Ma fille est somnambule

Mildred Davis sleepwalks. Her father, Wallace Howe, brings her in to Doctor Harold Lloyd for a consultation.

It's an ambitious comedy for Harold, timing in at almost half an hour.... which is, alas, a fawning way of saying that it's not as good as it might have been trimmed a bit shorter. But there's no doubt that Harold was getting popular. Yet so long as he stayed in short subjects, the money would remain likewise short, renting for so much a reel. The twenty-six minutes this one takes might not seem much to the modern audience for a blockbuster, but it allowed everyone at Hal Roach's studio to stretch a bit and see what they could do at longer lengths.

Unfortunately, it sags in the middle. Harold gets drunk with friendly bootlegger Roy Brooks, and the gags when they are together are pretty good. However, eventually Harold is off on his own, and the jokes are not as good.... and then out of nowhere, it's time to wrap up the movie.

Harold and his writers hadn't learned how to pace a longer comedy. They soon would learn; they could write a straight drama and when it didn't work out in previews, turn it into a comedy by dropping in gags, but stories don't stop and start like that.

Fast-paced fun which, as often with Harold Lloyd, features distinct - and proved - backdrops for his gags: first, the doctor's office (where the star, as a novice M.D., is forced to impersonate his own clients as a ruse to attract genuine ones!); then, the city streets after a drinking binge with his pal (capped by a pre-SAFETY LAST! [1923] scene in which they fall foul of a policeman); next, the hotel lobby where the reception desk and an elevator become the 'targets' of Lloyd's drunken havoc; and, finally, the trademark 'thrill' sequence in which both the tipsy Lloyd and sleep-walking heroine Mildred Davis are seen walking perilously on the ledge of a tall building!

A Hal Roach HAROLD LLOYD Comedy Short.

An intoxicated Harold goes HIGH AND DIZZY when he tries to rescue the dangerously sleepwalking girl of his dreams.

This very funny film puts Harold for a few precarious minutes out on a ledge, thereby becoming one of the ‘thrill pictures' for which he is mostly remembered, especially by those who've not seen much of his work. The film was produced not long after the freak accident which destroyed half of his right hand, hence the gloves. Harold's eventual wife, Mildred Davis, plays the lovely Girl here; her longtime chum, Roy Brooks, plays the inebriated bootlegger with whom Harold shares an elaborate extended drunken sequence. Mr. Brooks would later become Harold's personal assistant at Green Acres, the Lloyd estate.

I rarely mention what other reviewers say but since there are only a half dozen reviews of this Harold Lloyd Short, I read them all and would pretty much agree with the comments about it being "uneven" and Lloyd's drunk routine not up to his 'character,' a persona he had acquired by the mid to late '20s, I admit, though, he and actor Ray Brooks team up to do a few funny gags as the two drunks stagger their way around town. It's obvious Lloyd is talented, but was still learning what roles were going to work best for him down the road.

There are some other clever sight gags in here (a man tying himself up in post, Lloyd pretending to be his first patients as a doctor, etc.) but overall this isn't really much until the final five minutes when Harold goes into his walking-on- the-ledge of a building routine. It's pretty amazing stuff. The romantic ending with the quickest wedding 'ceremony' in history is totally goofy but fun to watch.

To be perfectly honest, I was expecting more. This isn't one of Lloyd's films I sit through often, even if it is short.

A tipsy doctor encounters his patient (Mildred Davis) sleepwalking on a building ledge, high above the street. A subplot has Lloyd and his friend (Roy Brooks) getting inebriated on homemade liquor and then trying to avoid a prohibition-era policeman who pursues them for being drunk.

Certain aspects of this film are clearly anticipating Lloyd's more famous skyscraper-scaling scenes in "Safety Last!" and this short would make a good pairing with that film. (Criterion matches it with "The Freshman", which is fine, too.) Another reviewer commented, "It's obvious Lloyd is talented, but was still learning what roles were going to work best for him down the road." The film is further described as "uneven". I suppose I can relate. While I like this one, I will easily agree it does not rank among Lloyd's best work.