Panique à Yucca City

If you like John Wayne as I do then he must watch blue steel also known as stolen goods on tubi. Its a short but effective film 8n the early days of John Wayne

Blue Steel finds sheriff Gabby Hayes on the trail of a bandit known as the Polka Dot Bandit by his distinctive polka dot neckerchief. After a robbery at a local hotel, Hayes has reason to suspect a tall stranger played by John Wayne as the bandit.

But before he can act on his suspicions both of them get themselves involved in foiling a scheme by a group of outlaws who are starving out a town and they're an especially murderous bunch, attacking supply trains and killing everyone on the trains.

It's not too hard to figure out who's behind all this dirty work, especially when you hear one of the town's leading citizens make a 'sacrificial' offer for everyone's land. Wayne and Hayes come to the same conclusion as the audience does and spend the rest of the film foiling the dastardly scheme.

Blue Steel has lots of action in it, the action covers up some of the holes in the storyline. The villain also has designs on the daughter of another town leading citizen and Eleanor Hunt plays the daughter in the best Little Nell manner of all those Victorian morality plays.

Still John Wayne and Gabby Hayes work well together and it's not the best or the worst of Wayne's Lone Star films.

Almost all the Lone Star John Wayne movies have one or two quite unusual and memorable scenes. Here, it is the bizarre opening scene and the beautiful last shot. The opening is actually quite a mess. It takes place in a hotel room on a rainy night and it is hard to tell what is going on for most of the scene. There is also the only risqué double-entendre that I've seen in a Lone Star film when a newlywed husband comes back downstairs from his bridal suite and announces "I can't find it." The ending shot is Wayne riding off into the mountains with his girl and it is just lovely.

The confusing and messy hotel sequence in the beginning is atoned for at the end with one of the best final chase sequences in the series. As mentions by other users, the stunt work is excellent and the scene of Wayne picking her his fallen lady from the ground while riding a team of galloping horses is still sweet, if not quite breath-taking.

As the ten minute final chase scene is a big element in all the Lone Star Westerns, I would have to rate this highly, although the other 40 minutes does drag a bit.

Edward Peil Sr. plays a great villain as he did in "Man from Utah". He was in some 375 films in his 40 year career.

Yakima Canutt, as usual, is effective as a bad guy too. With a little luck, he would have been as big a star as Wayne.

Not the best Lone Star, but it is effective.

What a wacky opening scene. The thunderstorm's got to be the loudest on record-- and why is Wayne sneaking into the hotel lobby. I guess he doesn't want to pay for a room. Then there are the newly-weds right out of the aw' shucks school of acting. And most curiously of all-- how did they get the groom's"I couldn't find it" snippet past the public watchdogs. This amounts to an astonishing innuendo, and no doubt one for the boys-- in the movie, that is. Probably there are more than a few audience 10-year old's still puzzling over that one. In all likelihood, it was someone's private joke that made it to the screen on a bet.

Lone Star popped for some great location photography. The boys get to ride around the Alabama Hills with the scenic Southern Sierras in the background. The story doesn't make a lot of sense, but who cares, especially when the canyon explodes in a really great effect worthy of an A production. Also, some good crowd scenes of ordinary looking people. When they talk about getting forced off their homesteads, I expect more than a few folks in 1934 wished they had a Wayne on their side.

As others point out, this looks like an early stage in the evolution of Hayes' unforgettable "Gabby" character. He's not called that, still the crusty old coot is definitely coming out. How delightful the Gabby-Wayne pairing proved over the years, especially in their masterpiece Tall in the Saddle. Wayne always seems genuinely amused by the ornery Gabby. Watch some of his reactions here. Those broad grins are not acting.

Great final shot that still brings a tear to the eye.

The 5th of John Wayne's 14 Lone Star Westerns is nothing if not a lively piece. True, it gets off to a remarkably slow start, but once the bandits arrive on the scene the pace picks up no end. Although the heroine is somewhat lacking in thespian talent, she's pretty enough and has little to do or say anyway. It's Wayne and Hayes who set the action rolling and keep it up—interspersed with some spectacular Canutt stunt-work—right to the finish line. And it's good to see Yakima Canutt in a sizable role on camera as well as doubling Wayne in the action spots.

Director Robert North Bradbury has a grand time once the action switches to the wide open spaces. You can virtually see him riding the camera car as it swoops along with galloping-hell-for-leather riders in super-fast tracking shots. And I love those whip pans!

Photographer Archie Stout, a specialist in location work, is also most at home with awesome vistas of wide open plains, ringed by rugged mountains and fleecy clouds in the Alabama Hills, Ca.