La p'tite Shirley

This was my first attempt at watching a Shirley Temple movie, though this film was made before she really hit it big and therefore her screen time isn't as much as it would quickly become. The story instead centers on a likable ex-convict Eddie Ellison (James Dunn) who has harmless fun playing practical jokes on his friends and comes out of jail to marry a loyal woman (Claire Trevor). Six years later, the couple have young Shirley as their daughter and Eddie tries to hold a job. But a bitter and nasty private investigator (Alan Dinehart) is determined to do whatever it takes to ruin Ellison and send him back to the slammer again and tries to nail him for a theft he wasn't involved in. Here is where daddy's little girl helps her father out by trying to foil the real crook.

It's easy to sense the potential which shines off Shirley Temple during her scenes with Dunn and Trevor, and the precocious little charmer does delight with some mild dancing and her cutesy antics, but this film is reportedly not one of her best. It's lightweight stuff, though probably a feature that wouldn't be remembered at all today if not for the participation of Miss Temple. ** out of ****

**Some Possible Spoliers**

It was 12pm in the afternoon, and the announcer happened to indicate that a film with Shirley Temple was to come up next. My mother told me to tape the film since she thought that any film with Shirley Temple is a sure winner.

I was reluctant, but once the film started going i was rather intrigued. The story is rather good, and the actors are not so bad. Yet the adult actors tend to be a little too rigid in some moments of the film.

Shirley has to be without a doubt, the person who steals the show in this movie. Being cute and full of charm, she has the potential to just blow other actors right off the screen.

Although sometimes you wish she hadn't done things, like cut Mr Stone loose, she still remains as the best actress on screen. The last scene of the film on the rooftop was a reassuring one. There was some pretty good acting by Claire Trevor (Kay) which made the scene believeable. And the ending was rather sweet and happy (predictable).

I really enjoyed watching this film, and the scene with the coffee pot and the beads always gets me nervous. Anyone who likes old fashioned comedy, you'll be in for a treat. Shirley's charm surely makes this film worth watching.

Rating: 8/10

Baby Take A Bow is based on a Broadway play called Square Crooks and ran a respectable 150 performances in 1926 and also was a silent film in 1928. But noting in the credits of both the Broadway cast and the silent film I noted all the names save for an equivalent of Shirley Temple.

Fox films showed some good judgment in grafting Shirley Temple's child character into this version. A couple of guys played by James Dunn and Ray Walker are trying to go straight and are succeeding. Both are employed by a wealthy family as chauffeurs. Dunn and Walker are married to Claire Trevor and Dorothy Libaire respectively. But Dunn and Trevor have that little bundle from heaven named Shirley Temple.

Both these guys face a pair of menaces. A recently released con played by Ralf Harolde who tries to get them back in the life. And Alan Dinehart who is a private detective who would like to become a real cop, but they won't have him. His role model in law enforcement is Inspector Javert and he hounds Dunn and Walker especially after a jewel heist is pulled on their employer.

Of course it's Shirley who in her innocent way gets Dunn and Walker out of a potential jackpot. Dunn and Trevor both have trouble keeping up with her.

Fans of the eternal moppet will be pleased.

BABY TAKE A BOW (Fox, 1934), directed by Harry Lachman, with its backstage musical sounding title, is actually one taken from a production number introduced by James Dunn and Shirley Temple in STAND UP AND CHEER (1934). While it could have been a sort of sequel with Dunn and Temple reprising their original roles as Jimmy and Shirley Dugan, father and daughter song and dance team, in a story to what's become of them after making it big on Broadway, with the little girl taking all the bows while her father rests in the background, it's actually a dramatic story with some doses of humor thrown in, about reformed crooks going straight (filmed before as "Square Crooks" (Fox, 1928) starring Robert Armstrong, Dorothy Dwan and John Mack Brown). For Shirley Temple's first starring role at Fox, much of the plot revolves around future Academy Award winners James Dunn (Supporting actor for A TREE GROWS IN BROOKLYN (1945) and Claire Trevor (supporting actress for KEY LARGO (1948), with Temple, as their petite daughter, around for moral support.

The ten minute prologue introduces Kay (Claire Trevor) at the train station heading for Ossining to meet with the man she's going to marry. Eddie Ellison (James Dunn), a former crook, having served time in Sing Sing Prison, is being paroled four months early for good behavior. Welch (Alan Dinehart), the special investigator who caused Eddie's conviction to get Kay for himself, has followed Kay to the prison. Upon their meeting, Kay makes plans for she and Eddie to marry and honeymoon at Niagara Falls. As Flannigan (James Flavin) arrives with Larry Scott (Ray Walker) to serve a five year stretch, Scott, who takes an immediate liking towards both Kay and Eddie, and dislike towards Welch, does Eddie a good turn by socking Welch. Six years later, Eddie is seen working as a chauffeur for the wealthy Joseph Carson (Richard Tucker). He succeeds getting Cason to hire his friend, Larry, now out on parole with plans of marrying Jane (Dorothy Libaire), though both keep their prison history a secret. Also released from Sing Sing is "Trigger" Stone (Ralf Harolde), who, unlike Eddie and Larry, has no intentions of reforming. Eddie and Kay, blessed with a daughter, Shirley (Shirley Temple), make preparations for her upcoming birthday party to take place on the rooftop of their tenement apartment building. Trigger, who has stolen a pearl heckles from the Carson home, gives it to Shirley, thinking it as her birthday present. Due to the robbery and the discovery of Eddie and Scott's prison records through Welch, Carson is forced to have dismiss them from his employ. Learning that Trigger is the culprit, Eddie and Larry have a hard time proving their innocence, especially with the heckles in their possession and Welch hot on their tail.

Not quite the formula Shirley Temple production, BABY TAKE A BOW, does offer her, in ballet dress, a song and dance number accompanied by James Dunn singing "On Account of I Love You" (by Buddy Green and Sammy Stept). A good song underscored during its opening and closing credits, but something that simply didn't catch on as did Temple's other hit songs of 1934, "Baby Take a Bow" and "On the Good Ship Lollipop." Temple and Dunn registered so well together that they were reunited for the last time in their best collaboration, BRIGHT EYES (1934). Others in the cast include Olive Tell (Mrs. Carson); Samuel S. Hinds (The Warden); Mary Gordon (Mrs. O'Brien); and Guy Usher (McLane, Captain of Detectives).

1934 was a busy year for Shirley Temple, having more film releases than any other year. As for BABY TAKE A BOW, it has become unfamiliar and least known to modern audiences due to its unavailability, having never become part of the "Shirley Temple Theater/ Playhouse" on commercial television during the 1960s and 70s. Not until the mid to late 1980s has BABY TAKE A BOW surfaced, becoming a welcome addition to the Shirley Temple/20th Fox movies placed on cassette by Playhouse Video and distribution on cable television (Disney Channel (early 1990s), American Movie Classics (1996-2001), Fox Movie Channel) and later on DVD either in colorized or original black and white formats.

Regardless of BABY TAKE A BOW's reputation as being one of Temple's lesser efforts, due to plot focusing more on adults (especially the annoying Dinehart) than to her character, along with some gun battles not used in her latter films, overall, a welcome addition plus a look back into the early career of the biggest, littlest star, Shirley Temple. Baby, take a bow! (***)

I love swimming around in these old movies. Very few of them are worth watching for themselves. But many of them have such strange narrative experiments. You just can't honk around today like this.

Here's what this is. It part prison picture in tone. Prison movies were a staple in that era because the system was considered to be inherently unjust, and good men could easily be sent to the bighouse, with cops usually depicted as incompetent or cruel.

Its part adventure/comedy, with stolen jewels, hidden and with open slapstick toward the end.

And it partly a show movie with a song and dance number, apparently recreated from a previous film.

The film itself is dull and cheap, but the idea behind it is wild. A pudgy 5 year old can carry a film?

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.