Les amants fugitifs

There is so many absurd plot elements in this movie it's a wonder it ever got past the writer's room. That it plays much better than it must read is a tribute to director Richard Boleslavsky and the wonderful cast: Robert Montgomery as an escaped convict; Madge Evans as a chorine fleeing from the attentions of a gangster by boarding a cross-country bus; and Nat Pendleton as the gangster, so convinced that Evans is crazy about him that he boards the bus too. You never learn just why Montgomery was in prison, but I rooted for him just the same, sensing he was a good man. Evans sensed this too, helping him even after she learns he was the object of a nationwide manhunt. There is a lot of comedy (Ted Healy and the Three Stooges are on the bus); there is suspense when a bus full of children is buried by a blinding snowstorm; and drama of the chase and attempted rescue, all pleasures to enjoy. There is also the surprise at seeing Akim Tamiroff, Walter Brennan and others in unbilled roles. Much of the movie was shot on the road using two buses as mobile sets.

Robert Montgomery, Nat Pendleton, and Madge Evans turn in remarkable performances. Please note the talents of Mr. Pendleton. He could do comedy and serious roles. Also, his background is very interesting (Olympic athelte). The trip through New Jersey and Pennsylvania at the time (1934) shows a sparsely populated countryside. At that time, the George Washington Bridge had only one level and the highways were mostly two lanes. Also, if you're familiar with the George Washington Bridge, the entrance on the New York side was vastly different from what it is today. It's almost like taking a trip aboard a time machine.

I watched this film merely because of the opportunity to see the Three Stooges in one of their early features. I was surprised (pleasantly) by their appearance, as they actually played real characters, pretty much, and not outrageous clowns. And although their former honcho Ted Healy is in the film, they don't really interact with him. But the true surprise was how wonderfully entertaining and brilliantly shot the whole thing is. Richard Boleslawsky and Ted Tatzleff, the cinematographer, created a visual sense to this film unmatched by anything I remember seeing from the period. And the pacing, both in cutting and in dialog, manages to be rapid-fire and eloquent at the same time. So much has been made about the development of deep-focus photography in the years following this film, it's often forgotten that short focus can be fabulous to look at as well. Inside the bus that provides much of the setting for this film, there is always a sense of constant life going on in the background even though the foreground faces are the only things in sharp focus. I loved the look of this movie. Faces are given immense importance, even when the character who owns the face is not so important to the plot. And even the minor characters have minutely detailed physical, facial, and emotional detail of expression, bringing each of them to vivid life, often in a few seconds or less. Technically, I think this movie represents an amazing accomplishment. The plot and the performances are neither unfamiliar nor astonishing, but the execution in virtually every department is smashing. I wish I'd known about this little gem years ago.

Nat Pendleton is Caffey, producer, who tries to pick up Letty (Madge Evans). there's a jail break, and here comes Blaine (Robert Montgomery), who joins Caffey and Letty on long a bus trip. Caffey figgers out who Blaine is, and tries to give him a break if he exits now, but Blaine won't leave. co-stars the Three Stooges, although here, they are called the Three Julians. in much more low key roles than they ever had before! un-credited appearance by Milton Kibbee... had TONS of small parts, but older brother Guy was so much better known. and the awesome Walter Brennan is a bus driver. everybody starts closing in on Blaine, but he seems to get away every time. it's all pretty light weight. some fun characters on that bus ride! and then things start to snowball. literally. in the snow! Directed by Richard Boleslawski. he died so young a couple years later, during the filming of Mrs Cheyney.

This film is a perfect example of how to turn a pot-boiler into an art form. Each shot is expertly staged, lit and photographed - a stunning example of what a major studio can do with behind-the-scenes-talent in all fields with a minor script. The director is not well known but some of his films, notably Les Miserables, are well loved. The kind of quality he brought to such major films is here just as clearly in a minor one. Each person photographed on the bus could well be a Steichen portrait. The snow scenes have a beauty seldom captured, particularly on a studio set. I recommend everyone record this film on DVD the next time it's on TCM. After seeing it you'll want to go back and study individual frames.