Reportage à l'américaine

Sucker Money is a well directed, decently written film. Its also pretty respectably acted as well. A bonus is the fact not many films have been made about phony mediums so that makes it somewhat unique. I was kinda turned off by the lipstick and eyeshadow that leading man Earl McCarthy wore until I realized that it was all part of his undercover "job"...portraying a dead soldier. Amazingly, McCarthy dropped dead of a heart attack shortly after making this movie...despite the fact he was in his mid twenties and should have been in great shape, having been a professional dancer just a couple years before. Hmmmm, something fishy about all that in my opinion. People who aren't fascinated by these old black and white films will probably find nothing here. Others, like me will find that it holds their interest throughout. This would have been a wonderful vehicle for Bela Lugosi although the fellow who portrayed the swami was very good in creepy roles. I enjoyed it! It would be cool if someone investigated what really happened to young McCarthy.

It's rather unbelievable that anyone would fall for this spiritualist stuff. Here the spiritualist world is simply a movie shown on a regular movie screen, which isn't very other worldly. There are a number of interesting 1930s characters in the movie though, which made it pretty enjoyable to me. It's interesting to contrast their fake "spiritualism" work day personalities with their actual everyday personalities. The 2 black dudes spend their working day being zombie like guards, but then enjoy tossing dice after work. I'd enjoy hanging out with them more than anybody else in the movie.

Anyway I always enjoy Misha Auer, who never gets a starring role, as far as I know, except in this movie. I also enjoyed seeing Mona Lisa, in her only talking role. I always wondered what she did after posing for that painting :-)

I love museums and museum pieces. This is not a good movie but it gives an insight into a time that no longer exists - old-fashioned furniture, clothes and habits that went out of style way before many of us were born.That would be the only reason to see this picture.

You can also see Mischa Auer before he became a pop-eyed relief comic in many musicals of the 30's and 40's, as well as some lesser-known actors who are long-gone.The plot line is negligible and far-fetched but it's fascinating to ponder how popular psychics were in the '30s. Also nice to see the 'ever-popular Mae Busch', as Jackie Gleason used to put it on his show. Evidently a pretty good actress who lacked timeless beauty.

In short, Sucker Money is a curiosity not recommended except as a trip to the museum.

A crew of phony spiritualist scammers hooks a big bucks sucker, but things get complicated when an undercover reporter joins the crew.

It's hard to do a spiritualist scam movie without getting hokey, especially with the lesser technology of the 30's. Nope, no digital wonders here, just costumed characters, back- projection screens, and fateful voices. Do the suckers fall for the phony theatre. Of course, they do, and for big money, too. I guess the pigeon here is smart enough to be a big-time investor, but dumb enough to be taken in by dime-store theatrics.

Anyway, if you can get past the stumbling narrative and the awkward staging, there are a few compensations. Actress Busch conveys a sassy sense of reality that may not fit with the rest, but lends needed spark to the flat direction (two directors, which probably didn't help). Looks like she should be trading barbs with other street-smart types like Joan Blondell. Auer's got the face of a supernatural type, but rather surprisingly, doesn't play it up, thus weakening a pervasive sense of evil. And, I may be alone, but actor McCarthy could pass for an earlier edition of Paul Newman, at least in some shots. Too bad he died so young. And those two hulking black door guards amount to a note of visual inspiration, even if their dialog amounts to Amos and Andy.

Overall, the movie's not bad enough for camp. In fact, it might even suffice for old movie junkies, like myself.

An undercover newspaper reporter answers an ad for an acting job and winds up with a swami taking "Sucker Money" in this 1933 film.

Mischa Auer plays the crooked swami, who has a team of people appearing as loved ones to unsuspecting suckers and cheating them out of their money. Then the team grabs the money and runs to another location.

This was a difficult film to follow because the film looked terrible and had bad sound. I assumed the story would focus on the undercover reporter, but he barely had anything to do.

I didn't like the movie.