IMDb RATING
6.3/10
1.1K
YOUR RATING
An American polo player, arrogant and full of himself, must vindicate his actions to win the heart of a girl, Polly, after getting himself booted off the U.S. polo team.An American polo player, arrogant and full of himself, must vindicate his actions to win the heart of a girl, Polly, after getting himself booted off the U.S. polo team.An American polo player, arrogant and full of himself, must vindicate his actions to win the heart of a girl, Polly, after getting himself booted off the U.S. polo team.
Coy Watson
- Sammy
- (as Coy Watson Jr.)
Allan Cavan
- Host at Red Lantern Inn
- (uncredited)
Harry Gribbon
- Tommy's Valet
- (uncredited)
Herbert Prior
- Beleaguered Diner
- (uncredited)
Scott Seaton
- Polo Team Member
- (uncredited)
Harry Tenbrook
- Tommy's Chauffeur
- (uncredited)
Ellinor Vanderveer
- Party Guest
- (uncredited)
Blue Washington
- Horse Groom
- (uncredited)
S.D. Wilcox
- Policeman
- (uncredited)
Featured reviews
The Smart Set is the only film I know based on polo. It's not a sport that attracts popular attention, the care and feeding of the animals needed to play polo puts it far beyond the means of the average working person to participate. It's not like bowling.
Not too many people today could tell you who the name polo players are, me included. But in the Golden Age of Sports that the Roaring Twenties was categorized as the Babe Ruth or Jack Dempsey of polo was one Thomas Hitchcock, Jr. who was one colorful character himself. From the horsey set on Long Island, Tommy Hitchcock was among other things a member of the Lafayette Escadrille in World War I, joining as a teen. He was killed in a plane crash in 1941 piloting a test plane for the RAF before America got into that war. Between wars he played a mean game of polo and was quite the society party animal.
And it's his character that William Haines's character of Tommy Van Buren is based. Most of the clichés involving sports films are present here, it's just that they're new for polo. It's a triangle with Haines and fellow polo player Jack Holt in love with Alice Day, a débutante from Long Island. Of course it all ends in the big championship polo match between the United Kingdom and the United States of America. Guess who comes in and saves the day? One guess per reader.
Haines is cocky and brash, Holt is strong and silent, and Day is sweet and demure. That about sums up their characters. Oh, and Haines plays a mean game of footsie at parties. The stars pretty much fit into the stereotyped characters they normally played. Haines even has a horse he loves like a western cowboy normally does, a crack pinto polo pony called Pronto.
It's not a bad film and most typical of the parts on the silent and early sound films that William Haines did. But I can't believe that polo would have too wide an audience today.
Not too many people today could tell you who the name polo players are, me included. But in the Golden Age of Sports that the Roaring Twenties was categorized as the Babe Ruth or Jack Dempsey of polo was one Thomas Hitchcock, Jr. who was one colorful character himself. From the horsey set on Long Island, Tommy Hitchcock was among other things a member of the Lafayette Escadrille in World War I, joining as a teen. He was killed in a plane crash in 1941 piloting a test plane for the RAF before America got into that war. Between wars he played a mean game of polo and was quite the society party animal.
And it's his character that William Haines's character of Tommy Van Buren is based. Most of the clichés involving sports films are present here, it's just that they're new for polo. It's a triangle with Haines and fellow polo player Jack Holt in love with Alice Day, a débutante from Long Island. Of course it all ends in the big championship polo match between the United Kingdom and the United States of America. Guess who comes in and saves the day? One guess per reader.
Haines is cocky and brash, Holt is strong and silent, and Day is sweet and demure. That about sums up their characters. Oh, and Haines plays a mean game of footsie at parties. The stars pretty much fit into the stereotyped characters they normally played. Haines even has a horse he loves like a western cowboy normally does, a crack pinto polo pony called Pronto.
It's not a bad film and most typical of the parts on the silent and early sound films that William Haines did. But I can't believe that polo would have too wide an audience today.
Only William Haines, back in the day, could pull something like this off. Haines was MGM's resident ego maniac, always in trouble wise guy -- in search of a gal pal. And he usually got her, after a lot of friction.
This is fun stuff, and after all these years. Haines actually was the mold for so many slick, smart guys to come, though, in a way, you still liked this guy because he was the one to watch, getting in and out of trouble with the greatest of ease. And didn't we all know someone like that as kids, too?
Here, Haines plays Tommy Van Buren who has the good fortune(?) to join the US polo team. That in itself is absolutely amazing. Of course he is drawn to a beautiful girl and sets out, in his own outrageous way, to make a shambles out of everything for both him and her. That's about the best way you can put it, and the pattern for so many of Haines films to come. He cranked them out on a regular basis into the 1930s.
It's a long and adventurous way to the end, so buckle up and have fun watching this practical joking, smooth operator do his thing. Also this is a neat historical trip thru Hollywood, filmed on location in the late 1920s, with some landmarks that are still there after all these years.
A salute to the great William Haines, who is missed.
A film you will want to see again, restored dvd by MGM.
This is fun stuff, and after all these years. Haines actually was the mold for so many slick, smart guys to come, though, in a way, you still liked this guy because he was the one to watch, getting in and out of trouble with the greatest of ease. And didn't we all know someone like that as kids, too?
Here, Haines plays Tommy Van Buren who has the good fortune(?) to join the US polo team. That in itself is absolutely amazing. Of course he is drawn to a beautiful girl and sets out, in his own outrageous way, to make a shambles out of everything for both him and her. That's about the best way you can put it, and the pattern for so many of Haines films to come. He cranked them out on a regular basis into the 1930s.
It's a long and adventurous way to the end, so buckle up and have fun watching this practical joking, smooth operator do his thing. Also this is a neat historical trip thru Hollywood, filmed on location in the late 1920s, with some landmarks that are still there after all these years.
A salute to the great William Haines, who is missed.
A film you will want to see again, restored dvd by MGM.
Smart Set, The (1928)
** (out of 4)
An obnoxious polo player (William Haines) thinks he's God's gift to everyone so he starts bothering the girl of his dreams (Alice Day), which doesn't sit too well with her boyfriend (Jack Holt). While the polo player gets on everyone's nerves, nothing really happens until he's kicked off the team, which makes the man think about his ways. This comedy isn't too good and is only really remembered for its actor Haines. Haines, an open homosexual, had his career ended by MGM when he refused to break up with his boyfriend but he went on to find fame as an interior decorator. I had heard mixed things about this film but it certainly didn't work for me. Haines' character is so damn obnoxious and mean you want to see him get the hell beat out of him and his "change" comes so quick that it's not believable for a single second. Alice Day doesn't lend much to her role either but Holt is pretty good in his small, supporting role. The comedy is pretty light and mainly relies on Haines bothering everyone, which again is annoying and not funny.
** (out of 4)
An obnoxious polo player (William Haines) thinks he's God's gift to everyone so he starts bothering the girl of his dreams (Alice Day), which doesn't sit too well with her boyfriend (Jack Holt). While the polo player gets on everyone's nerves, nothing really happens until he's kicked off the team, which makes the man think about his ways. This comedy isn't too good and is only really remembered for its actor Haines. Haines, an open homosexual, had his career ended by MGM when he refused to break up with his boyfriend but he went on to find fame as an interior decorator. I had heard mixed things about this film but it certainly didn't work for me. Haines' character is so damn obnoxious and mean you want to see him get the hell beat out of him and his "change" comes so quick that it's not believable for a single second. Alice Day doesn't lend much to her role either but Holt is pretty good in his small, supporting role. The comedy is pretty light and mainly relies on Haines bothering everyone, which again is annoying and not funny.
THE SMART SET (1928) is a typical late silent era feature that M.G.M. cranked out to fulfill their quota of fifty (50) plus features a year. Even though a 'small' film it clearly shows that it was made by a major studio and has all the standard M.G.M. gloss.
THE NUTS; BlowHard and Egocentric Polo Star Thomas 'Tommy' Van Buren (William Haines) is selected to join America's Big Four championship polo team. Upon arrival he manages to put off his teammates starting with team Captain, Nelson (Jack Holt). He promptly moves in on Nelson's intended love interest Polly Durant (Alice Day) who he had met earlier in a failed pickup. Tommy also offends her Father, Mr. Durant (Hobart Bosworth), who he has replaced on the team. Story continues with his suspension from the team an act of heroism and finally redemption in the championship match against Great Britain, winning the girl. Standard stuff all around.
The main problem with the film is with its Star, matinée idol WILLIAM HAINES. His constant mugging and upstaging of his costars is more appropriate to Mack Sennett then M.G.M. He performs antics in this film that would endear him only to his Mother and only if she was addle headed. Some have commented on that his career failed because of his homosexuality. That may have been true but it was more likely his style did not translate well to the sound era. Not the era of JAMES CAGNEY, GARY COOPER, CLARK GABLE, WILLIAM POWELL, SPENCER TRACY, etc. They defined how a man was to act in sound. In fact his acting in silent films is hard to take today, especially compared to his contemporaries RONALD COLMAN, LON CHANEY, JOHN GILBERT and RAMON NOVARRO. Whos films do hold up well in the 21st Century. As hard to take as HAINES was the rather ordinary looking ALICE DAY. The rest of the cast did the best they could with what little they had to work with.
Though we gave it a relatively low rating of four (4) stars**** it is still worth a watch at least once. The print on TCM is in fairly good condition and it is interesting to see a film revolving around the sport of Polo. Which appears to be like Hockey on Horses.
ADDENDUM; Went back too this film today (04/08/09) on TCM too see if a second look would alter our opinion. No, HAINES still comes off as a 'Prissy Ham' with none of the charm he showed in SHOW PEOPLE (1928), the first of his films we had seen.
THE NUTS; BlowHard and Egocentric Polo Star Thomas 'Tommy' Van Buren (William Haines) is selected to join America's Big Four championship polo team. Upon arrival he manages to put off his teammates starting with team Captain, Nelson (Jack Holt). He promptly moves in on Nelson's intended love interest Polly Durant (Alice Day) who he had met earlier in a failed pickup. Tommy also offends her Father, Mr. Durant (Hobart Bosworth), who he has replaced on the team. Story continues with his suspension from the team an act of heroism and finally redemption in the championship match against Great Britain, winning the girl. Standard stuff all around.
The main problem with the film is with its Star, matinée idol WILLIAM HAINES. His constant mugging and upstaging of his costars is more appropriate to Mack Sennett then M.G.M. He performs antics in this film that would endear him only to his Mother and only if she was addle headed. Some have commented on that his career failed because of his homosexuality. That may have been true but it was more likely his style did not translate well to the sound era. Not the era of JAMES CAGNEY, GARY COOPER, CLARK GABLE, WILLIAM POWELL, SPENCER TRACY, etc. They defined how a man was to act in sound. In fact his acting in silent films is hard to take today, especially compared to his contemporaries RONALD COLMAN, LON CHANEY, JOHN GILBERT and RAMON NOVARRO. Whos films do hold up well in the 21st Century. As hard to take as HAINES was the rather ordinary looking ALICE DAY. The rest of the cast did the best they could with what little they had to work with.
Though we gave it a relatively low rating of four (4) stars**** it is still worth a watch at least once. The print on TCM is in fairly good condition and it is interesting to see a film revolving around the sport of Polo. Which appears to be like Hockey on Horses.
ADDENDUM; Went back too this film today (04/08/09) on TCM too see if a second look would alter our opinion. No, HAINES still comes off as a 'Prissy Ham' with none of the charm he showed in SHOW PEOPLE (1928), the first of his films we had seen.
William Haines' character is such an insufferable jerk for most of this picture that the inevitable changing of his ways isn't enough to really put us on his side. He gives a decent performance, though, in an otherwise unremarkable entry.
Did you know
- TriviaTommy and Polly first meet at the intersection of Selma Ave. and Cahuenga Ave. in Hollywood. The Marion Building featuring the Chrisney Drug Co. sign still stands as of 2023. The corner entrance famously housed The Spotlight, a gay bar, from 1963 to 2011.
- Quotes
Title Card: A dry morning after a wet night.
- Alternate versionsIn 2007, Turner Entertainment Co. copyrighted a 80-minute version of this film, with a new musical score composed by Marcus Sjowall.
- ConnectionsReferences Le Cheval de fer (1924)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Умный набор
- Filming locations
- Selma Ave. and Cahuenga Ave., LA, California, USA(Tommy and Polly first meet in front of the Marion Building - still stading 2023)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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