An elderly, brash drunk is hired to help improve the image of a controversial dancer, and the two women form an unlikely friendship.An elderly, brash drunk is hired to help improve the image of a controversial dancer, and the two women form an unlikely friendship.An elderly, brash drunk is hired to help improve the image of a controversial dancer, and the two women form an unlikely friendship.
- Awards
- 2 wins total
Johnny Boyle
- Walsh
- (as John Boyle)
Joe Arado
- Undetermined Role
- (uncredited)
Helen Barclay
- Secretary
- (uncredited)
Jack Baston
- Undetermined Role
- (uncredited)
Harold Berquist
- Bailiff
- (uncredited)
Harry C. Bradley
- Bradley - Court Clerk
- (uncredited)
Charles Brinley
- Bartender
- (uncredited)
Don Brodie
- Photographer
- (uncredited)
Lorena Carr
- Secretary
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie was a sequel of sorts to Capra's "Lady for a Day" and in it May Robson reprises her Apple Annie character. Indeed May Robson steals the show and gives by far the best performance. This film would be Carole Lombard's last with Columbia pictures. As with her film, "Brief Moment" her director at Columbia was David Burton and the character actor Arthur Hohl is on board again as costar, here playing her crooked manager.
Carole Lombard's performance is fair. She is trying hard and keeps herself animated, but seems to come up just short. She seems to suffer from a bad case of "over-acting". However, since she is playing a "bad" actress from the wrong side of town, I can't say this is too troubling. The story is complex and on the whole the acting is fine, so overall the viewing experience is pleasing and worth repeating. The ending does tug at your heart-strings and the resolution is well thought out. The characters examine their own faults and are able to take advantage of opportunities to grow...with a little help along the way.
Carole Lombard's performance is fair. She is trying hard and keeps herself animated, but seems to come up just short. She seems to suffer from a bad case of "over-acting". However, since she is playing a "bad" actress from the wrong side of town, I can't say this is too troubling. The story is complex and on the whole the acting is fine, so overall the viewing experience is pleasing and worth repeating. The ending does tug at your heart-strings and the resolution is well thought out. The characters examine their own faults and are able to take advantage of opportunities to grow...with a little help along the way.
That slam-bang opening creates a problem for all that follows. Too bad the remainder settles into rather listless soap opera. In that opening grabber, Robson's old street lady is an untamed alcoholic firebrand who shreds judge Daly's courtroom like a ragged tornado. She cares nothing about the court's staid dignity or the assembled onlookers. It's a heckuva act like nothing I've seen. But where do you go from there with 70-more minutes to fill. Well, the old lady gets adopted by court order by fan dancer Lombard who aims to tame and bring out the motherly good in her. Then too, Lombard herself wants a new career while being pursued by wealthy suitor Pryor. Maybe now an adopted mother can help her. So, will the changes each needs really take hold.
Too bad the follow up fails to rise above the strictly conventional, not helped by Pryor's lack of charisma. Lombard, however, shows her talent with a nicely under-stated performance conveying both sensitivity and depth. All in all, the two lead actresses prove better than the conventional material. But who can forget Robson's early tour-de-force that leaves the stereotype of nice old lady in cinematic shreds, which is about the only reason to catch up with this antique.
Too bad the follow up fails to rise above the strictly conventional, not helped by Pryor's lack of charisma. Lombard, however, shows her talent with a nicely under-stated performance conveying both sensitivity and depth. All in all, the two lead actresses prove better than the conventional material. But who can forget Robson's early tour-de-force that leaves the stereotype of nice old lady in cinematic shreds, which is about the only reason to catch up with this antique.
Carole Lombard plays a fan dancer (working under the moniker "Alabam, the Human Heat Wave") who hooks up with a haggardly, dice rolling, beer guzzler named Patsy when she adopts her out of the "old ladies home" as her new mother, a publicity stunt for Mother's Day. Moving in with Alabam into her swanky apartment, the two women soon bond over shots of straight whiskey, Alabam buys the old lady a new wardrobe, then both try to reform the other of their bad ways. And yes indeed, there is a male love interest for Lombard, a character who fits somewhat loosely into this whole plot.
Interesting film, the first half better than the second, I thought, but I do like the interaction between Carole Lombard and May Robson who plays Patsy - they come across as pretty chummy, which works well for this story. Lombard appears in a number of gorgeous outfits here, everything from glamorous, fur-sleeved dress to satin rompers (how 'bout that ragged old hat with the dead bird hanging off it that Patsy wears in the beginning?!). Worth seeing.
Interesting film, the first half better than the second, I thought, but I do like the interaction between Carole Lombard and May Robson who plays Patsy - they come across as pretty chummy, which works well for this story. Lombard appears in a number of gorgeous outfits here, everything from glamorous, fur-sleeved dress to satin rompers (how 'bout that ragged old hat with the dead bird hanging off it that Patsy wears in the beginning?!). Worth seeing.
Carole Lombard and May Robson star in "Lady By Choice" from 1934, with Robson sort of reprising her Apple Annie character.
Lombard is Alabam, the Human Heat Wave, a fan dancer. Her publicist is attempting to garner some good publicity for Alabam and suggests that for Mother's Day, she go to a nursing home and adopt an old lady to be her mother.
Alabam sees a smiling, gentle Patricia Patterson (Robson) at the home and recognizes her as the screaming, out of control bag lady who came up before a judge (Walter Connolly) at the same time Alabam was there, brought up on a morals charge because of her dancing. Patterson, of course, never had any intention of staying in the nursing home and, there against her will, was obviously making the lives of the people who ran the home a living hell.
In the beginning, it's a match made in heaven, with Patricia living in Alabam's gorgeous apartment and wearing the new clothes Alabam purchased for her. Patricia wins $7000 ($139,185 in today's money) and pretends she inherited it, in order to convince Alabam that she can stop fan dancing and to pursue a stage career.
Problems arise later when Alabam gets together with the wealthy Johnny (Roger Pryor) who is a guardian of Patricia's (and it's hinted that she's his actual mother). Patricia is against the relationship, believing Alabam is a gold digger.
Fun movie with the absolutely stunning Lombard walking around in beautiful clothes with a lot of dead animals hanging from them. She and Robson have excellent chemistry, and their scenes are the best.
Sad to see Lombard, so beautiful and vibrant, and realize she only had eight years left. However, she left a wonderful legacy.
Lombard is Alabam, the Human Heat Wave, a fan dancer. Her publicist is attempting to garner some good publicity for Alabam and suggests that for Mother's Day, she go to a nursing home and adopt an old lady to be her mother.
Alabam sees a smiling, gentle Patricia Patterson (Robson) at the home and recognizes her as the screaming, out of control bag lady who came up before a judge (Walter Connolly) at the same time Alabam was there, brought up on a morals charge because of her dancing. Patterson, of course, never had any intention of staying in the nursing home and, there against her will, was obviously making the lives of the people who ran the home a living hell.
In the beginning, it's a match made in heaven, with Patricia living in Alabam's gorgeous apartment and wearing the new clothes Alabam purchased for her. Patricia wins $7000 ($139,185 in today's money) and pretends she inherited it, in order to convince Alabam that she can stop fan dancing and to pursue a stage career.
Problems arise later when Alabam gets together with the wealthy Johnny (Roger Pryor) who is a guardian of Patricia's (and it's hinted that she's his actual mother). Patricia is against the relationship, believing Alabam is a gold digger.
Fun movie with the absolutely stunning Lombard walking around in beautiful clothes with a lot of dead animals hanging from them. She and Robson have excellent chemistry, and their scenes are the best.
Sad to see Lombard, so beautiful and vibrant, and realize she only had eight years left. However, she left a wonderful legacy.
Fan dancer Carole Lombard 'adopts' tippler bag lady May Robson as her mother in order to improve Carole's public image. The old lady winds up becoming a mother figure to Carole and tries to help her become successful in a more respectable career. But when that falls through, Carole starts to date a young lawyer friend of May's for his money. This creates a rift between the two women and May determines to stop Carole from taking advantage of the lawyer.
May Robson is great. Carole Lombard is beautiful and has good chemistry with May. Fine support from Walter Connolly, Roger Pryor, and Arthur Hohl. Lady for a Day is one of my favorite Frank Capra films. It has great Damon Runyon characters, fun dialogue, and a lot of heart. This is a cash-grab follow-up to that movie but not a sequel. May Robson plays a similar character but this is not Apple Annie. None of the characters in this movie are quite as colorful or enjoyable as those in the Capra movie. Still, it's entertaining enough thanks to Lombard and Robson.
May Robson is great. Carole Lombard is beautiful and has good chemistry with May. Fine support from Walter Connolly, Roger Pryor, and Arthur Hohl. Lady for a Day is one of my favorite Frank Capra films. It has great Damon Runyon characters, fun dialogue, and a lot of heart. This is a cash-grab follow-up to that movie but not a sequel. May Robson plays a similar character but this is not Apple Annie. None of the characters in this movie are quite as colorful or enjoyable as those in the Capra movie. Still, it's entertaining enough thanks to Lombard and Robson.
Did you know
- TriviaWhile many cast members in studio records/casting call lists did not appear or were not identifiable in the 76-minute print available today, they were left in the cast list because of the missing nine minutes.
- GoofsAt about 0:30:00 when Alabam holds the note Johnny wrote, the hand holding the note has no or clear nail polish, yet Carole Lombard is wearing very dark polish.
- Quotes
Patricia 'Patsy' Patterson: It's only youngsters that have to watch their step. Old people don't have to be respectable. Old people are respectable in spite of themselves.
- ConnectionsFollows Grande dame d'un jour (1933)
- SoundtracksM-O-T-H-E-R, a Word That Means the World to Me
(1915) (uncredited)
Music by Theodore Morse
Lyrics by Howard Johnson
Sung by Abe Dinovitch in the bar, with piano accompaniment
Partially sung a cappella by May Robson at her trial
Played on piano and partially sung by Carole Lombard
- How long is Lady by Choice?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Hello Big Boy
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 16m(76 min)
- Color
- Aspect ratio
- 1.37 : 1
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