Grandeur et décadence

Since 7/10 seems too high and 6/10 seems too low. Daydreams has Keaton as an unskilled man seeking the hand of the girl he loves. Her dad says that he can't marry her unless he proves himself able to earn a living. Keaton says he will go to the city to earn his fortune. If he fails he will return and shoot himself. Dad promises to loan him his revolver.

You see Keaton writing letters about one sequence of events- He is a doctor performing operations in a hospital (he actually works at a veterinarian's), he is "cleaning up" in the financial sector (he is a street sweeper), and he is performing Hamlet onstage (he is an extra in a male chorus line in vaudeville). The big sequence is the same as that in Cops, with Keaton being chased by hundreds of cops for what seems like a minor offense. Aren't there burglaries and robberies to solve?

What probably weakens this short a little bit is that only stills remain of some of the sequences such as Keaton as a surgeon and as a stock broker. But it has enough good gags to be worth it for any fan of Buster Keaton. Featuring Keaton regular Big Joe Roberts as a menacing bully, Keaton's own father as his best girl's father, and Renee Adoree as Keaton's girl, who never seems to ask herself how exactly Keaton could be performing operations if he has never gone to college or medical school.

The most sad short film of Buster Keaton. Not only as unhappy love story but as portrait of a poor man. without any chance to have a reasonable job. Sure, letters, and dreams and gags and a bizarre end. And the scene of Hamlet. But the message of film, bitter and far to be comfortable, is so precise than it is far to be the familiar comedy A young man and his strange, absolutely unluck. Gived in most inspired way by Buster Keaton.

Buster Keaton and Renee Adoree team up in a comedy in which our hero tries to make something of himself for his girl back home. Trouble is, as he's writing her of his successes she dreams of something far different than he's actually doing! Funny in places with the usual emphasis on stuff going wrong and the odd stunt, and some good camera work. Entertaining little movie.

A young man (Buster Keaton) proposes a young woman (Renee Adoree), but her father questions how he might support his daughter after the marriage. The youth informs that he will move to New York, find a job and marry the girl. If he fails, he would commit suicide. Once in the big city, he works in many professions and writes to his girlfriend; and his imaginative girl reads each letter and thinks in her beloved being successful on each trial.

"Daydreams" is a very creative short comedy, showing how the imagination is able to fly, in funny situations. In accordance with the information in the beginning of the DVD, this film is totally fragmented, without being possible the restoration of many parts; therefore the story was completed in the restoration process with pictures and inter-titles to keep the original sense. Buster Keaton is again very hilarious with many gags. My vote is seven.

Title (Brazil): "Sonhos e Realidade" ("Dreams and Reality")

"Daydreams" is basically a collection of sketches, book-ended by an opening and closing pair of scenes. As such, it has something of the perfunctory feel of a 'compilation episode': the storyline, inasmuch as there is one, consists of Buster exaggerating the status of, trying and failing at a series of lowly jobs, but while the individual episodes vary in humour, they never build into anything greater than the sum of their (rather brief) parts. Films like "Hard Luck" or "The Balloonatic" have the merit of a reasonably coherent progression from one somewhat arbitrary encounter to the next; this one is constrained by the necessity of cutting back to the framing structure, which deprives it of that vital illusion of logic. Whether as a consequence of this or not, the result is not nearly so funny. (The best sequence is possibly a battered Buster's arrival back on the doorstep of his beloved... at the hands of the US Postal Service!)

For fans, this is worth watching as ever just in order to see Buster in action, and there are certainly laughs to be had; but it offers little human interest -- this is Inept Buster without the customary redeeming turning of the tables -- and suffers from a lack of his usual narrative inspiration. The humour tends in places towards simple slapstick (Buster squirts a hose, people get wet) rather than the inspired second-guessing of audience expectations at which he excels. The funniest concepts (disguising himself as an inert shopkeeper's dummy, keeping pace exactly with his pursuers) are echoed in more successful comedies, and sadly the famous paddle-wheel clip is really less impressive when actually seen in the context of the slender plot. This comedy is inoffensive, but not really a showcase for Keaton's abilities; unlikely to win over any converts, perhaps.