La piste de 98

This is one of my favourite films of the late silent era.It has a mixture of drama, suspense,action and comedy to satisfy most tastes. The comedy is provided by Karl Dane, as a Scandinavian saphead who falls for about every con that comes his way. The hero and heroine suit each other well. The villain is about as bad as you could want and the fight scene with the hero is one of the most realistic I have ever seen.There are some pretty good special effects and some strong supporting characters. The way in which people come to accept the fate of their companions tells us how harsh conditions must have been and how hard those prospectors had to become to survive. Add to this a theme song, background music and sound effects....what more could you ask for?

The visuals are striking in this silent drama set in the 1898 Klondike gold rush. Whereas Chaplin treated the same setting for comedy in The Gold Rush (1925), with a little dramatic relief, this film concentrates on the hardships and thievery such stakes generally produce, with only a little comic relief. The opening shows people from various parts of the country planning to seek their fortune. All have hopes high, and we hear many say to their loved ones, "I'll bring back a million" as they board the ship taking them to Skagway, Alaska. The film follows only a few of the hopefuls. Karl Dane and George Cooper go into a partnership with Tully Marshall aboard ship; elderly couple Tenen Holtz and Emily Fitzroy plan to open a restaurant and bring distant relative Dolores Del Rio and her blind grandfather, etc. Del Rio meets Ralph Forbes on ship and they fall in love, but marriage will wait until he makes his fortune. Once in Skagway, each has to make the arduous trek to Dawson City through the Chilkoot pass, carrying their own food for the long journey and battling subfreezing temperatures, avalanches and raging rivers from melting snow in the spring. And because each literally must carry a ton of food, it's slow-going as they take a little at a time and return to repeat the process many times in order to travel a short distance. Del Rio's grandfather and others perish in an avalanche, and many turn back. But the main characters make it only to be told to go back: one in a thousand finds gold and there are a hundred men for every job. Del Rio and Forbes eventually decide to go back, but when news of another strike reaches town, he goes with Marshall, Dane and Cooper to try again, leaving Del Rio with Tenen and Fitzroy. The villain and claim-jumper, Harry Carey, buys return tickets for Tenen and Fitzroy only because he has eyes for Del Rio. (By then the Yukon River had been made navagable and a ship came in once a year.) Once they leave he arranges to take the unwilling Del Rio as a mistress with the aid of procuress Doris Lloyd. The men do find gold, and Forbes returns to an angry Del Rio, who forgives him when he tells her the past doesn't matter. But he still has to contend with Carey.

Gold is surely what made people most dream of during all civilizations. This is proved again very completely in this film where we discover very different characters who only have one aim : Klondike.

We particularly follow the story of a young girl, played by the beautiful Dolores Del Rio. Clarence Brown alternates dramatic scenes and very funny ones which appeal to you the memory of Gold rush by Charlie Chaplin. It's very to rare to watch such a film nowadays, so don't hesitate if you have the occasion.

Recently I had the chance to view this film on TCM and it is truly an epic. The storylines are realistic and the characters believable.

Most impressive however is the exterior shots showing the Alaskan winter. I got cold just watching them! There are avalanches, blizzards and everything. It makes one appreciates the suffering those brave, if not foolish, souls endured in 1898.

Would you quit your job working on trains and commit, by what today might be considered, kidnapping and endangerment of a minor? Abandon your wife in Michigan? Abandon your entire family in Kansas? Stow away by train or ship? Abandon the dry gold fields of the Nevada desert--well, sure, who wouldn't do that.... To sail from San Francisco, to slog through the snowdrifts and mountain trails of the North, risk the rapids of the Yukon River, avalanches, freezing and starving to death, only to, then, fear fever, being assaulted, robbed and swindled, raped and forced into prostitution, eaten by dogs, or lit like a human torch... plus mosquitoes? I mean, yeah, gold is cool, but....

Set during the Klondike Gold Rush, "The Trail of '98" is more of an ensemble, rather than star-driven, late silent adventure epic that features a synchronized soundtrack of so-so sound effects and musical scoring (the sentimental lyrics for one smooching scene in particular was too much, and, at other moments, the constant blasts of wind can be grating). Indeed, it's a bit difficult and partly a wasted effort to try to keep track of all the characters--only some of whom ultimately drive the plot forward. The most important is the romance between Berna (early Mexican star Dolores Del Rio) and Larry, as threatened by the baddie Jack Locasto (Harry Carey, a star of Westerns with the moniker "Cheyenne Harry" early on, but who was transitioning to character roles by now). Larry teams up with some other prospectors in his pursuit for gold, but they're hardly worth mentioning and are only occasionally amusing.

It's no challenge to Charlie Chaplin's "The Gold Rush" (1925) as the best film made regarding Klondike yellow metal, but this one does feature some spectacular set pieces, visual effects and stuntwork, which, reportedly, included real-life casualties. The avalanche and fire scenes are especially grizzly, as is the wintry location shooting, and even the rear-projection photography for the rapids is relatively not too bad. On the other hand, there's far too much set-up, including excessive title cards, to get to the good stuff and even much of that is rudimentary, Victorian-style melodrama, while also resembling a wild-Northern Western. Most of the side characters and subplots aren't compelling enough to justify their inclusion.

The director here, Clarence Brown, could be a visually masterful filmmaker. He learned from one of the pioneers of cinematic visual innovation in Maurice Tourneur during the 1910s and into the early 1920s. He's, perhaps, best remembered for directing a few Greta Garbo vehicles, as well as pictures for other famous actresses, but some of them are remarkably lovely pictorially, and the romances are more effective than here, too. "Flesh and the Devil" (1926), in particular, is a masterpiece in these regards. I wonder what a filmmaker better adept at exploiting nature as a character could've done with this film, though--namely, Swedish émigrés Victor Sjöström or Mauritz Stiller, for instance. Or, perhaps, the blind character here could've been exploited to comment on the loss of visual virtuosity in the transition from silents to talkies, as was the flower girl in Chaplin's "City Lights" (1931), or even how blindness was associated with art by Yevgeni Bauer in "Za schastem" (1917). Instead, there is spectacle in "The Trail of '98" to see, but one need overlook the narrative dullness.