Rigolo toréador

"Blood and Sand" was so popular that comedian Stan Laurel, beginning his series of parodies of well-known movies, starred in "Mud and Sand." Premiering in November 1922, Stan plays the lead while his wife, Mae Laurel, serves as his love interest as the seductive widow. One of the highlights is Laurel's interpretation of the famous dance sequence of Valentino's, a scene in the original movie that made female viewers swoon. The comics's steps are wildly different, but they nonetheless gave the men in the theaters something to laugh about.

During the production a bull is chasing Laurel down a confined street after both exited the bullring. The speedy bull was so fast it caught up to him, nearly trampling the comedian over. The crew collectively decided to play a joke on Laurel, informing him regrettably the cameraman didn't capture his scene properly, even though the cinematographer actually had. They told him he would have to perform the same stunt again. Stan, nearly facing death at the hands of the raging bull minutes before, was not laughing when told he had to repeat the sequence. He turned a pale shade of white before the technicians broke out in hysterical laughter at his reaction.

Ever since Hal Roach had the idea of teaming a skinny guy and a fat guy together for a Mutt and Jeff effect on the silent screen a lot forget that both Stan Laurel and Oliver Hardy had some prominent careers as singles on the silent screen, Stan being more well known than Ollie at the time. Mud And Sand gives us a look at a Laurel specialty, spoofing some well known silent cinema classics.

I've not seen the Rudolph Valentino version of Blood And Sand, but I have seen the Tyrone Power sound version, in fact it's a favorite of mine among Power's work. And as Power was known to have a sense of humor if he ever saw Mud And Sand I'm sure he would have appreciated it.

For a solemn and tragic tale Stan Laurel certainly mined quite a few laughs out of it. There is a marvelous gag with a bull being tossed over the Corrida wall while Stan is auditioning to be a matador. I think it might have inspired the Monty Python troupe in their quest for the Holy Grail.

If you're looking for Stanley to be the Laurel we know from the Laurel And Hardy films forget it. That was a character that Stan worked into to complement Ollie's bulk and know it all attitude. Stan works in broad satire in Mud And Sand as he did with a few silent screen classics. And his scenes with the wife and temptress are something else as well.

I've got to make it a point to see more of Mr. Laurel and Mr. Hardy's work before they were a team. Hope the rest of you will as well.

Before Stan Laurel became the smaller half of the all-time greatest comedy team, he laboured under contract to Broncho Billy Anderson in a series of cheapies, many of which were parodies of major Hollywood features. Most of Laurel's 'parody' films are only mildly funny, and even less funny for modern audiences who haven't seen the original movie which Laurel is parodying. Fortunately, 'Mud and Sand' lampoons a movie which is still well known: 'Blood and Sand', starring Rudolph Valentino. 'Blood and Sand' was released only nine weeks before this parody, giving you some idea of how quickly Broncho Billy's movies were ground out, edited and distributed.

Various sources (including IMDb) state that Stan Laurel's character in this film is named Rhubarb Vaselino, with a final 'o'. I've screened a print of 'Mud and Sand' with the original titles (in Hobo type font), so I report that Laurel's role is actually cried Rhubarb Vaseline, with an 'e'. But I agree that 'Vaselino' is funnier. Laurel copies the elaborate sideburns which Valentino wore in 'Blood and Sand' (he should've made them longer!), and there's a parody of Valentino's dressing scene from that movie, which made female movie-goers swoon in 1922. A señorita named Carmen in the original film is parodied here as Caramel (a girl I'd like to sink my teeth into).

This movie (like the original) apparently takes place in Spain, yet there's a Prohibition gag. Laurel uses a distinctive hat-tipping gesture here which could have become a trademark for him (like Hardy's distinctive necktie twiddle), but I've never spotted it in any other Laurel film. There's some amusing dialogue: Rhubarb Vaseline tells the other matadors to 'Save a bull for me.' When Vaseline becomes a successful toreador, a lackey tells him 'The bull is without, sir' ... which is funny, but I was disappointed that Laurel didn't reply 'Without WHAT?'.

There's one funny moment here which almost certainly wasn't planned, when Vaseline shows up for the bullfighter auditions. Laurel swaggers into the bullring, and -- before you can say 'corrida querida' -- he tosses a bull over the fence, where it lands with a thump near the other auditioners. The bull is obviously a fake, but the gag is funny anyway ... and, aye, there's a title card with a joke about 'throwing the bull'. The serendipitous moment occurs when Laurel repeats the gag, and Vaseline slings a second bull over the fence. This one lands on its butt, and balances upright for just an instant before toppling. VERY funny! If somebody planned that gag in this quickie comedy, I salute the unknown gagsmith ... and the tech man who rigged the bull to land in that position. More likely it happened by luck, and the director and editor were smart enough to keep it in.

During the silent era, whenever Hollywood made a big-budget feature film which was set anyplace where the people don't speak English, it was a common cinematic device to show a piece of text or an inscription in the local lingo, then dissolve to a shot of the same text in English. I was surprised that this low-budget comedy spent the money to copy that device here: we see a notice-board outside the corrida with a message in Spanish, then it dissolves to the same text in English. Unfortunately, the photography in this cheapo movie is so dark that the effect is wasted.

The actresses in this movie are attractive ... including Broncho Billy's wife Leona Anderson and Stan Laurel's common-law wife Mae Dahlberg; the latter briefly does a pretty dance. (Mae had danced in Stan's vaudeville act.) I was surprised to spot Charlie Chaplin's half-brother Wheeler Dryden in a brief role, since Chaplin had nothing to do with this movie. In 'Mud and Sand', Laurel gives a funny performance that's quite unlike his later familiar Stanley character ... but this film is much less funny than his brilliant work with Oliver Hardy. My rating: just 3 out of 10. TRIVIA NOTE: Twenty-three years later, in Stan Laurel's very last American film -- 'The Bullfighters' (1945) -- he again played a Spanish bullfighter (with his Spanish voice post-dubbed). Coincidentally, that film used stock footage from 'Blood and Sand': not Valentino's movie, but the Tyrone Power remake. 'Mud and Sand' is funnier than 'The Bullfighters', but not much.

This is one of Stan Laurel's best solo comedy's, before the 1927 teaming with Oliver Hardy. Laurel is a very good actor in the film, and provides good comedy. The best scene in the film is when Stan dances with Mae Laurel (his real-life common law wife), at the Cafe Espanol. Stan does silly dances that are funny, without you hearing the music. I will recommend this to any Stan Laurel fan.

This Stan Laurel flick was a parody of Rudolph Valentino's Blood and Sand, and so might be funnier if you're familiar with the original film. I've never seen it, so many of the gags here left me cold. A young Stan Laurel tries manfully to make a go of it but doesn't yet possess the necessary star quality to pull this one off and flounders amidst a wealth of unfunny scenes.

He plays a character called Rhubarb Vaseline (think about it…), and we are first introduced to him as he strolls down a lane hand in hand with his bullfighting friend. Hmmm, definitely something effeminate about our Rhubarb – I can't imagine what point the writers were trying to make. There are a few good sight gags – the dance scene is probably the funniest – and an endless play on the word 'bull' before the end credits roll after nearly forty minutes, but overall this one isn't very good.