from "Man of Aran" back home in New Hampshire. That would be great to see on a DVD version. Of course, who knows what kind of shape that film stock is in by now? Call it a 'documentary fantasy' if you will (which the British film magazine Sight & Sound did). To me, it will always be a powerful look at how harsh, and beautiful, it is to live off the sea.

We had jounced across Galway bay in a 45 minute ferry ride, boarded a pony trap for an hour's ride in a two-wheeled carriage, upholstered with leather and duct tape and driven by an ancient Irishman named Tom Flaherty, whose first language was Gaelic. He deposited us at the Atlantic side of the island at a tiny museum for break. My husband opted for the hike to the headland to view a crumbling 20th century fort, while I browsed the museum. It was there that I spied a poster for "Man of Aran" - only 2.50 Euros per person. It sounded vaguely interesting, a way to pass time til the pony trap driver returned to take us bouncing back to the ferry boat landing.

We climbed the steep stairs and were seated in a room overlooking the centuries old stone walls that crawl haphazardly over the rugged terrain. A large high definition television sat before us, and we waited for the lady at the downstairs desk to come turn it on. We were joined by four more people, the blinds were drawn and the warbly, scratchy sound track and grainy black and white documentary began. We were gripped immediately by the story - part adventure, part documentary, part drama. It was easy to believe the severe conditions, the arduous, back breaking work of gathering kelp, fishing in the heaving surf, rocky, slippery shores, having just witnessed them in person. A few of the scenes are a little fakey, but we're talking 1934 here, and if you'd ever seen that pounding surf at the foot of that towering cliff, you'd know why they perhaps went Hollywood in the shark hunting scene. If you can't see it in its place of origin, by all means make the effort to find a print. This is a classic. By the way, our driver, Tom Flaherty, would have been 12 years old when the film was made but the director/producer Flaherty was an American from Hollywood, and much distrusted by the natives. He had one heck of a time making the movie, so the brochure at the desk informed us. In typical local resident style, our driver had never seen the movie and did not claim to be related to the director. He dropped us at the ferry and, speaking endearing terms in Gaelic to Brownie, his faithful cart horse, urged her back up the path to the pub for his daily pint of Guinness.

I rented this from Netflix recently. Visually, this picture is stunning. Some of the finest filming of the sea I've ever seen. The minimalist story really isn't much, just an attempt to provide some excuse for various actions in the film. This film is really not a documentary at all. One of the special features on the DVD is a short film called "Making the Myth" (or something like that), which is all about how the film was made, how Flaherty scripted various scenes, etc. As noted in the a previous review, the entire shark scene was something Flaherty pushed, recognizing that shark hunting sells. However, according to "Making the Myth," basking shark hunting had gone out over 50 years earlier. Apparently Flaherty also thought that, if he got people hunting the sharks for his move, they might start it up again as a local industry. We found a good portion of the dialogue almost unintelligible. Especially at the start, we thought they we speaking Gaelic! Still, the dialogue is really unnecessary. Flaherty uses old fashioned dialogue cards, like in a silent film, to explain what's coming up. Overall, this was a very interesting film to watch. Since it's just over an hour long, it's a good one to see when you have some time but don't want to commit to any "Major Movie Event!"