Sherlock Holmes: Une étude en rouge

As long as one understands this version of A STUDY IN SCARLET bears no resemblance to its source material, one can enjoy the performance of Reginald Owen -- best known for playing Scrooge -- as the inimitable Sherlock Holmes. The story as such involves a secret group of individuals who are being knocked off one at a time. A fortune is at stake! Holmes is called in and more or less immediately identifies the killer(s), but the movie stretches events out to feature length, and a bad movie it is not. Owen makes an acceptable Holmes, even though the story has been moved forward to the time in which the movie was made. Warburton Gamble's Dr. Watson leaves something to be desired, but most movie Watsons can be found lacking. Only Ian Fleming in 1935's TRIUMPH OF SHERLOCK HOLMES and the Dr. Watsons of the Jeremy Brett TV series come even close to the Watson of the Conan Doyle stories. Worth a look as a novelty.

This early sound-era portrayal of Sherlock Holmes is good for its era and genre, with solid acting and an interesting story that is set in a believably mysterious atmosphere. An important note is that the story has no real similarity with the Arthur Conan Doyle story titled "A Study in Scarlet", but rather draws its characters and material from several different stories, plus at least one Agatha Christie novel. As long as you don't expect to see the original story, there is certainly enough to make this a feature worth seeing.

Reginald Owen is solid as Holmes, although he does not leave his mark on the role in the way that Basil Rathbone and Jeremy Brett did. Owen does have the unique distinction of having played both Holmes and Dr. Watson (having played the latter in "Sherlock Holmes" the year before "A Study in Scarlet").

The rest of the cast likewise play their characters in a straightforward fashion, allowing the story and atmosphere to get the main focus. The one who does stand out is Anna May Wong, who adds beauty and a mysterious presence, although unfortunately she does not get a lot of screen time.

The story itself has numerous turns, and keeps you guessing. The atmosphere might not always be Holmes-like, but it is quite suitable for the story, and it is aided by good use of the lighting and photography. Overall, if you can set aside the misleading (for Holmes fans) title, it is an entertaining mystery with some good touches.

I first started reading the Holmes saga almost 40 years ago.Since then,my search has included all of the stories in the Canon,a great number of the pastiches,a vast number of the films,plays,and T.V. specials,and other works.So,while not considering myself a TRUE expert,nonetheless,I have a working knowledge of many of the adaptations.

There has yet,to my knowledge,to be a dramatisation of the original story of this name.And,it seems,for good reason.The plot involves the murder of 2 American tourists to London,both of whom being members of the Church of Latter Day Saints.The framework story then opens,and shows a fictionalized,and highly derogatory account of a Mormon totalitarian police state.Dissidents are terrrorized,nonconformists are murdered,and travelers are slaughtered so that new additions can be obtained for the harems of the Elders.

Understandably,given these details,one can understand as to why NO adaptation has yet,and probably never will be completed.Not only would it never play in Salt Lake City,but it would also alienate a major religious body.

"A Study in Scarlet" was produced by the low-budget E. W. Hammons at the low-budget Tiffany Studios starring a former Watson (possibly cast because of his association with Holmes films), Reginald Owen, as Sherlock Holmes. The presence of Holmes and Watson is the only connection to the Arthur Conan Doyle story of the same name, and that, in and of itself, is not a bad thing. I have no problem with a Sherlock Holmes film straying from slavish fidelity to the creator of the character. However, this one seems to deviate from the original not as a result of the filmmakers' creativity being exercised in order to make something new, but often in ways that make Holmes into someone that resembles a generic detective protagonist more than the most recognizable of them all.

It's a little odd to see a supposed Sherlock Holmes dart around wearing clothes clearly dated to the 1930s (the only appearance of the famous deerstalker is in cartoon form in the opening titles), but since the story doesn't depend on anything terribly time-period appropriate, the transposition to the contemporary setting doesn't have too much of an effect. A curiosity here is that we are repeated told that Sherlock Holmes lives at 221A Baker Street, not the traditional 221B, even though he still seems to be living upstairs. Whether that's a simple error on somebody's part or a nod to the liberties being taken with the original stories there is no way to tell.

Owen, unfortunately, is rather stiff and unremarkable in is portrayal of Sherlock Holmes. Many point out that he doesn't look the part (and, traditionally, he doesn't) but that hasn't been a problem for countless other actors. If he had managed to make the role his own through his performance it wouldn't have been for him either. He has little presence and seems to think that if he bellows each line with enough conviction and self-satisfaction he'll sound as if he knows what he's talking about.

Sadly the rest of the actors are rather wooden and unimpressive as well, including Anna May Wong. Warburton Gamble makes no impression as Watson, and some of the murder victims are laughably unconvincing in their hesitant screams for help at their dying moments. Everything is taken deadly seriously except for some overplayed comic relief involving characters at a pub, which only semi works.

There is a good mystery story at the heart of this film about a circle of criminals whose members are being murdered one-by-one, but the execution (including the direction which, the exception of one clever shot inside Merrydew's office near the end, mainly doesn't go beyond static two- an three-shots) is too lackluster to serve it well. The scriptwriter deserves credit for a good concept and for a good method of developing the story through showing us going on in all quarters without completely explaining its significance, but nobody else seems to have been trying very hard.

It's still entertaining most of the time, and fun for viewers who will eat up anything Holmesian, but it's far from the best executed film version of the detective's adventures.

KBS Productions paid for the title, but not the plot, of Doyle's 1st Holmes story. Instead, and I might never have known this if not for some helpful contributor to the IMDB, they adapted-- unofficially (and presumably, UNPAID!), Belgian author Stanislas-André Steeman's 1931 detective novel "Six Hommes Morts". I've looked around, and I haven't yet found any evidence that this novel, published in French, has ever been translated into English. However, I've just learned it has been adapted to film at least 4 times, with this being the 1st version. The others were "THE RIVERSIDE MURDERS" (UK / 1935), "LE DERNIER DES SIX" (France / 1941) and "L'inspecteur Wens: SIX HOMMES MORTS" (an episode of the 1975 French anthology TV series, "Les grands détectives")! Now I'm interested in tracking those down for comparison.

Physically, Reginald Owen reminds me a bit of a young Ray Milland (or, a bit, of stage actor William Gillette). He may not look like the traditional idea of Holmes, but thanks to the script, he certainly SEEMD like him, making all sorts of amazing observations that escape the notice of Inspector Lestrade and Dr. Watson (who's mainly here as the audience-identification character, for Holmes to explain the plot to). Owen fares better as Holmes than he did as Watson in Fox's "SHERLOCK HOLMES" only 6 months earlier, while Alan Morbray, who was Scotland Yard inspector Colonel Gore-King in that, returns here as Lestrade.

I've seen this movie at least 4 times now, and have enjoyed it more with each viewing. Part of it is the slowly-developing plot, part is seeing some of the wonderful character actors of the period who I've come to recognize from other films turning up. Among them are Anna May Wong (who once played Fu Manchu's daughter), Halliwell Hobbes (who was in several Rathbone HOLMES films), Olaf Hytten (ditto; he also played "Sheerluck Jones" in the insane comedy short "Lost In Limehouse", which came out only a month before this), and Billy Bevan (a policeman in "Dracula's Daughter", he serves a comic-relief role as a tavern customer, similar to Herbert Mundin in the earlier Clive Brook film).

Given the similarities to "The Five Orange Pips" by Doyle, "Six Dead Men" by Steeman, or "Ten Little Indians" by Agatha Christie, I have to wonder WHICH story Christie might have been borrowing from when she wrote HER novel several years after this!

I only wish someone could locate a complete print of this and do a proper restoration, as between the poor picture and sound quality, and all the words missing due to frequent cuts, this is in almost as bad shape as Raymond Massey's "THE SPECKLED BAND". The screenplay here would have made an excellent installment in the Universal HOLMES series with Rathbone; if it had been, it would have been fully restored by now, as those 12 films were!