After losing their fortune in the Great Depression, a wealthy family embarks on a yacht voyage to the South Seas, leading to screwball antics. A musical comedy.After losing their fortune in the Great Depression, a wealthy family embarks on a yacht voyage to the South Seas, leading to screwball antics. A musical comedy.After losing their fortune in the Great Depression, a wealthy family embarks on a yacht voyage to the South Seas, leading to screwball antics. A musical comedy.
Maurice Black
- Joe Spilatti
- (uncredited)
Lynne Carver
- Singer in Quartet
- (uncredited)
Martin Cichy
- Ship Passenger
- (uncredited)
Helen Collins
- Ship Passenger
- (uncredited)
Peggy Combel
- Ship Passenger
- (uncredited)
Ellen Corby
- Shop Girl
- (uncredited)
Phil Dunham
- Mr. Weems
- (uncredited)
Dot Farley
- Passenger with Diamond Bracelets
- (uncredited)
Betty Farrington
- Mrs. Weems
- (uncredited)
Featured reviews
This 70 minute film made at huge expense at RK0 was their entry into the scatterbrain comedies of the early 30s like DUCK SOUP and MILLION DOLLAR LEGS. Madcap social anarchy mixed with silly kingdoms and sprinkled with songs. KING KELLY OF THE USA and HIPS HIPS HOORAY also fall into this format of two separate halves of a film making up the 60-70 minute running time. In this catastrophe comedy the first 30 minutes aboard the yacht of the title are quite terrific with two truly divine songs set in art deco splendor akin to an Astaire Rogers film: 'Funny little World' especially is worth listening (and watching) over and over. 'The little finger on your hand' is a lilting wistful song and equally memorable and well staged. However..... it all runs aground on some dirt puddle island and complete 'wackiness' takes over. The second half is simply terrible with the shipwrecked socialites living and working like natives while the Polynesians wear silks and top hats and get ordered around by a deranged 'queen' Mary Boland. The film completely falls apart, as if two completely different films were made and wedged together. However the production values are spectacular. I truly love the first half on the yacht. I truly gasp in sheer embarrassment at the second half. as one friend said to me after we lurched thru it: "you sure have shown me some silly films, but that was the silliest"............And not fun either. Apparently it cost half a million dollars in 1934... an epic disaster financially for such a support film.
As noted in other comments for this film, this one starts out looking like a typical 1930s screwball comedy about high society but changes course quickly. The story takes several sharp left turns into becoming a musical farce set in a Polynesian island kingdom. Of particular delight is Mary Boland's shabby-glamorous queen and her manservant in tattered livery. The two romantic leads are undistinguished, particularly the male. But any film with Ned Sparks deserves some credit, and the musical numbers aren't as tedious as many others of the period were. It's a curious affair, made all the more startling by the film's rapid pacing, but I feel I must say that other comments make "Down To Their Last Yacht" sound like something from the avant-garde. In truth it's no more 'out there' than W.C. Fields' "Million Dollar Legs" or some of Wheeler & Woolsey's more absurdist work. Not a classic, but certainly worth watching if you come across it.
If you're up for a challenge, definitely see RKO's 1934 bizarrefest DOWN TO THEIR LAST YACHT. You'll have self-inflicted dandruff from scratching your head by the time it's finished, I promise you. A family formerly of the social register hit the skids after the stock market crashes. All they have left is their 80 ft. yacht, which Polly Moran arranges for rental on behalf of skipper Ned Sparks. A boatful of nouveau rich (with the likes of Tom Kennedy, Maurice Black and Blanche Payson!!) set sail for the south seas. Stowaway Sidney Blackmer (watch out - he sings!!) pines for ingenue Sydney Fox, late of MURDERS IN THE RUE MORGUE. Sparks runs aground and the whole gang is captured by Queen Mary Boland and her butler (what else) Charles Coleman. The natives are seen lazily singing of love. The lead is none other than Felix "Tom Tom" Knight. Boland's native guards are armed with tommy guns. She threatens to kill them if Blackmer doesn't marry her. I won't give it all away, but there's more incredulity involving bombs, a radio-wired saxophone and Pooh himself Sterling Holloway.
Whether or not DOWN TO THEIR LAST YACHT was actually the financial disaster that legend has painted must be confirmed with documentation. While not a top drawer release, it was certainly big enough to warrant issuance of motion picture edition sheet music. Also, there are some pretty costly optical and miniature effects. But whatever its cost and subsequent receipts, there is no denying that the film is strange beyond comprehension. And for those who are inquisitive and indulgent of films off the beaten path, DOWN TO THEIR LAST YACHT is definitely worth 64 minutes of your time!
Whether or not DOWN TO THEIR LAST YACHT was actually the financial disaster that legend has painted must be confirmed with documentation. While not a top drawer release, it was certainly big enough to warrant issuance of motion picture edition sheet music. Also, there are some pretty costly optical and miniature effects. But whatever its cost and subsequent receipts, there is no denying that the film is strange beyond comprehension. And for those who are inquisitive and indulgent of films off the beaten path, DOWN TO THEIR LAST YACHT is definitely worth 64 minutes of your time!
This RKO comedy was the last film that Sidney Fox did. 8 years later the tiny
young actress was dead from overdosing on sleeping pills.
She went out on a weird movie with Down To Their Last Yacht. She's an heiress whose family only has its yacht left. It gets rented out to Polly Moran who is hosting a big cruise for those who made out OK and didn't lose their shirts in the Depression.
They are a crowd of boors as Captain Ned Sparks finds out. He's planning to rip them off until he runs the ship aground on an island where Mary Boland is queen.
If that ain't weird enough I can't help it. The film is funny but it has a surreal quality to it. I thought the ending would show it was Fox's dream. That wasn't it though.
Fans of some of the players will like this.
She went out on a weird movie with Down To Their Last Yacht. She's an heiress whose family only has its yacht left. It gets rented out to Polly Moran who is hosting a big cruise for those who made out OK and didn't lose their shirts in the Depression.
They are a crowd of boors as Captain Ned Sparks finds out. He's planning to rip them off until he runs the ship aground on an island where Mary Boland is queen.
If that ain't weird enough I can't help it. The film is funny but it has a surreal quality to it. I thought the ending would show it was Fox's dream. That wasn't it though.
Fans of some of the players will like this.
I'm not sure if this movie is bizarre, as several previous reviewers have claimed, or just a silly attempt to slap something together that will appeal to audiences after they have sat through whatever the main feature was.
For this must certainly have been made as the B movie for houses that showed double features.
Humor: Mary Boland is her usual funny self. Sterling Halloway, who could be funny, doesn't get much to work with.
Sex: You get to see lots of "native" men and women in skimpy outfits. For 1934, this could have been titillating. No one would have mistaken them for real "natives," however. Some of them sing with noticeably New York accents.
Music: The big production number near the end, the second-last number, is pleasant.
Production values: Some of the editing of that production number is interesting.
And there you have it. For 64 minutes, it's fine. Longer than that would have been too long for something so unsubstantial.
I can't imagine anyone would have paid money to see just this, without a better main feature.
For this must certainly have been made as the B movie for houses that showed double features.
Humor: Mary Boland is her usual funny self. Sterling Halloway, who could be funny, doesn't get much to work with.
Sex: You get to see lots of "native" men and women in skimpy outfits. For 1934, this could have been titillating. No one would have mistaken them for real "natives," however. Some of them sing with noticeably New York accents.
Music: The big production number near the end, the second-last number, is pleasant.
Production values: Some of the editing of that production number is interesting.
And there you have it. For 64 minutes, it's fine. Longer than that would have been too long for something so unsubstantial.
I can't imagine anyone would have paid money to see just this, without a better main feature.
Did you know
- Quotes
Barry Forbes: There's something I think you ought to know. It'll be a shock to you; but, I've got to tell you. I love you. It's a crude statement of a beautiful truth. Later on, I hope to go into more graceful detail.
- SoundtracksFunny Little World
(1934) (uncredited)
Written by Ann Ronell
Played during the opening credits and as background music often
Sung by the crew and passengers on the yacht
Reprised at the island
Details
- Runtime
- 1h 4m(64 min)
- Color
- Aspect ratio
- 1.37 : 1
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