IMDb RATING
6.9/10
1.7K
YOUR RATING
Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.
Harry Bernard
- Train Passenger
- (uncredited)
Sammy Brooks
- Short Train Passenger
- (uncredited)
Baldwin Cooke
- Train Passenger
- (uncredited)
Eleanor Fredericks
- Lady in Berth
- (uncredited)
Paulette Goddard
- Train Passenger
- (uncredited)
Pete Gordon
- Train Passenger
- (uncredited)
Charlie Hall
- Train Passenger
- (uncredited)
Pat Harmon
- Stationmaster
- (uncredited)
John M. O'Brien
- Man who trips over briefcase
- (uncredited)
Hayes E. Robertson
- Train Porter
- (uncredited)
S.D. Wilcox
- Train Conductor
- (uncredited)
Grace Woods
- Train Passenger
- (uncredited)
Featured reviews
This first talking movie from Laurel & Hardy is a surprising good one. It has the typical Laurel & Hardy humor in it, for which they are so famous and loved over the world. This is one of their most typical shorts. It's simple and it's almost non-stop filled with slapstick moments. Laurel & Hardy at their purest and finest.
The movie begins standard but from the moment when the two boys enter the train the movie becomes an almost fun and non-stop laugh-fest. The movie its humor is very simple and also predictable but executed brilliantly by Stan Laurel and Oliver Hardy. Especially the scene in which the two boys try to get in bed, which last at least 5 minutes, is one to remember and Laurel & Hardy hilarity at its best and purest form. Although the movie its humor and moments are rather stretched out, the movie never really becomes tiresome to watch.
More than in other early Laurel & Hardy comedy shorts, the supporting cast also plays an important part when it comes to the humor. The movie is filled with comical moments, that don't even feature the two boys in it. Among the supporting cast is Laurel & Hardy regular Baldwin Cooke and movie icon Paulette Goddard. Talk about movie history!
This movie is definitely better than Laurel & Hardy's other work from the '20's. It's humor and characters already have the shape and form as their later and best work from the early '30's.
8/10
http://bobafett1138.blogspot.com/
The movie begins standard but from the moment when the two boys enter the train the movie becomes an almost fun and non-stop laugh-fest. The movie its humor is very simple and also predictable but executed brilliantly by Stan Laurel and Oliver Hardy. Especially the scene in which the two boys try to get in bed, which last at least 5 minutes, is one to remember and Laurel & Hardy hilarity at its best and purest form. Although the movie its humor and moments are rather stretched out, the movie never really becomes tiresome to watch.
More than in other early Laurel & Hardy comedy shorts, the supporting cast also plays an important part when it comes to the humor. The movie is filled with comical moments, that don't even feature the two boys in it. Among the supporting cast is Laurel & Hardy regular Baldwin Cooke and movie icon Paulette Goddard. Talk about movie history!
This movie is definitely better than Laurel & Hardy's other work from the '20's. It's humor and characters already have the shape and form as their later and best work from the early '30's.
8/10
http://bobafett1138.blogspot.com/
Several published works on Laurel And Hardy seem to rate this as one of the boys' poorest shorts. How dare they! This is extremely funny - if not quite top drawer - Stan and Ollie. An early talkie, half the film is simply our two heroes trying to get undressed in the upper berth of a sleeper train, getting entangled in each others trousers, night-shirts etc. The boys have also inadvertently set the rest of the passengers against each other, via a method I won't spoil by revealing. It's simplicity itself, yet it works wonderfully well. When most comedies of the twenties and thirties have long been forgotten, the films of these two lovable characters continue to delight.
The real secret is surely in their universal humanity; there's a little bit of Stan and Ollie in all of us.
The real secret is surely in their universal humanity; there's a little bit of Stan and Ollie in all of us.
This was the only Laurel and Hardy short film that Lewis R. Foster directed, who later wrote the acclaimed film, MR. SMITH GOES TO WASHINGTON.
Foster did a terrific job, possibly one of the team's best early sound films, from 1929.
Big vaudeville "stars" Stan and Ollie board a train for Pottsville --and the rest is comedy history. This short is chock full with running gags, and excellent timing. To further complicate matters, the boys have to drag along a cello (part of their act, naturally), which proves to be one pain in the XYZ. They also encounter jealous husband Charlie Hall who starts a clothes ripping fight among passengers, believing someone (guess who?) was snooping on his wife.
The boys end the insane day climbing into a tight as a drum sleeping car berth, and painstakingly remove their clothes --that only Laurel and Hardy can do. This hilarious sketch is one of their best, re-created many years later in THE BIG NOISE (1944). Some say you can hear the crew faintly laughing in the background, its that funny.
By the way, the clothes-ripping frenzy continues... and continues...
Without too much surprise, this story was written by comedy master Leo McCarey, who also worked on their silent short films. A labor of love.
Get the dvd box set of the team's legendary short films, especially for this one. By the way, the METV remastered print is absolutely beautiful.
Foster did a terrific job, possibly one of the team's best early sound films, from 1929.
Big vaudeville "stars" Stan and Ollie board a train for Pottsville --and the rest is comedy history. This short is chock full with running gags, and excellent timing. To further complicate matters, the boys have to drag along a cello (part of their act, naturally), which proves to be one pain in the XYZ. They also encounter jealous husband Charlie Hall who starts a clothes ripping fight among passengers, believing someone (guess who?) was snooping on his wife.
The boys end the insane day climbing into a tight as a drum sleeping car berth, and painstakingly remove their clothes --that only Laurel and Hardy can do. This hilarious sketch is one of their best, re-created many years later in THE BIG NOISE (1944). Some say you can hear the crew faintly laughing in the background, its that funny.
By the way, the clothes-ripping frenzy continues... and continues...
Without too much surprise, this story was written by comedy master Leo McCarey, who also worked on their silent short films. A labor of love.
Get the dvd box set of the team's legendary short films, especially for this one. By the way, the METV remastered print is absolutely beautiful.
Berth Marks (1929)
** 1/2 (out of 4)
Laurel and Hardy are a vaudeville team who are trying to catch a train so that they can reach their next gig. They barely catch the train but once on there they run into one problem after another with the biggest being trying to get up in their bed so that they can sleep.
BERTH MARKS was the duo's first sound film, although it was also shown in a silent version in theaters that hadn't yet upgraded their systems. For the most part this is a mildly amusing comedy but at the same time there's no question that it falls well short of classic Laurel and Hardy films. The biggest problem is the fact that there's really not too many laughs and the one joke pretty much takes up the majority of the running time. This joke has the boys trying to get into their bed but constantly failing for one reason or another. This here just isn't funny enough to warrant it taking up most of the running time.
** 1/2 (out of 4)
Laurel and Hardy are a vaudeville team who are trying to catch a train so that they can reach their next gig. They barely catch the train but once on there they run into one problem after another with the biggest being trying to get up in their bed so that they can sleep.
BERTH MARKS was the duo's first sound film, although it was also shown in a silent version in theaters that hadn't yet upgraded their systems. For the most part this is a mildly amusing comedy but at the same time there's no question that it falls well short of classic Laurel and Hardy films. The biggest problem is the fact that there's really not too many laughs and the one joke pretty much takes up the majority of the running time. This joke has the boys trying to get into their bed but constantly failing for one reason or another. This here just isn't funny enough to warrant it taking up most of the running time.
On a train to a musical performance, Stan and Ollie do what you might expect. The best part of "Berth Marks" is when they're in the compartment trying to go to bed. A notable piece of trivia about this short - their second talkie - is that it's the film debut of Paulette Goddard, Charlie Chaplin's wife from 1936-42 (and his co-star in "Modern Times" and "The Great Dictator").
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
Did you know
- TriviaA silent version was also made for theaters that at the time were not equipped to show talkies.
- GoofsAs Stan and Ollie scramble to board the train, their fiddle is clearly smashed to pieces, yet it is intact for the rest of the film.
- Alternate versionsReissued in 1936 with a new musical score, including the "Cuckoo" song by Marvin Hatley over the main credits, as well as a 1932 version of the song played by the Van Phillips Orchestra over the first scene at the depot.
- ConnectionsEdited into Noche de duendes (1930)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Berth Marks
- Filming locations
- Palms Depot, Heritage Square Museum - 3800 Homer Street, Montecito Heights, Los Angeles, California, USA(this is where the ending train station building was moved)
- Production company
- See more company credits at IMDbPro
- Runtime
- 19m
- Color
- Sound mix
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