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Le manoir hanté

Original title: Haunted Spooks
  • 1920
  • Passed
  • 25m
IMDb RATING
6.6/10
1.5K
YOUR RATING
Le manoir hanté (1920)
ComedyHorrorShort

After numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (Dav... Read allAfter numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (Davis). The inheritance is a house, which her scheming uncle "haunts" so that he can scare th... Read allAfter numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (Davis). The inheritance is a house, which her scheming uncle "haunts" so that he can scare them off and claim the property.

  • Directors
    • Alfred J. Goulding
    • Hal Roach
  • Writer
    • H.M. Walker
  • Stars
    • Harold Lloyd
    • Mildred Davis
    • Wally Howe
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    1.5K
    YOUR RATING
    • Directors
      • Alfred J. Goulding
      • Hal Roach
    • Writer
      • H.M. Walker
    • Stars
      • Harold Lloyd
      • Mildred Davis
      • Wally Howe
    • 23User reviews
    • 13Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos21

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    Top cast24

    Edit
    Harold Lloyd
    Harold Lloyd
    • The Boy
    Mildred Davis
    Mildred Davis
    • The Girl
    Wally Howe
    Wally Howe
    • The Uncle
    • (as Wallace Howe)
    Marie Benson
    • Unidentified
    • (uncredited)
    Sammy Brooks
    • Short Butler
    • (uncredited)
    Anne Cartwright
    • Woman
    • (uncredited)
    Leonard Cloonan
    • Boy at Robbery
    • (uncredited)
    Henderson Cooper
    • Bit Role
    • (uncredited)
    William Gillespie
    William Gillespie
    • The Lawyer
    • (uncredited)
    Max Hamburger
    • Gardener
    • (uncredited)
    Mark Jones
    Mark Jones
    • Kitchen Staff Member
    • (uncredited)
    Dee Lampton
    • Fat Butler
    • (uncredited)
    Gaylord Lloyd
    • Undetermined Secondary Role
    • (uncredited)
    Sam Lufkin
    Sam Lufkin
    • Bearded Man in Car
    • (uncredited)
    Ernest Morrison
    Ernest Morrison
    • Little Boy
    • (uncredited)
    Marie Mosquini
    Marie Mosquini
    • The Other Girl
    • (uncredited)
    John M. O'Brien
    John M. O'Brien
    • Unidentified role
    • (uncredited)
    Sarah Rozier
    • Bit Role
    • (uncredited)
    • Directors
      • Alfred J. Goulding
      • Hal Roach
    • Writer
      • H.M. Walker
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    6.61.5K
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    Featured reviews

    Michael_Elliott

    Classic Lloyd

    Haunted Spooks (1920)

    *** (out of 4)

    Harold Lloyd and his new bride move into a new house she's inherited and soon the ghosts start to show up but are the real? Here's one of the better shorts I've seen from Lloyd since there's laughs from start to finish. The various failed suicide attempts at the start are very funny but this got me remembering that all of the comedy greats of the silent era got laughs from suicide attempts. When the film moves to the haunted house more laughs follow including some politically incorrect ones.
    7Bunuel1976

    HAUNTED SPOOKS (Alfred Goulding and Hal Roach, 1920) ***

    This plot-packed and enjoyable but, ultimately, minor Harold Lloyd short gained some unexpected notoriety when the great comedian was seriously injured in an explosion during a publicity stunt for the film which cost him the loss of two fingers and necessitated the installation of prosthetics.

    It starts off with frequent Lloyd co-star (and future wife) Mildred Davis inheriting an estate - on the condition that she's married and that she stays on the premises for a whole year. Soon, her greedy relatives begin to scheme how to drive her out - but, first, her lawyer determines to find her a husband opting, naturally, on Harold (once again suicidal over a failed romance). This first half provides the film with many of its best moments, as the latter section - relocating to Mississippi - mainly resorts to some crude racist humor and overly familiar ghostly 'manifestations'.

    This was my third time viewing the film - the first as an extra on Image's DVD of the Silent version of THE CAT AND THE CANARY (1927) and the second on TCM, as part of a Harold Lloyd marathon in anticipation of the release of this same 7-Disc collection, when I was in Hollywood late last year; actually, I liked it better this time around, hence I upped the rating from **1/2 (besides, back then, I wasn't as familiar with the star's short films as I am now)!
    9andynortonuk

    Very funny indeed

    This Harold Lloyd short film is very funny indeed! You cannot watch this short without laughing at something every 30 seconds!

    But before I comment on this hilarious short, I disagree with the fact that this is racist. This is because F Gwynplaine MacIntyre says that the title of this movie is meant to be a racial pun: 'spooks' being a 1920s slang term for Negroes. This is, in my opinion, extremely pointless to note for this when watching this film! This is because that the film's 'spooks' are supposed to be the uncle, played by Wallace Howe, who is trying to scare the Girl, played by Milfred Davies, who has just married to the Boy, played by Lloyd. Therefore, the black servants have nothing to do with scaring them away, because they just hide behind curtains, get covered in flour after jumping in the flour, or hide in a huge pair of trousers, or caught the Uncle in disguise as a ghost!

    Now I am going to discuss the film.

    First of all, the casting list at the beginning of the film gives the first chuckle from the film by saying that the Girl had 'never-well,only once or twice..' and the Uncle is a 'man of sorts-we are not saying what sort'! Pretty funny... or what?

    The Boy's suicide attempts are very funny too. From trying to shot himself with a water pistol, falling off a bridge over shallow water, to falling over another bridge into a boat, it's all great slapstick!

    The scene in the mansion where the Boy, the Girl, and the servants run away from the 'spooks', hide behind curtains or in flour or trousers is all hilarious. I could not stop laughing at those antics!

    The only criticism I have is the well appropriate score is performed in a midi format. But with a silent film to create mood without music is pretty hard. So there is nothing they could do about it when they released this onto an all-region DVD,which was were I watched it from.

    Apart from that, the score for this film is fantastic. I especially enjoyed the piece of music when the Boy and Girl entered into the mansion for the first time. That was a great piece to suit the eerie mood of the place.

    Also, I thought the Little Boy, played by Ernest Morrison, almost stole the show by creating the illusion of that table moving, hiding in the flour, which made him look like a ghost when he scrambled out of it, and creating that illusion with the big pair trousers really was hilarious. I was glad that Morrison went on to have a well-establsihed career until his death.

    I could not agree with Spuzzum, I do wish Harold Lloyd would get more attention.While Keaton and Chaplin ruled the roost of silent comedies , Harold Lloyd is ignored like that. This is too bad, but he could do it all, prat falls, stuntwork, very subtle comedy and he was a great actor as well. Also nothings justifies this opinion any more then the 5-7 minutes of Haunted Spooks. This is because we see Lloyd as a suitor of a rich socialite competing with another suitor, and in this amazing montage, we see them ducking it out, with Lloyd easily getting the better hand of the frustrated suitor.

    Overall, if I was to describe this film in three words they would be very funny indeed!
    7Ben_Cheshire

    Much funnier than Chaplin.

    People say Lloyd is not as profound as Chaplin - maybe so, but wasn't the goal of a comic to make people laugh? That was something Lloyd could do that Chaplin couldn't - and it was, after all, the name of the game.

    One unfortunate thing: I think you have to accept the jokes at african-americans expense as a (bad) product of the time and laugh at the other things in this film - and there are some really great gags in it, like the sequence where Lloyd's Boy tries to kill himself.

    I can't see why Lloyd doesn't get greater distribution, and its a shame he isn't as well known as Chaplin, not to mention the brilliance of Buster Keaton, virtually unknown to the present generation of movie-goers, when Charlie Chaplin is a household name, even if many people never would have seen his (apparently - have not seen yet) great features. Certainly, when comparing only shorts of the three comics, I would rank them in order of humour: Keaton, Lloyd, Chaplin; and cleverness: Keaton, Lloyd, Chaplin. Even the plots of the former two are more advanced and interesting than those of Chaplin.
    9zetes

    Great Harold Lloyd 2-reeler!

    Harold Lloyd desperately wants to get married. After being rejected for the hundredth time, he repeatedly attempts to kill himself until he runs into a lawyer whose client (Mildred Davis) has to get married in order to inherit money. The other requirement before she can get the inheritance: she and her husband have to spend a year in her uncle's mansion. The twist: it's haunted! Not really, but I wonder how far this basic plot goes back. It would be wrong of me not to mention that the film can come off as pretty racist, and that title means pretty much what you think it means. Black people, it turns out, are especially afraid of ghosts. But, hey, it was 1920, and, honestly, Lloyd and Davis are almost as scared as the black people (though their eyes don't bug out quite as much), and the second half of the film, with all the characters running around the mansion being scared by people covered in bedsheets, is hilariously madcap.

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    Short

    Storyline

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    Did you know

    Edit
    • Trivia
      Filming was interrupted when Harold Lloyd, posing for publicity photos, had a prop bomb explode in his hand. He lost two fingers, his face was badly burned and he was temporarily blinded. In subsequent films, he is always seen wearing a prosthetic glove on his injured hand.
    • Quotes

      [last lines]

      The Girl: S-a-y - - what's our name?

    • Crazy credits
      The Boy . . . . . . HAROLD LLOYD. He wants to get married - - Has no other faults.
    • Connections
      Featured in Le monde comique d'Harold Lloyd (1962)

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    Details

    Edit
    • Release date
      • January 5, 1923 (France)
    • Country of origin
      • United States
    • Language
      • None
    • Also known as
      • Haunted Spooks
    • Filming locations
      • Lewis Bradbury Mansion, Los Angeles, California, USA
    • Production company
      • Rolin Films
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 25m
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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