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Idylle sous les toits

Original title: Rafter Romance
  • 1933
  • Approved
  • 1h 13m
IMDb RATING
6.6/10
975
YOUR RATING
Idylle sous les toits (1933)
Romantic ComedyComedyRomance

A man and a woman share an apartment on a shift basis, never seeing each other; she dislikes him until they actually meet.A man and a woman share an apartment on a shift basis, never seeing each other; she dislikes him until they actually meet.A man and a woman share an apartment on a shift basis, never seeing each other; she dislikes him until they actually meet.

  • Director
    • William A. Seiter
  • Writers
    • H.W. Hanemann
    • Sam Mintz
    • Glenn Tryon
  • Stars
    • Ginger Rogers
    • Norman Foster
    • George Sidney
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    975
    YOUR RATING
    • Director
      • William A. Seiter
    • Writers
      • H.W. Hanemann
      • Sam Mintz
      • Glenn Tryon
    • Stars
      • Ginger Rogers
      • Norman Foster
      • George Sidney
    • 28User reviews
    • 8Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos45

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    Top cast20

    Edit
    Ginger Rogers
    Ginger Rogers
    • Mary Carroll
    Norman Foster
    Norman Foster
    • Jack Bacon
    George Sidney
    George Sidney
    • Eckbaum
    Robert Benchley
    Robert Benchley
    • H. Harrington Hubbell
    Laura Hope Crews
    Laura Hope Crews
    • Elise Peabody Worthington Smythe
    Guinn 'Big Boy' Williams
    Guinn 'Big Boy' Williams
    • Fritzie
    • (as Guinn Williams)
    Sidney Miller
    Sidney Miller
    • Julius Eckbaum
    Ferike Boros
    Ferike Boros
    • Rosie Eckbaum
    • (uncredited)
    June Brewster
    June Brewster
    • Blonde Telemarketer
    • (uncredited)
    Wong Chung
    Wong Chung
    • Chinese Waiter
    • (uncredited)
    Ellen Corby
    Ellen Corby
    • Telemarketer
    • (uncredited)
    June Gittelson
    June Gittelson
    • Bobbie Finklestein - Telemarketer
    • (uncredited)
    Ben Hendricks Jr.
    • Mike - Counterman
    • (uncredited)
    Bud Jamison
    Bud Jamison
    • Morton McGillicuddy
    • (uncredited)
    Charles King
    Charles King
    • Sidewalk Superintendent
    • (uncredited)
    Jean Lacy
    Jean Lacy
    • Undetermined Secondary Role
    • (uncredited)
    Mary MacLaren
    Mary MacLaren
    • Office Supervisor
    • (uncredited)
    Jerry Mandy
    • Italian Flower Seller
    • (uncredited)
    • Director
      • William A. Seiter
    • Writers
      • H.W. Hanemann
      • Sam Mintz
      • Glenn Tryon
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews28

    6.6975
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    Featured reviews

    6atlasmb

    A Moment Captured

    Ginger Rogers arrived at RKO Studios in April 1933 after they had signed her to a three-picture deal. Her first film there was "Professional Sweetheart". The director was William Seiter and her leading man was Norman Foster. Ginger said Seiter had a tremendous sense of humor and was a joy to work with. She had flirted with Foster in her first film at Paramouht.

    After "Don't Bet on Love" and "A Shriek in the Night", Ginger's contract was picked up for another year, she was presented with the script for "Rafter Romance", to be directed by her old friend Bill Seiter and starring Norman Foster. She said it was like "old-home week again". This "B" picture was filmed just months before the big break of her career. In September, she would start filming "Flying Down to Rio", in which she would dance with Fred Astaire, effectively changing the arc of her career and her life.

    "Rafter Romance" is a typical big-city story about young adults trying to make ends meet during the difficult economy. Mary (Ginger Rogers) and Jack (Norman Foster) are tenants in the same apartment building. When they can't pay their rents, the landlord, Mr. Eckbaum (George Sidney) ingeniously realizes they could share the same apartment since one works day hours and the other works the night shift.

    It's a somewhat racy premise for its time, but the film was made in the pre-Code era--that brief but glorious period when studios were allowed freer expression. Accordingly, the film includes some suggestions of nudity and impropriety that were typical of pre-Code films.

    The film lasts a mere 73 minutes and the story is not demanding, but the actors acquit themselves well. No doubt they enjoyed the filming, having a natural chemistry. The Eckbaum family provides a warm, but humorous, backdrop for the action.

    In one scene, the Eckbaum son-who always seems to be hanging around--is drawing swastikas in chalk on the wall near the lobby phone. In 1933, the Nazis would have figured prominently in world news. Their eye-catching symbol was, no doubt, fascinating to youngsters, so it makes sense that he might scribble it as graffiti. Before long, the menace of Nazism would become more apparent.
    8bk913

    Funny, silly, sweet and great slice of life

    Fun find! Two hip young people trying to make a go in NYC in 1933. After not paying their rents for 3 months the landlord moves them into the same attic apartment as their schedules are opposite. It's a great peek at urban life in 1933 with drunken work picnics, a lecherous boss, a high society cougar, a telemarketing office and two witty and sassily dressed 20 somethings trying to make it in the big apple. And it's shot in and around the city. As other reviewers have mentioned - the landlord is stereotypical Jew and there's a stereotypical Italian selling flowers on the street. Not so nice. But this is pretty typical in Hollywood, even now isn't it? The landlord is actually a very likable fellow. He's not one dimensional and you laugh at the crazy antics and his great acting - NOT because of anything "Jewish". And as mentioned - there's another really interesting moment when the landlord's teenage son is writing swastikas on the chalkboard near the phone. He gets a smack on the head for it and he exclaims "But it's good luck!" It is not "making a joke of Nazism" but is in fact pointing out the interesting dilemma for that time. Previous to the Nazis adopting the symbol it DID denote good luck and it was (and still is) a positive icon for many races and religions. This movie foreshadows the evilness the symbol would become, especially to Jewish families. And for an American film to be blatantly anti-Nazi so early means smart writer/director. I'm really glad I got to see this film after its 50 years of purgatory.
    8mkilmer

    Growing up, I thought all she did was tap dance.

    Ginger Rogers was a first rate actress, and one of the funniest when she wanted to be. This film has her renting an apartment and having trouble with her rent. Her boss (Robert Benchley) is a sexist pig who demands a date. Several times.

    Money forces her landlord to make her share her attic apartment with a painter (Norman Foster) – he gets days, she gets nights – and the two build certain assumptions about each other and dislike each other, sight unseen.

    Sight seen, though they don't know they're sharing an apartment, they fall in love.

    Laura Hope Crews is funny as the drunken woman of means who is constantly trying to seduce Foster, and George Sidney is delightful as the landlord.

    Guinn 'Big Boy' Williams puts in an appearance as the protective cabbie.

    All in all, a delightful film. Good plot, delightful acting, and – pre Hayes code – we get a glimpse of Miss Roger's legs. I'm sorry, but for all her splendid talent, we must not forget the God-given asset which carried her through so many later films with Freddy Astaire.
    7chaz-16

    No reference to Hitler at all

    The father was NOT upset due to a reference to Hitler but he was upset that the boy was scribbling on the walls. the swastika was, at one time, a good luck charm and could be found in many cultures around the world. Today, of course, it refers to nothing but Hitler and his atrocities, but in 1933 it had nothing to do with Hitler.

    This was a great movie, and was before the censors got into cutting some scenes. Her bare back in one scene and showing her undressing must have been outrageous to many at that time.

    Movies went from that freedom to almost no freedoms to almost unlimited freedom today. Ain't it a wonderful life ????
    6Doylenf

    On TCM's "lost and found" schedule...but a minor discovery...

    There's a feeling of deja vu to the plot of RAFTER ROMANCE about two people who aren't aware of each other's identity until they fall in love, but in 1933 it must have seemed quite an original idea.

    At any rate, it gives GINGER ROGERS and NORMAN FOSTER a nice chance to show what they could do with light comedy and tender romance. They play two roommates who work different shifts but who eventually meet and fall in love. (Shades of YOU'VE GOT MAIL and other such stories). And oddly enough, ROBERT BENCHLEY would be making a play for Ginger as a lecherous wolf, just as he would some ten years later in THE MAJOR AND THE MINOR when he suggested she slip into something more comfortable.

    After a series of pranks and misunderstandings, Foster and Rogers find each other at the company picnic and promptly fall in love.

    Watch for LAURA HOPE CREWS (Aunt Pittypat of GWTW) as a woman who wants to "keep" Norman Foster--and GUINN WILLIAMS as a brawny taxicab driver.

    Summing up: Good fun with an early look at Ginger.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Ginger Rogers and Norman Foster replaced Dorothy Wilson and Joel McCrea in the lead roles.
    • Goofs
      When the bell rings indicating the day's end, all the girls immediately hang up their phones. This means they rudely hung up on a customer instead of completing the call.
    • Quotes

      Mary: What about the other party, Mr. Eckbaum?

      Eckbaum: Wha-what other party? Ah, don't you worry about that. The nighttime, the attic is yours! In the daytime, you ain't here, anyhow. So what do you care? As far as you're concerned, the other party is - inwizible.

    • Connections
      Featured in TCM: Twenty Classic Moments (2014)
    • Soundtracks
      Dinah
      (1925) (uncredited)

      Music by Harry Akst

      Background music at the Chinese restaurant

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    Details

    Edit
    • Release date
      • March 20, 1935 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Rafter Romance
    • Filming locations
      • Lancaster's Lake, Sunland, Los Angeles, California, USA(on location)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 13m(73 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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