Ombres blanches

In this little-known Van Dyke picture, the brilliant cinematography and acting cancel out the shallow plot and seemingly endless 'docu-footage' of the island. What it all adds up to is a very interesting, beautifully shot representation of an exotic place, with a bit of heavy-handed message to make it a story rather than a documentary. There is one exception to this, though, and it is a stunning one: the scene in which the 'white god' teaches the girl to whistle. It is surprisingly intimate, and acted wonderfully well. I recommend this one to fans of early cinematography.

The very first "sound track" film from MGM..sound effects track added by Doug Shearer, who did the sound recording on about 90% of all the old black & whites. Caption cards are still used throughout the film for the dialogue. Was also actually filmed in Tahiti, which would have been pretty rare for those times. Monte Blue ( plays Doctor Lloyd ) and Robert Anderson (the trader) had been in silent films for years, but this was Raquel Torres' ("Fayaway") first role. In our story, when pearls are discovered in the waters of the south seas, the white men move in to take advantage. The natives are up against the caucasian traders, the critters of the sea, storms, and sickness when it comes to their shores. The story is quite simple, but the outdoor and underwater photography are the high points here. Even with a respectable restoration, different scenes appear in various colors, and the lighting and sound have become slightly spotty. Interesting scenes at the feast, where prior to cooking, the fish is carefully sewn up in leaves to keep it from burning. Where others have despaired over the "documentary" feel to the film, I felt that this was one of the strengths. (Although some of those costumes and dances DO look pretty hokey.) Lloyd lives with the natives, and must decide what his long term goal is, and how to reach it. Several scenes have been sped up, which may have been an effort by "someone" to move the plot along more quickly. Or maybe just newer technology going at a different speed. Directed by WS Van Dyke, produced by Thalberg and Stromberg, all pretty big cheeses in the industry at the time.

Monte Blue stars as Doc Lloyd, a drunk living like a bum among the French Polynesian natives who are being exploited by white traders for the nearby valuable pearl beds. The mistreatment of the locals reaches a breaking point for Doc, and after a violent outburst, he ends up on another island, this one untouched by white man's hands. Here Doc cleans up his act, helping the natives with his medical savvy, and falling in love with native girl Fayaway (Raquel Torres).

The Tahitian shores are nice to look at, and the underwater sequences are intriguing for the time. Director W. S. Van Dyke keeps things moving, but this works more as a travelogue than a compelling narrative. A scene where native fishermen wrestle with giant sea turtles is a highlight, even if you sympathize more with the turtles. This won an Oscar for Best Cinematography, but not until 1930.

Spreading from island to island, the WHITE SHADOWS IN THE SOUTH SEAS corrupt every culture they encounter.

This unfortunately obscure film, produced by MGM right at the cusp when the Silent Era was giving way to Sound, is a fascinating look at the vanishing way of life to be found in the South Pacific Islands. Its beautiful, vivid photography justly won the Oscar for Best Cinematography.

This 'Camera Record' was directed by W.S. Van Dyke, the Studio's on-location master. The film's prologue states "Produced and photographed on the natural locations and with the ancient native tribes of the Marquesas Islands in the South Seas." The footage depicting the pearl divers and the coconut tree climbers is particularly noteworthy.

Monte Blue gives a very fine performance as a derelict doctor who finds himself acclaimed as a white god on an island of gentle, friendly natives. His despair at the arrival of brutish Caucasian traders in this idyllic paradise is riveting. Mexican actress Raquel Torres, in her film debut, is poignant as the island maiden who captures Blue's heart.

It still doesn't cease to amaze me how some Silent Movies, dramas or comedies, catch my attention so much, getting me so immersed in the plot, thus making me forget I'm watching a silent, an antique, a piece of history, enjoying the movie as I'd do with any "talking" movie.

In this case, the images are so real (it was filmed on location) and so hauntingly beautiful, that make many later Hollywood films from the 1940's or 1950's, which depict "South Seas Life" look unreal, fake, notwithstanding their possible entertainment value.

There's so much truth in this morality photo-play about a white man, identified as a "derelict" of the South Seas, previously a doctor, who finds "Paradise on Earth" (peace, love & happiness), on a certain island of the Polynesia. Monte Blue is great as this "white man".

Most of the featured players of the film, one realizes, are real natives from the islands, and this adds so much truth to the storyline. Beautiful actress Raquel Torres, does not seem (IMHO) out of place at all as Monte Blue's native love interest. And Robert Anderson is a very nasty villain.

There are some awesome underwater sequences, featuring octopuses, sharks, pearl-diving and others featuring palm-climbing, dancing, etc. Notice the different tinting (reddish, blue, sepia ...) of the sequences of the film; only at the beginning and on the end, plain black and white is used.

Great Sound score for this late "silent film", the first used for a MGM film and the first time Leo-the-Lion roared! The original South-Sea Islands Film. Excellent.