Et puis ça va

By 1922 comic actor Harold Lloyd had embraced the longer feature film format, a departure from his earlier two-reel shorts. His November 1922's "Dr. Jack," though, was his first scripted movie intentionally designed from its original concept to fill an entire 60 minutes of plot, and more importantly, gags and stunts.

Lloyd's two earlier feature films, December 1921's 'A Sailor-Made Man,' and September 1922's 'Grandma's Boy,' both evolved from a script containing only 30 minutes of the actor's antics. The two screenplays were extended from their core plots to fill in another 15 to 30 minutes of action. "Dr. Jack," from its opening minutes follows a young doctor, Lloyd, as he administers understanding, a dose of fresh air with exercise and a healthy diet to his treatments. He stands in contrast to Dr. Ludwig, a firm believer in prescription drugs, closed windows and drapes-and especially no exercise.

Dr. Jack is brought in for a second opinion after The Sick-Little-Well-Girl, tenderly acted by Mildred Davis, has been Dr. Ludwig's patient for four long years. The two doctors are naturally at odds before circumstances give Lloyd an idea to break Davis out of her funk. The movie turned out to be a blockbuster hit, earning a top ten box office spot while earning over one million dollars.

This silent film is a real charmer. It relies almost exclusively on the talents of Harold Lloyd as the eponymous doctor, who sees the world as a funhouse and treats his patients accordingly. Written by Hal Roach and others, "Dr. Jack" feels like it was written with Lloyd's talents in mind. The physicality of the humor, and the sight gags, make this a perfect vehicle for Lloyd's abilities.

There is a basic story, but "Dr. Jack" is a series of vignettes which demonstrate the doctor's uncommon but "common sense" approach to healing. Best described as holistic, the doctor looks beyond the apparent malady, prescribing whatever a patient truly needs--from fresh air to a hug.

The overly-serious conventions of mainstream medicine are lampooned as is the image of the stuffy practitioner whose gravity only manages to drag down the spirits of those he treats. As we see, the levity of Lloyd is sometimes just what the doctor (should have) ordered.

but that's about it. Mostly blah comedy from Harold Lloyd, but it has its moments. A big hit in 1922 when Lloyd was a major box office star, this comedy about a kindly doctor helping the sick little well girl (Mildred Davis) lumbers along with a few good bits until the frantic ending when a lunatic escapes from an asylum, throwing the house into an uproar. Certainly not among the great Lloyd's best--Safety Last, The Kid Brother, Girl Shy--but still worth the 60 minutes. Anna Townsend (the star of Grandma'a Boy with Lloyd) is the old lady, C. Norman Hammond is the lawyer, Florence Mayon is the hotel girl, Mickey Daniels is the homely boy, and Eric Mayne is the fake doctor. Funny ending, but it comes after too much so-so material. Lloyd is always sweet and gracious, Davis is better than in her other Lloyd films (yes they were married in 1923), and the monkey and dog are quite funny. After his string of early 20s box office hits, Harold Lloyd would make his masterpiece, Safety Last, in 1923, right after finishing Dr. Jack.

Most of this Harold Lloyd feature consists of enjoyable low-key comedy, but it is capped off with a manic chase finale that is fun to watch. Aside from a handful of somewhat dated details, it holds up pretty well, and it has some good material. In "Doctor Jack", Lloyd gets to play the kind of energetic, well-meaning character that he performed almost effortlessly.

Most of the first half of the movie simply introduces the characters and presents a series of interactions between "Doctor Jack" and various persons in his hometown. It's pleasant and often pretty amusing, since there are a lot of subtle comic touches to go along with the rather broadly-played events. In the second half, the doctor takes on the 'invalid' played by Mildred Davis, and from there things build up towards the finale.

The conference between 'Jack' and the stuffy specialist is crafted nicely, and the climactic chase sequence is entertaining as long as you don't take it too seriously. In fact, by design it seems to get more and more ridiculous as it proceeds, until it is finally resolved in a clever way.

This doesn't have the memorable material or impressive set pieces of Lloyd's most celebrated movies, but it has a lot of amusing moments, and shows skill in a different way, by taking what is essentially one simple situation and using it for as much comedy as possible.

Young DR. JACK tries to save a pretty invalid from the machinations of an unscrupulous medical quack.

Silent comedian Harold Lloyd had another success in this wildly funny movie. Healthy servings of sentimental nostalgia mixed into the plot only add to the fun. Playing a doctor whose good humor & common sense make him the most popular fellow in rural Magnolia Meadows, Harold makes full use of his tremendous athletic abilities to propel the storyline, piling one gag on top of another. Whether exiting his moving jalopy to shoo cows from his path, saving a naughty tyke from a spanking or breaking up a poker game in a most unique fashion, Harold is never less than hilarious. Finally, he leads one of his wild trademark chases, this time through a spooky house, a sequence that includes both a wonderful Lon Chaney spoof and one of the funniest enraged dogs to ever appear on film.

Mildred Davis has an unusually good role, showing off her acting skills as the spunky invalid. Eric Mayne is appropriately hissable as the bearded villain. Movie mavens will recognize OUR GANG's mischievous Mickey Daniels as Harold's freckle-faced patient and darling old Anna Townsend as the lonely mother of Harold's lawyer friend - both uncredited.

Robert Israel has composed an excellent film score which perfectly complements Harold's antics on the screen.