Le pauvre amour

Both major stars in 1919, this bucolic tale by D.W. Griffith was old-fashioned even when it was made, but its simple charms and top stars make it worth a look. The girl loves the boy, helps him thru college without his knowledge, but he marries another. But because she has a true heart, she prevails. Gish has a few nice scenes, and Harron is good as the confused boy. Clarine Seymour is good as the bad girl (powder and paint!). Not much action but the scenes carry you along and Gish is watchable in anything. Harron was exceptional in Intolerance a few years earlier, and died soon after this film (gun shot wounds)as did Clarine Seymour--both in 1920!. Kate Bruce, Loyola O'Connor, and Carold Dempster co-star.

"True Heart Susie" was one of my favorite silent films that I watched during my class. This cute love story follows the lives of William and Susie. By the end of the film I found myself loving Lillian Gish's character (Susie). She sacrifices a lot in order to win William's heart over. I thought that Lillian Gish did a fabulous job throughout the entire movie. In the beginning of the film, Susie (Lillian Gish) tried to kiss William (Robert Harron) in a number of scenes and both characters did a wonderful job at creating awkward moments. I thought they did a fabulous job at making the audience feel uncomfortable as we watched Susie repeatedly getting denied by William. Griffith did a wonderful job at capturing Susie's emotion throughout the movie. The close up shots that were taken really enhanced emotion throughout the film and I found myself feeling genuinely sorry for her. During the movie, we hope and expect that Susie and William end up together, but when William meets Betty our prediction of the movie changes. The movie ends rather dramatically and unexpectedly which I favored because we always assume that endings are happy. This was the only silent film that I have watched where I felt connected to one of the characters. Lillian Gish did such a good job at grabbing the audiences attention through her facial expressions that I found myself hating Betty and feeling extremely sad when her and William got married. I don't think Griffith could have chosen a better actress to play Susie. I would definitely recommend watching this movie just to see Gish's performance. Griffith did a fabulous job at making this a sweet yet unexpected love story that captured my attention fabulously. If you're going to watch a silent film, I would definitely say that this is the one to watch!

First, let's understand what kind of film this is. It is a movie about old fashioned values and the people who held them. You will not see much action, sex or blood in this film. It is silent, not of the best quality (it is old) and in black and white. However, if none of that bothers you particularly, you will find that it is a sincere film, exciting in its own way, and one that rings deep and true in a way that films seldom do.

The acting is particularly good. One reviewer here said to watch it for the stars, and that is certainly a good reason to watch it. Bobby Harron, does a wonderful job of playing a sincere and naive young man who is fooled by a week and superficial woman. He has an extremely sensitive face and when you look at him you seem to be able to see into his very soul.

Lillian Gish plays the shy, plain and simple girl who loves him. In her scenes with Harron, they had a chemistry which fills the screen. She starts out as plain girl, but about half way through the film she starts to look pretty. It is a gradual transformation and she pulls it off remarkably well, gradually accenting her better features and holding her body more gracefully. She also seems to grow as a person in the film. She starts out as an awkward child living in a fantasy world where she imagines that she is loved more than she actually is. As the film progresses, she learns to face reality, to learn how to look pretty and act gracefully without changing who she is. None of this is accomplished in any great dramatic way. It is accomplished the way these things are often done in real life, quietly, by small incidents which are important to the person but not that important to anyone else. But when these incidents occur, you see a slight physical change on the surface, but somehow she also shows you a dramatic change deep inside her whole being. How she accomplishes this is a mystery to me and one of the miracles of acting.

At one time Lillian remarked that "Virgins are the hardest roles to play. those dear little girls - to make them interesting takes great vitality, but a fallen woman or a vamp!-75 per cent of your work is already done." Lilian played all three, virgins, vamps and fallen women - and played them well. Here she plays perhaps her most difficult virgin. A girl who has nothing extraordinary to distinguish her except her quiet love for Robert. Well, remarkably enough, she makes the role interesting and sympathetic. I don't know an actress today who could do it.

As good a Lilian is, she nearly has the film stolen from her by Clarine Seymour who plays the the "vamp" in this film. Well, perhaps 75% of her work is already done, but she supplies the other 25% with great enthusiasm. She never makes the mistake of making her character hateful. That would make the character too one dimensional. She shows us, instead, a charming woman who is too week to resist temptation and too cowardly to tell the truth. Thus, she ruins her own life and nearly all the lives around her. You hate her for her weakness but you love her for her charm and beauty. She walks that tightrope between charm and evil perfectly.

Aside from the acting there are other things to like about this forgotten gem. The camera work by Bitzer is almost beyond belief, when you consider when it was done. He could create moods with the camera that make you think he was inside the actors thoughts.

Let us also remember the director. Griffith was a director that worked in concepts. In a film like this, where he was using his best actors and crew, he would not tell them how to play it. He would give them the concept he wanted and let them create it. If he didn't like what they did, he would go over it again and they would try again. By doing this he filled the set with the atmosphere of the film and everyone was attune to it. This shows in the film and the way the tension builds between characters as their lives play out. A palpable universe is created here.

If what Lillian said about virgins is true, the same can be said about a film that tries to portray simple, honest values. The film succeeds in doing this very well. If you enjoy this kind of film then I would seek this one out, it is really remarkable.

When I first wrote this comment, there were no commercially available copies of this film on DVD. Since then it has been issued in an excellent version. Highly recommended for film buffs and people who appreciate real things.

A rare chance to see Robert "Bobby" Harron perform on film. Most of his silent films have been lost. He died tragically, at the height of his popularity, at only 27 years of age. He was a handsome young fellow who definitely makes an impression in this film. Lillian Gish's character is almost too long-suffering to be believed, but somehow she makes it work through little flashes of humor and tenderness. My favorite scene: she takes the minister's wife into bed with her to save her from being locked out of her home on a frigid, cold, rainy night. As the wife sleeps, Lillian (in love with the husband herself), clenches her hand into a fist, and for a moment considers pummeling her rival, but instead the pure love of her heart wins out, and she reaches out for the sleeping wife and hugs her close, caressing her.

Watch "True Heart Susie" to see its stars shine. The story is simple, but it will capture your attention immediately and give you a chance to see yet another classy silent film with heart.

True, there are no big set pieces. We don't see Richard Barthelmess leaping from ice floe to ice floe, we don't see the Little Colonel ramming a Confederate battle flag down a cannon's mouth. What we see are faces: a small boy watching a church elder eat ice cream; Robert Harron, exultant at getting a scholarship; and, of course, Lilian Gish. She walks funny. Her outfits are ridiculous and True Heart Susie is, let's face it, not very bright, but she feels deeply and we feel with her.

What more, really, can you ask for in a movie? You get beautifully composed pictures, a fluid story, fine acting.... two years later Henry King would tread the same ground with TOL'ABLE David and produce a masterpiece that is not as funny and warm as this.

Minor Griffith? If so, there are few major directors besides Griffith.