Le Secret du bonheur

Of all the novels and short stories Joseph Conrad produced over the years, the writer saw only one film based on his work, December 1919's "Victory." The movie was a loose adaptation on the author's 1915 novel of the same name and was selected by the New York Times as one of the top ten films released in 1919.

The Paramount Pictures production contained an all-star cast, likely having the most well-known actors in one movie yet in early cinema. One critic called stylist director Maurice Tourneur's expertise in the plot's presentation shared a similar cinematic style of movies made 40 years after "Victory."

Tourneur's cast makes Conrad's story all the more believable. Jack Holt puts in a very believable effort as the main protagonist of "Victory" who wants to live a quiet life alone on a deserted island. The viewer knows that'll never happen when a woman is introduced to him when he settles matters in his last trip to civilization. His solitary lifestyle, with the woman, turns into a Sam Peckinpah 'Straw Dogs'- like scenario when three interlopers plan to invade Holt's island. Wallace Berry gets the trio salivating when he makes up a story about treasure on Holt's homeland to exact revenge on the guy who took his hotel worker. Lon Chaney, as an hispanic murderer, is the most dastardly of the three robbers, a role of villain he played a number of times in his early film career.

Conrad never said how he liked his novel's adaptation onto the big screen, but the critics and audiences loved it, which proved to be another feather in the cap for director Tourneur.

Victory (1919)

** 1/2 (out of 4)

Axel Heyst (Jack Holt) lives on a deserted island where he prefers to be alone. One day he travels to town where he meets an abused woman (Seena Owen), takes pity on her and brings her back to his island. Soon her owner (Wallace Beery) sends three criminals after her. The main note here is that Lon Chaney plays one of the criminals and, as usual, he does a very nice job showing off that evil side. Holt, Owen and Beery also give fine performances, which is pretty much the only thing this film has going for it. There's some nice visuals and a nice looking erupting volcano but the story starts to drag in the middle. Directed by Maurice Tourneur.

After watching Maurice Tourneur's "Victory", the first movie of a Joseph Conrad novel, it makes one lament the loss of Tourneur's "Treasure Island" which also was photographed by Rene Guissart and had Lon Chaney in a great make up. Long thought lost, a beautiful pristine 35 mm print of "Victory" was located in a European film archive. Along with Chaney the cast has pretty Seena Owen looking quite seductive, suave but dull Jack Holt, menacing Wallace Beery, frightening Bull Montana and odd Ben Deeley. Deeley is the least known of the cast. He was married to Barbara LaMarr and would die in 1924 two years prior to Barbara. Deeley made several silent films but "Victory" is one of his few that survive & he gives a memorable creepy characterization. In addition to "Victory", several classic Tourneur silents survive ie Alias Jimmy Valentine(1915), The Wishing Ring(1914), Pride of the Clan(1917), Poor Little Rich Girl(1917), A Girl's Folly(1917), The Blue Bird(1918), Prunella(1918), Last of the Mohicans(1920), The White Moth(1924) and parts of the Mysterious Island(1927-29). Thankfully "Victory" survived the decades, in great condition, and is a great silent film to introduce a newcomer to the genre. A very high & enthusiastic recommendation. Maurice Tourneur, Paramount.

I had to watch this movie three times before I finally started to catch the plot details, because it's just so beautiful to look at that I don't really care about the story. All of the Maurice Tourneur films I've seen are visually fascinating to one degree or another, but this one takes the cake, even over THE BLUE BIRD (which is admittedly a far different kind of movie). I can imagine Josef von Sternberg studying this movie for clues on how to create an exotic look out of papier mache and shadows. (Okay, that papier mache volcano looks pretty silly, but that's about the only major lapse I've noticed.) Griffith may have taught people how to edit, but I'm beginning to think Tourneur taught them how to compose the frame for depth effects and complex texture. The tinting is very beautiful, too, and I love the effect when Heyst blows out the lamp.

But once I focused on the plot, I was impressed on how well-constructed it was. The story moves along at a smooth, smart pace, and the tension builds very nicely. This is a pretty generic thriller in many ways, with a generic romance at the heart of it, but it's put together so effortlessly and with such visual charm that it seems fresh. Still, the real dramatic motor is the bad boys, particularly Lon Chaney as the psychopathic but strangely good-natured Ricardo and Ben Deeley as the cold, creepy Mr. Jones (looking like he stepped out of a Fritz Lang movie). There's also a good twist in the history and brute plan of Bull Montana's Pedro. Seena Owen's role is underwritten, but her weary, vulnerable resolve is beginning to grow on me.

Maybe this is where the movies start for me. Certainly it's the earliest movie to hold me entranced from stem to stern, although the German classics begin full-bore within a year of this. But there's still a lot more to see from the era.

Axel Heyst lives comfortably as a recluse on an island. When he visits a neighboring island for supplies, he meets violinist Alma. She is mistreated by just about everyone, especially the hotel owner, August Schomberg. She begs Heyst to take her to his island, and he agrees. Schomberg decides to get her back, and enlists the aid of three weirdos: Mr. Jones, Ricardo, and Pedro. They plot to off Heyst, thinking he has a fortune hidden somewhere. In a subplot, Heyst is reluctant to get involved with Alma, and also tells her he will not kill anyone, even in self-defense. In the climax, he finally fires his gun and decides he's in love.

This is an OK flick, although Holt is not exactly my idea of a romantic lead, and he's dull, to boot. Seena Owen, as Alma, appears frumpy in earlier scenes, until somebody had the good sense to throw her in a sarong.

Wallace Beery, as Schomberg, looks like Sig Ruman. The film really belongs to Lon Chaney, as Ricardo. He probably has as much screen time as Holt, and is more fun to watch.

Pedro is played by wrestler Bull Montana, who does get to show off his physique.

Ben Deeley, in the role of Mr. Jones, with his thin off-kilter circular sunglasses, appears to be the creepiest of the lot.