La lune à trois coins

The best known name in this film is Claudette Colbert, and she presents her comedic talents as effortlessly as always. However, the surprise is that this screwball family comedy belongs to Mary Boland. Her ditzy, oblivious mother delivers priceless lines one after another. So as not to give all the jokes away I will only say that this family presents the humor in going broke (Boland has run the family into financial ruin and must end her 'career as economic advisor,' but insists she must sign something every month even if it is not the checks!), possible jobs in cleaning sewers, and failing the bar exam. Top that off with the family having a foreign maid who does not understand a word they say or allow them into the kitchen and this socially aware, zany family makes me wish I belonged to them.

This movie is indeed astonishing: it starts out like some silly, light comedy about an upper-class Brooklyn family, living, without a care in the world, in a big house with servants and everything, exclusively on money from their stocks. BUT then the Depression reaches even their home: practically overnight, they find themselves flat broke. And, having lived for so long in their 'castle in the skies', they just haven't got any idea about what to do at first.

And then they start waking up: the only way out for the three grown boys and the girl is - to FIND A JOB! And that's what they do, and where they first meet with the difficulties of REAL life; and so, one by one, they wake up to reality - and they finally discover that they LIKE it: from being lazy parasites, they've become useful members of society...

Of course, it's by FAR not as 'educational' a picture as this may sound - anyway, it's a pre-Code movie, and it's got lots of frivolous and funny moments to provide first-class comedy entertainment. The cast is great, from Claudette Colbert as the daughter of the house who's got to choose between a daydreaming writer and a down-to-earth doctor, to Mary Boland as the 'lady of the house' who just doesn't seem to know at all what's happening, to Lyda Roberti, no less - the seductive 'Million Dollar Legs' beauty from the 1931 W.C. Fields movie - , who plays the Polish cook here who never seems to understand a word in English, but stays with the family nonetheless, even without pay; a real proof of her great acting range!

And yet, the message is there, even amidst all the hilarious fun - and it's MOST up-to-date, too: today, there are breadlines and people on the dole everywhere again, and formerly well-to-do families who now have to WORK for a living; and once you've got used to it (and have been as lucky as to FIND a job), you UNDERSTAND. You understand that it feels GOOD to be a useful member of society instead of an idler that lets others feed him... QUITE a message for a 'simple' comedy that's pretty much underestimated today in comparison with many of its other, much more forgettable contemporaries!

It's not 'laugh you sides' off funny, instead it's got a sweet, warm cuddly sort of humour. You wouldn't describe it as 'screwball' or zany or even sophisticated...... some might not even call it a comedy (there aren't actually any laughs in this) but it's got a little bit of magic that somehow makes you smile. It does take a while to get going so stick with it, it gets much better as it goes on.

By 1933 when this was made, they'd figured out how to turn a stage play into a motion picture. This film doesn't try to deny that you're watching a play but, unlike those horrendous efforts in the early talkies years, it works beautifully here. Its scenes, its dialogue, its settings are so obviously what was being shown live on stage at this very time on Broadway but director Elliott Nugent, injects energy and life - not to mention excellent framing and lighting to make this a proper film.

It's about a silly rich family, frittering their money away on trivia who suddenly lose all their money. A silly rich family, frittering their money away on trivia would clearly not win the hearts of an audience in 1933 so what this does is then tries to endear them to us.... and it does. It's a very clever and amusing piece of writing.

It's also faultlessly acted. Although everyone except for Claudette Colbert and Richard Arlen are all nuts, you'll find them all strangely believable. Your heart tells you they're real people ....but your mind might disagree.

In many ways this could be called a 'coming of age' drama. We get to know and grow to like a group of people whom we initially find annoying. We enjoy and almost feel part of the experience of seeing them 'grow up' into responsible adults..... well apart from Richard Arlen who had to have been the dullest romantic lead of all time. It's good fun.

If it weren't for the fact that there are no dead bodies buried in the cellar, the set of the house where 90% of the film takes place looks like the Brewster home from Arsenic And Old Lace. Like the Brewsters the Rimplegars are old Brooklyn money.

Head of the clan Mary Boland could easily have been a third Brewster sister. Boland took a patent out on empty headed grand dame roles and what she didn't play Billie Burke and Spring Byington did. Some stock broker sharpie wheedled the family fortune out of her and the 1929 crash did the rest. She and her spoiled children which consist of Claudette Colbert, Wallace Ford, William Bakewell, and Tom Brown all have to make their own way in the world.

As does Hardie Albright who was courting Colbert, he figured on a life of ease, but is reevaluating his situation with Joan Marsh. The only person around with any real sense is Richard Arlen who plays a doctor who likes the family and rents a room with them. They get his rent and free medical service, can't beat that during the Depression years.

Three Cornered Moon ran for only 57 performances on Broadway in 1933 and playing Claudette's role was Ruth Gordon. Such movie cast names as Brian Donlevy, Elisha Cook, Jr., and John Eldredge were all in the Broadway cast. Though the play has a few laughs you don't really get involved with the Rimplegar family as such. Claudette Colbert had much better comedy roles in her future.

Claudette Colbert leads a strong cast in this tale of a once-wealthy family adjusting to life after the family fortune has evaporated.

Mary Boland is excellent as the widowed mother—not really equipped to manage finances, she put all of their money into a failed mine called the Three Cornered Moon and doesn't quite know how to tell the kids they are broke. Colbert is her daughter, engaged to a rather useless aspiring novelist but not afraid to go out and find a job herself.

There are also three grown sons, most notably Wallace Ford in an admirable performance as an earnest go-getter with girl trouble who spouts great lines like, "From now on, I'm gonna be absolutely independent of everybody. That reminds me, I gotta ask Mother for some money."

Richard Arlen has a key role as a doctor friend of Colbert. Hearing of the family's troubles, he moves right into their house to help them out by contributing some rent…and also, it seems, to be around Claudette more.

It's a mildly silly comedy, for the most part, but has a couple of serious moments, especially the scene where Colbert finally sees through her deadbeat writer boyfriend (Hardie Albright): "You've failed me!" she gasps, devastated, when he returns home late one afternoon having skipped a job interview and bought her flowers instead.

Charming rather than side-splitting, it's a very entertaining family comedy, thanks to excellent characterizations from all.