If I Were Free

Warning: Before watching this film, you might want to give your dogs a sedative, as the sound of Irene Dunne singing might otherwise trigger them into howling fits! Yes, I know Dunne sang in such films as SHOWBOAT and ROBERTA, but never was it more piercing and high-pitched as it was here! I warned you. Fortunately, however, she doesn't sing that often.

As for the film, it's a soap opera that would not have been likely to have been made just a year later. In 1934, a tougher Production Code was enacted. It strongly censored films and many topics that were common in the pre-Code days were either forbidden completely or were forced to be so sanitized that it's tough understanding what the film might be implying--as they could not directly address topics such as adultery, abortion, drug addiction and the like. As for IF I WERE FREE, the reason it would have been tough to make just a year later was because the main topic is adultery...AND the film excusing its two leads for cheating on their partners. Even if their spouses were terrible (like they were here), such goings on were strictly taboo post-1934...at least until the 1960s.

As for the romance between Dunne and Clive Brook, it's handled in a very gentle manner. It is NOT some torrid romance or sexcapade, but two sad and lonely people in horrible marriages who gravitate together out of a need for ANY warmth and affection. As a result, you really do feel sorry for the pair--they really are married to terrible spouses and they just want to be loved. What I liked about all this is that the film lacked some of the melodrama such films might usually have--none of the sappy music or overly romantic scenes--just two people enjoying spending time together. Only later in the film does it become a bit sticky...just a bit.

Unfortunately for the pair, there are problems with their relationship. First, Brook's wife had promised to divorce him, but now she capriciously has changed her mind and won't let go. Second, they are from different elements in society--he's from the upper classes and is a barrister while she works in an antiques shop. As a result, his friends pressure him to give her up and soon, a mutual friend (Henry Stephenson) approaches Dunne to tell him how much this is hurting Brook. What happened next came as a genuine surprise--and you'll have to tune in yourself to see what happens next.

Overall, a good but certainly not great romance. Worth seeing, but also a bit tough to believe...particularly when Brook's mother laments to her that she wishes her son were married to Dunne and that she approved of the affair.

Irene Dunne fans will probably like the film. Clive Brook is absolutely wooden. What a poor choice for Dunne's leading man.

Brook's facial expression hardly changes, whether he's supposed to be happy or sad, whether he's speaking of his despair or whether he's making love to Dunne. His kissing is positively mechanical. He spends most of the film looking away from his fellow actors or looking down at the floor. In fact, he was much older (about 46) than his character was supposed to be (38), and he looks it.

The plot now seems tired. The plot of a later film, "In Name Only", bears a lot of similarities to this film: (1) Man in unhappy marriage meets his "soul-mate"; (2) Wife won't give him divorce; (3) Sickness in hospital with man calling out for his paramour rather than his wife. This begs the question—which of the authors copied the other? This film hasn't aged well. Since it was made pre-code, they could have spiced this up, but didn't. There are many other films of this vintage which we still enjoy seeing today, but in my opinion, this film isn't one of them.

Two desperately unhappy people, both trapped in loveless marriages, meet one night by chance in Paris...

IF I WERE FREE is a fine example of what could be done with a soap opera plot when given the advantages of excellent acting & good production values. In less expert hands the film could have easily become awkward & mawkish; instead, the viewer is given slightly over an hour of solid entertainment.

Irene Dunne & Clive Brook are first rate as the sensible lovers who enter a relationship with their eyes wide open. Some clever scenes with sophisticated dialogue - going through her childhood books, visiting his favorite old church - makes their interaction a delight.

Considerable contributions are also given by the supporting performers: Henry Stephenson as Brook's jolly legal friend and Vivian Tobin as his pixilated wife are very amusing. Laura Hope Crews as Brook's free spirited mother & Tempe Pigott as Dunne's Cockney housekeeper add their own style of drollery to the proceedings.

Silent film star Nils Asther scores in the small role of Dunne's caddish husband. His celebrity had considerably dimmed with the arrival of talking pictures, but given a decent role this actor could still deliver the goods.

Movie mavens will recognize an uncredited Halliwell Hobbes as Brook's butler.

If you are a romantic at heart, like me, then you'll enjoy this movie. With any other actors it might not have been as good but Irene Dunne and Clive Brook really bring this story to life and it becomes more than just your average romance. Ever since I saw Irene Dunne in Love Affair with Charles Boyer I was a fan so I was SO glad to see TCM show this in tribute to her on her birthday! I was also glad to get to see another fine performance from Clive Brook who I'd only seen in one other movie before this one. I think I'm becoming quite fond of him! ;-)

Oh and for you silent movie fans - Nils Asther plays Irene Dunnes husband - he was SO good at playing jerks! It's a pity his career didn't last longer. Anyway - if you are a fan of romances or just the actors in this movie I highly recommend watching this the next time it's shown on TV!

If I Were Free is based on a John Van Druten play that never got over to Broadway entitled Behold We Live. The British stiff upper lip tradition is shown at its finest or its silliest depending on your point of view.

Barrister Clive Brook and Interior Decorator Irene Dunne unhappily wed to others fall in love. Brook carries with him a souvenir of the last war which causes him all kinds of health problems and being married to a cold fish of a wife Lorraine McLean doesn't help.

Irene Dunne is married to Nils Asther a real smooth operator who works in the nether regions of morality and legality. He's got the best role in the film and makes it count with only a few lines.

At this point in her career Irene Dunne was churning out these soap operas regularly at RKO. I think the ending looked like it was tacked on. I'm reasonably sure this was not the ending the author had in mind.

Irene Dunne fans will like it and Clive Brook beats out Herbert Marshall for the best British stiff upper lip.