Half Marriage

Alcohol flows freely at a Greenwich Village party given by brunette beauty Olive Borden (as Judy Page), an art student. While couples cuddle, perky Ann Greenway (as Ann Turner) sings "After the Clouds Roll By". Not yet in camera range, our heroine has sneaked away to snuggle with boyfriend Morgan Farley (as Dick "Dickie" Carroll). The young architect works for Ms. Borden's father. Because he is not yet rich enough to make an ideal husband, Borden suggests a "Half Marriage". This means eloping and keeping their marriage a secret - especially from her parents. Thinking Borden is still single, rival boyfriend Anderson Lawler (as Tom Stribbling) causes trouble for the newlyweds...

That's nothing compared to the trouble Borden has making the transition from "silent" to "talking" pictures actress. Without a suitable lead performance, this "Half Marriage" hasn't half a chance. Borden sounds okay and looks lovely, though. The microphones are most unkind to Ms. Greenway's singing. The film's highlight begins after just under an hour of running time - this is when Borden fights off a drunken advance, which leads to a dramatic moment on a building ledge. All of this probably looked much better in the silent version of "Half Marriage" (also released in 1929). Unfortunately, the silent version (which likely included sound effects and Greenway's song) is not in circulation.

**** Half Marriage (8/10/29) William J. Cowen ~ Olive Borden, Morgan Farley, Ken Murray, Anderson Lawler

It is an interesting drama, also historically important you can see the beautiful and forgotten by Hollywood (on purpose) Olive Borden, from the time people didn't have TV, not that elaborated to deserve to be seen in theaters today, Germany had better films back in the '20s.

Judy (Olive Borden) and Dick (Morgan Farley) are in love and want to get married. However, in a twist, the lady doesn't want to give up her extravagant lifestyle and convinces her wimpy boyfriend that they should get secretly married. That way she'll STILL be receiving her rich parents' allowance. What this really means to her is that she can continue to live her crazy flapper lifestyle-- going out with other men and living the high life. All the while, her new milquetoast husband stands on the sidelines waiting for her to eventually return to him. Soon, however, it becomes pretty obvious that Judy really doesn't care about Dick. Where does it go next? Well, I guarantee you'll never expect what happens unless you see it!!! It's just crazy!!!!

This film is a good example of the new morality of the Pre-Code films. Unlike the old stereotypes, this new morality holds that WOMEN can enjoy sex and be happily independent of men...or at least being tied down to one. This idea was common in the late 20s and early 30s in movies and how much it might have mirrored real life is anyone's guess. Suffice to say, however, that after the new Production Code went into effect in mid-1934, such attitudes were no longer acceptable in American movies.

In some ways, this is a very dated film. The most obvious and difficult part of this is the god-awful singing. You hear a lady singing...and it sounds like a cat being slowly strangled!! Perhaps this sort of warbling was considered good back in the day, but today it's awful and I assume made worse by the primitive sound equipment on early talking pictures. It's also, at times, a bit too talky. However, it's also a wonderful look at the flapper era and the art deco style of the day and holds up better than many 1929 films. So, even with its shortcomings, there is enough good in it to make it worth seeing.

A young couple attempt to conceal their marriage from her wealthy parents so that the woman can continue to receive her allowance. With depression just around the corner, films like this became irrelevant almost as soon as they were released, and, given its mediocrity in all departments, it's no surprise that Half Marriage is largely forgotten. Only a brief but deadly encounter on a roof ledge provides a moment of interest.

Too many musicals like this killed the market for movie musicals for a few years. This mildly racy effort from the newly assembled RKO has a couple of decent songs with tunes written by Oscar Levant and the beautiful Olive Borden going for it. There's a bit of piquancy added as Olive doesn't tell her folks she is married so she can continue to sponge on them.

There are several issues, mostly related to the sound quality and some of the performances, which seem more suitable to the stage than to the movie screen. Also, this plays like a three-act, three-set play, with only enough exteriors shot to open it up slightly. In short, this is another forgettable film musical from 1929 that will be a pleasant time waster for people like me who enjoy such antiques, but not much more than that.