L'homme de l'Utah

This film essentially begins with a cowboy named "John Weston" (John Wayne) riding into a small town to inquire about a job. While he's talking, however, he notices that the local bank is being robbed by three men. With the local marshal out-gunned, John decides to return their fire which results in two of them being killed and the other one wounded to the point that he immediately surrenders. Quite impressed, "Marshal George Higgins" (George 'Gabby' Hayes) promptly offers John a job as his new deputy. After accepting the job offer, John is then sent to investigate a fraudulent rodeo circuit in another town which has already resulted in the deaths of three other cowboys--all by snakebite. However, to get to the bottom of this mystery, John has to volunteer as a participant in the same events as the other three cowboys. What he doesn't realize, however, is the overall level of corruption and the exact number of men that are involved. Now, rather than reveal any more, I will just say that I found this to be a rather amusing film due in large part to the antiquated techniques involved in its production--with the recycled background noise during the rodeo scene being especially noticeable. Likewise, having the film start off with John Wayne strumming a guitar and supposedly singing while on horseback was equally entertaining. Admittedly, this film is extremely dated and certain allowances are almost certainly required as it pales in comparison to modern standards. Be that as it may, while it certainly wasn't a great film by any means, it managed to pass the time well enough and I have rated it accordingly. Average.

An American Western; A story set in Nevada about a saddle tramp who collaborates with a U. S. marshal to infiltrate rodeo racketeers who are secretly murdering any competitors so that they collect all the prize money. Simultaneously lively and dull, with its histrionics, simplistic dialogue, and simplistic storyline. John Wayne struggles along in the embarrassing glare of low production values, resorting to showcasing his trick-riding skills. There is stock footage of a real rodeo, the Buffalo Bill Wild West Show, which provides some interesting footage of good stuntwork, but otherwise this is an unremarkable film.

At the start of this Lone Star cheapie, the Duke strays into Roy Rogers territory as he warbles in a worryingly light voice while trotting along on his trusty steed - and one can only speculate on how foolish he must have felt. Thankfully, our hero quickly becomes too involved with a crooked rodeo gang to 'entertain' us with any more serenades as he 'bulldogs' and 'Roman Rides' and does all the other things an honest cowboy has to do to get in with a gang of crooks.

Subsequent fame has given us a kinder opinion of Wayne than he probably deserves in terms of his potential in these early days. Ford saw something there, but nobody else in Hollywood did, and Wayne spent most of the 30s trudging from one no-budget potboiler to another. He's better than most of the cast in this flick, but there's little to indicate the massive star power he would one day possess - it's only his size that seems to give him a presence (and that, if truth be told, is what Wayne was - a screen presence rather than an accomplished actor).

All these flicks were padded out with interminable shots of cowboys riding very fast on their horses, and this one's no different. But in this one we're also treated to lengthy scenes of rodeo riders - which are actually more interesting than the horse-riding fillers, even though the numerous shots of men twisting steers' necks to near-impossible angles in order to floor them and prove their macho status are not pleasant to watch. And the Indians - who were rarely a feature in the Lone Star flicks - are relegated to the status of rodeo sideshow acts here.

THE MAN FROM UTAH is by no means the worst of the Lone Stars pics (of the ones I've seen, that particular wooden spoon is reserved for RANDY RIDES ALONE) although the superhuman status given to Wayne's character is a bit over the top. Probably the best from this era is THE LUCKY TEXAN, so if, for some bizarre reason, you're in a position to choose between the two, be sure to plump for the Texan.

Here's another of the cheap B westerns that John Wayne starred in between THE BIG TRAIL and STAGECOACH. He's singing - voice provided by Jack Kirk - on a slow horse with his last dollar. Marshall Gabby Hayes gets him to look into some baddies. Wayne romances Polly Ann Young and gets into a fixed rodeo.

The copy I looked at was pretty good, with some nice camerawork by Archie Stout, one of twelve he was DP on that year. This being a Paul Malvern production, little money was spent on anything, and the soundtrack was so odd, atypically filled with romantic violas and blaring brass, that I concluded it was added decades later, along with the Foley work.

It's directed at a good clip by Robert Bradbury, but no one was getting a fat contract with a major studio off this one. John Ford would rescue Wayne in 1939, and Stout, who had been DP on Demille's THE TEN COMMANDMENTS, a few years later.

I just watched a couple of John Wayne's old B-westerns on the Encore Channel and was taken aback by someone's brilliant idea to replace the musical soundtrack! Instead of the original music, new and much louder music is present--and it sounded especially weird with the electronic instruments used to make it. After all, it wasn't like they used synthesizers in 1934!! Overall, this is a BAD thing--and I recommend you just download the free movie as linked by IMDb, as the music is just annoying--and even worse than in "The Lucky Texan". What idiot thought doing this was a good idea?!

Like the other new tricked-out B I just saw ("The Lucky Texan"), this one also featured George "Gabby" Hayes. And, like "The Lucky Texan", you might have trouble recognizing Gabby at first, as he doesn't sport his usual huge raccoon-like beard...and is a bit more macho than usual. After all, you certainly don't expect to see him playing a US Marshall!

As for the plot, it's pretty bad...even by B standards. That's because HUGE segments of the film consist of nothing but old rodeo footage and the plot involving a fixed rodeo competition is a cheap way to make use of this film. Wayne plays 'Weston'--a guy who shows himself to be very handy with his fists, on a horse and with a gun. As far as his singing goes, like Wayne's 'Singing Sandy' films, it is very, very obvious that it's not him doing the singing and fortunately this singing persona soon was abandoned in upcoming films.

As a result of lots of padding and the Encore soundtrack, it's definitely among the least watchable of Wayne's B-westerns. It's really a shame, as normally Wayne's Bs hold up pretty well...just not this one.

By the way, please note the 1930s fashions on the leading lady. I guess historical anachronisms weren't much of a concern with this film!