L'homme du passé

I've been a Houdini fan since I was a kid, so when I ran across this movie on VHS I bought it. This is the story of a man frozen in time and coming to life to find himself finding his soul-mate about to marry a man after her money. He must convince her that she's making a mistake and show the fiancé up for the villain he is. During the course of the movie, Houdini shows us some of the escapes he was famous for.

While I agree with the comments that this movie is overly melodramatic, most of the silents of that era were. Yes, it's got all the overly-exaggerated gestures and wide-eyed looks.

In spite of this, I watched with fascination as Houdini, the man who help audiences in the palm of his hand, hammed it up through this movie. A great actor, he's not. But for most of us, it's the only chance we'll ever have to see the Great Houdini. Most magicians can out-perform him now, but in his heyday, he was the one and only.

As Houdini's only appearance on DVD, you can find this rare gem at Amazon, or Deep Discount DVD.

The Man from Beyond (1922)

Houdini has such legend around him, I went ahead with this fairly creaky silent film anyway. And it has some great aspects if you can go with the style.

The premise is simple—two men stuck in the arctic ice go looking for shelter and by a miracle stumble on an abandoned ship stuck in the ice for a century. And they find a man frozen in ice for the same 100 years—and wake him! Yes, and they by some snap of the fingers find their way back to New York, where the two men want to present their revived fellow to the world.

All of this is great fantasy stuff, almost like time-travel, with some action adventure tossed in. One of the two original lost men is a crazed scientist, the other a "half breed," and so things have to percolate of course. And the frozen man, now quite normal if a bit confused to be in 1920 instead of 1820, has to grapple with all the problems of being out of place. The theme that is forced on the film is reincarnation, and it's a bit stiff for modern tastes.

The filming is fairly straight forward, even compared to some better films from earlier (like, yes, "Birth of a Nation" which is 1915). The plot is often told with intertitles instead of action, out of necessity, but it slows it down. (One of the arts of silent films is how they learn to make clear the plot visually.)

Houdini plays the frozen man (no surprise there) and he falls in love with the wrong woman and generally makes a mess of things. Yet, love being what it is, things are not all bleak. It's a curious contrivance of events. And there are even flashbacks (some going back 100 years to when the man was last conscious). There are also different tints to different sections of the film, which is common for the time and effective.

Of course, the bottom line is whether to see this movie, and why. First of all, if you haven't seen silent films before, start with something great so you'll see what they are capable of. The terrific comics (Chaplin, Keaton, Lloyd) are dependable. If you stretch back to 1922, there are more elegantly made movies from this time, for sure—check out D.W. Griffith.

But if you are Houdini fan, or you already know what silent movies are all about, this is a decent but not spectacular film. It feels too stiff too often, is wordy, and lacks a consistent trajectory for the plot. The storytelling is fairly complex, so you have to keep on your toes—which is good. It won't bore you for that reason.

You might get tired of the middle half, where the sparring for the woman in question is sometimes dull stuff. The Houdini part? Well, you'll see. There is one major "escape" shown, and there is a wonderful final long scene at Niagara falls, without intertitles, dramatic and fast paced.

...where he plays Howard Hillary, who has been frozen aboard a ship in the arctic for a hundred years. Some explorers find him, thaw him out and wake him up, and try to reintroduce him to society. Howard is obsessively in love with Felicia (Jane Connelly), but she's been dead for a century. He becomes convinced that she has been reincarnated in the modern age, and he's determined to find her and reignite their love. He also gets entangled with people trying to swindle a fortune. Also featuring Arthur Maude, Albert Tavernier, Erwin Connelly, Frank Montgomery, Luis Alberni, Yale Benner, and Nita Naldi.

Frozen suspended animation and reincarnation are strange topics to blend together, but with Houdini's interest in fringe theories it makes more sense. This is the first of the great performer's films that I've seen, and it is rather flatly filmed by director Burton L. King. The big finale at Niagara Falls is good, though. Houdini had appeared in two other films and a serial before this, and would make one more film this same year, before his tragic death in 1926.

A man (Harry Houdini) who has been frozen in the Arctic ice for 100 years returns to civilization to find his lost love.

I was drawn to this film because it was written by and stars Harry Houdini, the master magician. Appleton, Wisconsin has claimed Houdini as their own, and it is within this community that I have lived for over thirty years. So it seemed like I owed it to myself to watch the film.

Unlike many silent films, it has lots of written words. I would not even call them intertitles, because so much of it is long sections of spiritual quotation or philosophy. It is quite unlike what I have seen in other silent films.

The plot is general is odd, as on the surface it seems to be a man who is unfrozen after 100 years only to find someone who reminds him of the woman he loved. But there is a deeper story of reincarnation, and the role of science and religion in the modern world. In many ways, this film is not only outstanding for its creativity and originality, but is also far enough outside the box to be otherworldly...

Harry Houdini is found frozen in a black of ice and thawed out after 100 years. He finds what he thinks is the reincarnation of his lover and has to help her over come some bad guys.

Well made melodramatic thriller chugs along at a good clip until you suddenly realize that other than some great stunts Houdini isn't going to do anything "magical". Its not bad, actually far from it, its just that this is Houdini and you want something wondrous. Worse the one magical bit, the cell escape is cut up in such away as to make it dull and unbelievable. I'm guessing it wasn't filmed that way, but breaking it into the start of the event and then having it finish as a flash back kills it. From what I've read this is the problem with most of Houdini's films and was the reason it never really went anywhere. Worth a look for magic nuts who'll want to see Houdini in action, and for anyone else who wants to see an okay little melodrama.