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Les Mousquetaires de l'air

Original title: Flight
  • 1929
  • Tous publics
  • 1h 50m
IMDb RATING
6.0/10
424
YOUR RATING
Ralph Graves and Jack Holt in Les Mousquetaires de l'air (1929)
ActionAdventureRomanceWar

A Marine flyer and his flight school mentor fall for the same beautiful nurse.A Marine flyer and his flight school mentor fall for the same beautiful nurse.A Marine flyer and his flight school mentor fall for the same beautiful nurse.

  • Director
    • Frank Capra
  • Writers
    • Ralph Graves
    • Howard J. Green
    • Frank Capra
  • Stars
    • Jack Holt
    • Lila Lee
    • Ralph Graves
  • See production info at IMDbPro
  • IMDb RATING
    6.0/10
    424
    YOUR RATING
    • Director
      • Frank Capra
    • Writers
      • Ralph Graves
      • Howard J. Green
      • Frank Capra
    • Stars
      • Jack Holt
      • Lila Lee
      • Ralph Graves
    • 14User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos18

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    Top cast11

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    Jack Holt
    Jack Holt
    • Panama Williams
    Lila Lee
    Lila Lee
    • Elinor Baring
    Ralph Graves
    Ralph Graves
    • 'Lefty' Phelps
    Alan Roscoe
    Alan Roscoe
    • Major James D. Rowell
    Harold Goodwin
    Harold Goodwin
    • Steve Roberts
    • (as Harald Goodwin)
    Jimmy De La Cruze
    • General Lobo
    Joe Bordeaux
    • Marine
    • (uncredited)
    Walter Brennan
    Walter Brennan
    • Marine Pilot
    • (uncredited)
    Eddy Chandler
    Eddy Chandler
    • Marine Sergeant - Panama's Buddy
    • (uncredited)
    Edgar Dearing
    Edgar Dearing
    • Football Coach
    • (uncredited)
    George Irving
    George Irving
    • Marine Colonel in Nicaragua
    • (uncredited)
    • Director
      • Frank Capra
    • Writers
      • Ralph Graves
      • Howard J. Green
      • Frank Capra
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    6.0424
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    Featured reviews

    F Gwynplaine MacIntyre

    Nearly as good as "Wings"

    Frank Capra made a trilogy of action dramas starring Ralph Graves and Jack Holt (Tim Holt's father) as rivals in some branch of the military service. Holt always played the cautious older man who followed regulations, Graves his impetuous younger rival. A woman always came between them. "Dirigible" is probably the best of the three, although "Submarine" (a silent film) and "Flight" are excellent too.

    The only flaw in "Flight" is that it's a little too similar to the better-known "Wings" and "Tell It to the Marines", both of which were bigger box-office hits.

    The opening scene in 'Flight' is based on a real-life event that had made headlines a few months earlier. In the Rose Bowl football match on New Year's Day, 1929, a college football player named Roy Riegels carried the ball 64-1/2 yards the wrong way, very nearly scoring an own goal when a teammate finally stopped him on the one-yard line. (The rival team ran interference for him against his own side!) A news photo of this event received nationwide distribution, and Riegels became a laughingstock. (Actually, when I saw 'Flight', all I knew about the Riegels incident was the famous Rose Bowl photograph. I looked up all the specifics before I posted this review. Did you really think I've got all this information memorised?)

    "Flight" uses this true incident to begin its fictional story. Lefty Phelps (Ralph Graves) isn't noticeably left-handed, but he's a promising college athlete who's all set to triumph in the big game. Phelps runs the wrong way, scoring the winning touchdown for the wrong team. A photo of Phelps achieving this error gets national distribution, and Phelps becomes the butt of jokes. (We see a close-up of the Riegels photo - a well-known image in 1929 - substituting as a photo of Ralph Graves.) Phelps decides that he's ruined for life, but a friendly recruiting agent suggests that he can make a clean start by enlisting in the U.S. Marine Corps. Phelps decides to become a pilot, as that's the most glamorous job in the military.

    There's a very funny scene when Phelps completes his first training flight. I'm really surprised that this gag sequence (dealing with nausea and vomiting) made it into the movie. Ralph Graves steps out of the plane with one hand over his mouth, and we can tell by the look on his face that he's going to be sick. Graves looks round desperately, and then we see an immense close-up of a bucket at the far end of the runway. Graves runs all the way to the bucket with one hand over his mouth and the other hand over his gut. Will he make it in time? The pay-off is hilarious.

    During his training, Phelps becomes attracted to an Army nurse (played by Lila Lee) and he runs afoul of topkick Sergeant Williams (Jack Holt). Williams thinks Phelps is paying too much attention to girls, and not enough attention to his flight training. As soon as Phelps completes his pilot training, the United States Marines invade Nicaragua (wot, again?), and off we go to Central America. There's a slam-bang action climax. Lila Lee was a very pretty actress, unfairly forgotten today. (She was also the mother of James Kirkwood Junior, who wrote "A Chorus Line".) "Flight" and "The Unholy Three" are the best examples of her talents and beauty. I'll rate 'Flight' 10 out of 10; a splendid example of early Capra.
    5davidmvining

    Thin storytelling and spectacle

    Frank Capra's first full sound film doesn't have sound anymore, so looking at his second sound film, Flight, shows a technician doing everything he can to take advantage of the new sound while filming a lot outside, challenging himself by pushing against the limits of the contemporaneous technology, and yet it's all in service to a story so thin spread out over one hundred and ten minutes that nothing really connects. If this had come in at a more reasonable 80 minutes instead of 110, I think it could have worked a lot better, however at its extended runtime, it's just much more boring than it should have been.

    Lefty Phelps (Ralph Graves) has to live down an embarrassing moment in his college football career when he got mixed up and ran the ball the wrong way down the field to lose the game, an event witnessed by Marine Corps pilot Panama Williams (Jack Holt) who encourages him to join the Marines to gain some purpose in life. The whole subplot of Lefty living down the reputation is kind of odd, especially since news of it only spreads amongst the recruits because he keeps a clipping of the event on him at all times, a clipping that falls out of his pocket and gets picked up by someone who makes fun of him because of the reminder. It's also supposed to feed into this idea at the core of Lefty as a character that he's afraid of trying again, limited by a fear that makes him screw up in similar ways, like when he can't get his aircraft to lift off the ground at his graduation test.

    The actual dramatic meat of the film ends up being a little love triangle between Lefty, Panama, and the nurse Elinor (Lila Lee). Panama is really consumed with her though she is only really polite in return. She becomes enamored of the young, more handsome Lefty, but Lefty is too loyal to Panama for helping him out of his funk and bringing him along on the later stage mission to Nicaragua as his mechanic to go selfish regarding his own desires towards Elinor.

    And that's kind of it. It's a very simple love triangle that takes a while to develop over the film, doesn't have a whole lot of dimension to it, but is earnestly told with a couple of nice little mechanical twists to it (like Panama getting Lefty as his mechanic). For a short melodrama it might have been enough, but this is a nearly two hour film.

    The final bit is dominated by this sudden, underdeveloped need for the Marines to use airplanes against bandits in Nicaragua against a bandit named Lobo (Jimmy De La Cruze). It's handled with some quick dialogue that he's attacked some Americans there, the actual battle is a technically competent execution of capturing action in flight while the actual stakes are thin and hardly ever explained in anything other than the broadest of detail. There's a bit where Lefty ends up behind enemy lines that very closely mirrors the similar third act mechanics of Submarine with the slight benefit of Panama sacrificing one other soldier other than Lefty than a submarine full of them, combined with the fact that we know that Lefty is the only one left alive from the crash (something Panama doesn't know). The pique is, of course, sourced from the love triangle dynamics, and it sort of works in this melodramatic context, but only sort of.

    The sound design, since its so early in the sound era and fascinates me, is this curious mixture of experiments, some that work others that don't, of trying to make a soundscape pleasing to the audience. On the one hand, the opening football game has a surprising uniformity to the background, possibly executed by capturing a similar roar of cheers across all of the shots (it really does feel like this is still the moment when sound mixing hadn't been applied to film soundtracks yet). There is also this tendency to drop out all sound in between lines of dialogue on scenes filmed outside, so we get the ambiance of the field when someone says something, all sound drops out for a second, and then someone else speaks and that ambiance comes back. It's kind of weird, but Capra and his sound team was trying to make this whole sound thing work, at least.

    So, I'd probably say that Submarine is the better of the two Howard Hawks-like films that Capra had made up to this point. Hawks made them better because he had a stronger sense of these types of characters and had a more interesting way to portray these women as strong and belonging in the world instead of waifishly sitting around while things happen around her. For a better look at airmen of the time, I'd recommend Hawks' version of The Dawn Patrol, but he was juggling these kinds of love triangles even in stuff like Tiger Shark.

    Anyway, it was okay. Its story is fine, just not very meaty, and the spectacle is pretty good, if unsupported by much narrative. It's a middling little adventure and melodrama that has understandably been largely forgotten by everyone save Capra completists.
    5st-shot

    Capra Wings it.

    Frank Capra takes to the air in this rip off of William Wellman's silent Wings (27) but it never gets off the ground. Capra seems ill equipped to deal with aviation the way WW 1 pilot Wellman is and it shows early on.

    Footballer Lefty Phelps makes headlines when he runs the wrong way (ala Roy "Wrong Way" Rigel's Rose Bowl gaffe) in the big game. Shamed beyond belief he joins the Marines after meeting the admirable Panama Williams who offers sympathy and advice. Phelps ends up training to be a pilot under Williams command but he washes out. He stays on in a non-pilot capacity and begins to romance Panama's desire Nurse Murray. Friction ensues between the two but there's a rebellion to fight in Central America and this enables Lefty to redeem himself.

    Flight is at a disadvantage from the start due to progress-sound. 29 was a transitional year in sound and it hampers the action and performances. Because cameras were so noisy they had to be sound proofed, restricting movement. Actors were untested in voice and nuance when it came to sound and Capra regular Ralph Graves as Lefty sulking and lumbering about comes up short in both. Tim Holt's father fares far better and Lilla Lee sporting eye lashes as wide as the wings on Von Richthofen's Fokker is more Boop than Bara.

    Capra's mise en scene and editing are pedestrian with actors poorly posed (once again to accommodate the microphone) and reacting foolishly to off screen action. There are some decent air acrobatics and a striking approach shot to an enemy fortress but special effects are glaringly poor in spots and overall it remains inferior in every aspect to Wings and thus reaffirms that Silents are golden, especially when its accompanied by a rousing pipe organ score.
    4wes-connors

    A Little Off the Top... and the Bottom

    One of several attempts to talk-up William A. Wellman's high flying "Wings" (1927) **********. This time, the leading threesome form the more traditional triangle of love -- younger Marine pilot Ralph Graves (as Lefty Phelps) and his mentor/Sergeant Jack Holt as (Panama Williams) are in both love with lovely nurse Lila Lee (as Elinor Murray). Ms. Lee loves Mr. Graves (in a romantic way). Mr. Graves loves Lee (in a romantic way) and Mr. Holt (in a fatherly way). Circumstances put the characters' relationships in turmoil, and danger…

    An interesting early effort by director Frank Capra; but, of course, it is nowhere near his best. Harold Goodwin has a great supporting role (as Steve Roberts). Graves and Holt are a reliable team. Graves seems a little younger and Holt a little older than they appear; the actors are about the same age, however; and, they have a nice rapport.

    Watch for a scene right after the "stuck in the mud" segment concludes -- in their tent, Holt scolds Graves for wanting to go out and get "tight"; he tries to pull his pal's shirt off, but Graves resists. Then, the men wrestle, which ends up with Holt pulling Graves' legs up to give him a spanking! As a bonus, Graves' hairpiece almost flips off his head!
    6bkoganbing

    Wrong Way To Nicaragua

    Frank Capra made three films with the same two actors, Jack Holt and Ralph Graves, probably in an effort to establish the male buddy film. It would take James Cagney and Pat O'Brien to get that genre off the ground. Flight is the second of those three Graves/Holt films and the first one in sound.

    It also has the same kind of roughhouse humor that would characterize the work of John Ford. In fact if you didn't know this was an early Capra film, you'd swear Ford did it.

    Flight is certainly a film from the headlines of the day. It begins with college football hero Ralph Graves making a spectacular run in the Rose Bowl, the wrong way. Capra made no secret of it, he was at the Rose Bowl that year with Harry Cohn and saw Roy Rieggles playing for USC get turned around in eluding tacklers and made a spectacular run the wrong way and scored the margin of victory for Georgia Tech. The poor man never lived it down.

    In fact Graves decides the Marine Corps is the place for blessed anonymity and he gets involved with aviation under the tutelage of Jack Holt. But the two of them have a falling out over nurse Lila Lees. Later on they see action in Nicaragua where the USA was maintaining a presence in hunting down those original Sandinistas.

    The Marine aviators rescue a company of Marines in a Dienbienphu like situation with the Sandinistas. The battle scenes were very well staged.

    Flight is not a typical Frank Capra film because Frank Capra had not found his style and type of story. Still it's a well made action film for the time.

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    Storyline

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    Did you know

    Edit
    • Trivia
      The wrong-way run was based on the infamous play by Roy Riegels of the University of California in the 1929 Rose Bowl. With the score 0-0 in the second quarter, Riegels recovered a Georgia Tech fumble at the Yellow Jackets' 30, but he somehow got turned the wrong way and ran 65 yards toward his own goal line. A teammate grabbed him, but he was dropped at his own 1. The Golden Bears elected to punt, the punt was blocked out of the end zone for a safety touch and the two points provided the margin of victory in Georgia Tech's 8-7 win. The movie uses actual footage of Riegels from the game.
    • Goofs
      When Lefty Phelps is polishing an aircraft, Sergeant Williams calls to him by yelling "Hey, soldier!" As both men are US Marines, the sergeant would not have addressed him that way. Soldiers are members of the US Army and a Marine would actually consider that remark to be an insult.
    • Quotes

      Steve Roberts: [On the Nicaraguan rebels] You know damn well what's going to happen if these people come along and catch you alive.

    • Connections
      Featured in Frank Capra, il était une fois l'Amérique (2020)
    • Soundtracks
      My Mammy
      (1921) (uncredited)

      Music by Walter Donaldson

      Lyrics by Sam Lewis and Joe Young

      Sung a bit a cappella by Ralph Graves

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    Details

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    • Release date
      • July 29, 1932 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Flight
    • Filming locations
      • Naval Air Station North Island, Coronado, California, USA(flying field)
    • Production company
      • Columbia Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 50 minutes
    • Color
      • Black and White

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    Ralph Graves and Jack Holt in Les Mousquetaires de l'air (1929)
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