Gift of Gab

Blowhard Philip Gabney becomes a smash radio announcer, until he is canned from the station for a fake broadcast and tries to resume his on air status by attempting a dangerous stunt. Very weak on plot development, but obviously this was done by Universal to promote various radio, vaudeville, and singing stars of the day. Many of the segments from the movie to be done for a radio listening audience seem more suited to a visual mode. Of note, this is the second movie to team Boris Karloff and Bela Lugosi, even though they don't appear on screen at the same time and are in for a few seconds. Rating, 3 of 10.

This lost film has been found. I was able to get my hands on a bootleg VHS of this flick. I'm a big fan of the Universal horror movies of the 30s. It was a treat to see this comedy that is directed by Karl "Mummy" Freund, starring Gloria "Invisible Man" Stuart, and cameos by Lugosi and Karloff. The story kind of jumps all over the place. And I'm guessing that radio comedy bits weren't done on sets with actors in costumes. Also we hear multiple versions of "I ain't gonna sin no more". Otherwise good fun.

Well, months after knowing this was on my YouTube "Liked Videos" list, I finally watched this there as this was another early film appearance of Ethel Waters, here singing "I Ain't Gonna Sin No More". This also marked the only movie appearance of the Beale Street Boys. The sing with both Ethel and by themselves on this song and they also appear a few more times throughout the narrative. I enjoyed them very much. Also of note is a mystery sketch which featured two of the movie's studio's (Universal) biggest stars at the time-horror icons Bela Lugosi and Boris Karloff who was still billed just by his last name during this period in his career. They appear separately just minutes of each other. This one was also very enjoyable. There are some other music acts like Ruth Etting and other sketches which are hit-and-miss. The story itself is a little amusing but also for the birds as the narrative goes on. I also feel like citing three men in the beginning appearing at a receptionist's desk singing a part of "Tiger Rag" which is my LSU Tigers football team's theme song. Also, this was directed by Karl Freund, normally a cinematographer who would eventually wrap up his career doing that on the classic TV show "I Love Lucy". So on that note, Gift of Gab is worth a look and nothing more.

As a movie, this story staggers all over itself. It's a pretty mundane rags-to-riches-to somewhere in the middle story. The acting isn't real crisp, the plot is choppy at times, and the comedy is just not very funny.

The movie is redeemed, however, by the presence of many live musical performances of stars from the '30s. Many of these performances are of immense historical proportions in terms of music. Lots of people will want to see this because of the presence of Bela Legosi and Boris Karloff on screen together, but their participation in the movie is very short and rather disappointing.

If you're looking for an entertaining movie it's probably best to skip this one. If you have some interest in stars of the '30s, it's one you should catch.

Painfully unfunny musical comedy from Universal about an arrogant con man (Edmund Lowe) who becomes an even more arrogant radio star. Movies like this remind you how little Universal had going for it at this time outside of their horror pictures. Lowe is about as charismatic as a second-rate William Powell can be. Gloria Stuart has the unfortunate task of playing his love interest. Victor Moore plays one of his nervous nebbish characters I find so irritating. Jack Benny-looking Hugh O'Connell plays Lowe's sidekick. Ethel Waters, Ruth Etting, and Gene Austin sing forgettable tunes. Slightly noteworthy today only for brief cameo appearances by Boris Karloff, Bela Lugosi, Chester Morris, Paul Lukas, and "Sheridan Whiteside" himself, Alexander Woollcott.

The jokes and sketches are all lame. I didn't laugh once. I'm talking "is your refrigerator running" level of humor here. Directed by famed cinematographer Karl Freund but you would never know it as there's no visual style to this at all. Words I was sick of after watching this: stooge, liver, and all variations of gab.