L'Homme invisible

What you really have to appreciate here is Rain's performance in the title role. Using very little more than just his voice, Rains made this character completely believable, even as the character declined into a state of madness. The special effects may not be quite up to today's standards, but they still come off pretty well, which is remarkable given the amount of time that has passed. This is one of those films that could not be changed without diminishing it. It is a real must-see for anyone interested in either the horror or sci-fi genres.

Oh! What a wonderful film! The Invisible Man is fraught with witty dialogue, excellent character acting, inventive and creative special effects, insightful direction, and solid, tight scripting. The story is about a scientist that develops a serum which turns himself invisible, for good intent initially. The serum has negative side effects, one of which is turning the scientist into a raving,mad megalomaniac bent on conquering mankind and the world. What is most surprising about the film is its rather perverse sense of black humour(a James Whale specialty) and its cruelty. The Invisible Man is not a benign horror monster but rather a frightening, destructive force capable of acts of violence, madness, and viciousness. The direction is the real star of the film as Whale combines script, acting, mood, and setting amidst the background of ground-breaking special effects that are still impressive to this day. Whale laces his special humour throughout, and this film has no shortage of dark comedic moments. The acting all around is very good with people like Henry Travers, Gloria Stuart, Una O'Connor and William Harrigan especially as a jealous doctor giving all the support they can to a formless Claude Rains. Rains's voice is magnificent and one senses he was made to play the part that would make him famous. Look for Dwight Frye in a small role. A wonderful film experience!

I actually saw The Invisible Man (1933) shortly after I saw the James Whale bio-pic Gods and Monsters (1998), starring Ian MacKellan and Brendan Fraser. So it was with that image of the director in my head that I watched this film. Claude Rains (Casablanca) is perfectly cast as the mad scientist/invisible man. The remainder of the cast, though not really challenged much, are more than serviceable in what they are required to do. As has been mentioned by most of the other posters, the special effects hold up rather well even today. An amazing feat considering the film is over 70 years old! The DVD has several interesting documentaries / commentaries that made me appreciate not only this film's entertainment value but its historical significance as well.

Talented direction from James Whale. Mildly chilling tale based on the imagination of H.G. Wells. Introduction to a versatile star, Claude Rains. Short movie in length, but the mixture of thrills, chills and humor help make this a real classic. The special effects of the 30's seem so unsophisticated, but very enjoyable to this day. Rain's starring debut is 99.98 percent vocal and very memorable. The changes in his voice from glee to madness gives certain character to his invisible role.

A brilliant chemist/scientist(Rains) discovers how to make himself invisible. He wrecks havoc in a small British country village as pranks turn to murder. Memorable are the scenes of the invisible man smoking and riding a bicycle; and of course unwrapping.

Also in the cast are:William Harrigan, Gloria Stuart, E.E. Clive and Una O'Connor. At a certain point you wish that O'Connor's funny, but obnoxious character was shorter lived. Dated or not, this is a classic that still demands watching. Creepy and fun for all.

Claude Rains. The man. The myth. The legend. You cannot talk about this film, whether in conversation or in any review, without placing this actor on the tip of your tongue. He is the epitome of the madness that surrounded the power-hungry Invisible Man. In this day of modern cinematic wonder, most full-fledged actors would want their faces to be in front of the camera, showcasing the entire film. Directors would want this fledgling star to promote their film, get kiddies interested in spending their money, and for financiers to see the profits of their contributions. Let's face it, if Brad Pitt is in a movie, typically most audience members are actually going to "see" Brad Pitt. Thankfully, we have directors like James Whale and his interpretation of H.G.Wells' classic The Invisible Man. Whale took a powerful story, expanded it, breathed life into it, and followed up with quite possibly one of the most sinister villains in movie horror history since Hannibal Lector. He is crude, he is heartless, and he wants nothing more than world domination … he is Claude Rains … and yet, until the end of the film, we never see the white's of his eyes.

There are several reasons why I just fell in love with this film, outside of the cataclysmic performance of Claude Rains. Ohhhh, Claude Rains. I loved the way that this movie was filmed. I loved the scope of the Invisible Man's terror. Whale could have kept his antagonist to committing just single murders of friends and family, he could of just kept it confined to just one single town, he could have kept our focus directly on the turmoil of Rains, but instead, he decided (amazingly!) to open the entire can of worms with success. When I first began this film I was expecting the classic images of angry villagers with pitchforks storming the house that the Invisible Man lived within, but instead, Whale gave us this sort of random chaos that truly created fear around this character. Whale is able to give us the true terror of this madman by perhaps expanding his budget and showing us how big the terror of the Invisible Man is. For example, I never foresaw the horrific train accident, nor the random worker push off the mountain, and when Rains explained to Kemp what the human impact of falling down a ravine would be like, it literally sent shivers down my spine. Whale created a madman better than some modern horror films could ever accomplish.

For a film created in the 1930s, the special effects were spectacular. Sure, CGI was just a glimmer in Lucas' mother's eyes, but James Whale did a superb job of giving us these rare glimpses into the future of special effects. The way that he created the Invisible Man surprised me. I did not expect to ever see the creature without his bandages on, but within ten minutes we are shown the full scope of Whale's creativity. I thought the use of snow, dust, and even the early stages of the overused "green screen" was original for its time. To see Rains smoke as the Invisible Man put a smile on my face. This is a perfect example of a film that used just enough special effects, in the right way, to make the audience forget for a brief time that this was in fact a film … not real life. While the special effects did have one or two flaws (see the Invisible Man riding the stolen bike – were those wires?), I must credit Whale for pushing the envelope for the time. It was surprising to see such quality from such an older film.

If there would be anything that I would change about this film would be the subtext concerning the relationship between Rains and Flora (played by Titanic star Gloria Stuart). I thought this was nearly unnecessary. I understand the value of trying to give a human element to this monster, but I thought that it could have been done without these random scenes. There wasn't really any connection between the two, and we were left with very little information of them prior to the start of the film. Perhaps if there had been a stronger pre-story it would have congealed better. The same can be said for the chemistry and reasonings for the plot points surrounding Rains and Kemp. I could understand why they occurred during the film, but there had to be something more prior to the opening scene. I wanted to know more. I think that is a good sign for a film, when you are left wondering what was the story before this one … and even what was it afterwards.

Overall, I thought this was an exceptional film. I now have this newfound respect for Claude Rains, a man I knew nothing about prior to watching this film. He carried this film and honestly successfully pulled off one of the most frightening madmen this world has ever seen. I think what scared me the most about him was the fact that he actually, unlike some villains, actually followed through with his vile plans. He was evil, whether the invisibility did it or not, he was pure evil, and I loved every minute of it. The special effects were delightful, with a small subplot that this picture could have gone without. Amazing, and a perfect treat before Halloween!

Grade: ***** out of *****