Willie, le bateau à vapeur

This 8 minute gem is not only timeless, but it is a cartoon milestone. It is Mickey's third cartoon, and one of his best ones too. It is a cartoon milestone because it was the first one with synchronised sound. And my goodness, even after 70+ years it is ever so good, and gives real additional weight to the narrative. The black and white animation is excellent, and the character features are convincing enough. The music is wonderful, I love the soundtrack, it does add to the fun the cartoon has, no matter how thin the story sometimes is. And the cartoon is funny! So many memorable moments, like the cow's teeth being used as an xylophone and its udder as a bagpipe. The characters are also engaging, Mickey and Minnie two landmark Disney characters are well voiced by Walt Disney, and Pete serves well as "the villain of the piece". All in all, "Steamboat Willie" is just a timeless gem that everybody should see at least once. 10/10 Bethany Cox

Steamboat Willie (1928)

**** (out of 4)

I think it's quite fair to say that STEAMBOAT WILLIE is the most important animated film in history. While it wasn't the first Mickey Mouse short (it's the third) it is the one that really turned him into a superstar and it took Walt Disney into a while new level unlike anything we've ever seen. The story is pretty simple as Mickey decides to whistle and dance his way throughout the boat. Yes, whoever would have guessed that by simply whistling this little mouse would become a part of cinematic history? Not only is this film historic but it's also quite excellent in its own right. The film has a certainly charm and good-hearted feel to it that it's impossible not to smile with it and it's even more impossible not to want to join in on the whistling. There are countless highlights here but my favorite has always been the sequence where the cow is too small to get loaded onto the boat so Mickey must do something to put meat on his bones.

While in France as Germaine Dulac created a benchmark of short-subject, cinematic surrealism with The Seashell and the Clergyman, Walt Disney and his collaborator Ub Iwerks in America worked on Steamboat Willie, the most prominent of the early synchronized sound cartoons (it was revealed that this was not the first, contrary to other reports). It's also one of the more successfully simplistic and funny of the Mickey Mouse shorts (still in a silent-film way- the only sounds are little irks and bleeps from the Mickey and the animals). It also goes by fairly quickly for its less-than-ten minute run, if only by how quick and dopey the gags are.

But in these minutes one gets the immediate sense of how much fun Disney has with his characters, and how the newfound use of sound changes how his creation uses the animals as musical tools. There's no story to speak of, just random things that happens and occurs because of Mickey (err, Steamboat Willie) on this boat on a river. And like the better Mickey Mouse shorts, his lack of speaking acts as an advantage. It's a must-see if you haven't seen it as a kid, but if you have it might still be worth another look.

... the end of Buster Keaton's career? This cartoon was released at the end of 1928, eight months after the release of Buster Keaton's final independent film - Steamboat Bill, Jr. Why should somebody shell out money for Keaton to take a chance with life and limb with his wonderful acrobatics when Walt could draw a mouse that could do all of those antics, not show up late to the set, not require lunch breaks, and come back for the next film/cartoon fresh as a daisy and uninjured?

I don't know if the similarity between the title of this cartoon and Buster's last independent creation is anything but coincidence, but I wonder. Always worth a look to see the wonderfully creative Walt at work in the beginning. He would shake his head at what his company is outputting as product today. But I digress.

Highly recommended for the film history angle.

Seeing again, after a very long time, this short seems real - real creepy. So, the recent version by Nick Lives can be defined as wise one comparing with original.

Cruelty , sexism and sexual jokes, bad treatment to animals and horror in pure form.

A strange work from beginnings of Walter Disney , so funny in childhood for many from us , frighting today because the permisity about taboo themes seems just the rule.

In short, a form of revenge, reminding children sadism or teens teribilism , of Mickey against Captain Pete . And its forms are not so amusing, in fact.

But, sure, a classic. Served by a sort of a controversy answer at start of 2024 year.