IMDb RATING
7.5/10
5.4K
YOUR RATING
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
- Director
- Writers
- Stars
- Awards
- 7 wins total
Olga Baclanova
- Lou -- Wife of Andy
- (as Baclanova)
Richard Alexander
- Lou's Sweetheart
- (uncredited)
May Foster
- Mrs. Crimp
- (uncredited)
George Irving
- Night Court Judge
- (uncredited)
John Kelly
- Sailor Barfly
- (uncredited)
Charles McMurphy
- Policeman
- (uncredited)
Guy Oliver
- The Crimp
- (uncredited)
Bob Reeves
- Court Bailiff
- (uncredited)
Lillian Worth
- Andy's Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Docks of New York (1928) is a prime example of the power of silent film at its height. After 1928, the medium would be crushed underneath the rise of sound technology, which was a shame considering how technically dazzling and sophisticated they had become by the latter half of the 1920s.
The film is a character study of a rough stoker and a suicidal woman. The two fall in love after he rescues her from an attempt to take her own life, though there is a chance they may be separated by the stoker's aversion to commitment and responsibility. The characters are all flawed, compelling people, each one brought to life with subtle performances from the leading actors. The atmosphere is appropriately seedy and dark, with chiaroscuro lighting and crowded spaces. It's a slow film, one that will not please those who prefer more plot or action, but it is worth your time, showcasing silent cinema at its loftiest heights. It is films like Docks of New York which make one wish the silent era had lingered on a little while longer.
The film is a character study of a rough stoker and a suicidal woman. The two fall in love after he rescues her from an attempt to take her own life, though there is a chance they may be separated by the stoker's aversion to commitment and responsibility. The characters are all flawed, compelling people, each one brought to life with subtle performances from the leading actors. The atmosphere is appropriately seedy and dark, with chiaroscuro lighting and crowded spaces. It's a slow film, one that will not please those who prefer more plot or action, but it is worth your time, showcasing silent cinema at its loftiest heights. It is films like Docks of New York which make one wish the silent era had lingered on a little while longer.
What a treat this tough, realistic movie is. George Bancroft, Betty Compson, and Olga Baclanova are all great is this cynical yet tender story of the waterfront.
Director Josef von Sternberg fills a simple tale with pathos and great atmosphere. Tough stoker Bancroft rescues a girl (Compson) from a suicide attempt and "marries" her for a night of fun. But he gets involved in a web of murder, thievery, and drunkenness.
When Norma Desmond said "we had faces then" in Sunset Boulevard (and yes I know it was Gloria Swanson), Betty Compson was at the top of the list. With her big eyes and crooked mouth, Compson was expert at expressing emotion with a twist of the mouth, a flick of the eyelashes. She is wonderful here as Mae, the waterfront gal. Bancroft is also terrific as the big lug who falls hard for Mae. And Baclanova, best remembered for "Freaks" is a dynamo as the wronged wife.
Great scenes of water and fog and birds serve as a backdrop to the drama that enfolds.
Bancroft and Compson won Oscar nominations in the early days of the award and are pretty much forgotten now, but they serve up sparks here in this terrific film. A must see!
Director Josef von Sternberg fills a simple tale with pathos and great atmosphere. Tough stoker Bancroft rescues a girl (Compson) from a suicide attempt and "marries" her for a night of fun. But he gets involved in a web of murder, thievery, and drunkenness.
When Norma Desmond said "we had faces then" in Sunset Boulevard (and yes I know it was Gloria Swanson), Betty Compson was at the top of the list. With her big eyes and crooked mouth, Compson was expert at expressing emotion with a twist of the mouth, a flick of the eyelashes. She is wonderful here as Mae, the waterfront gal. Bancroft is also terrific as the big lug who falls hard for Mae. And Baclanova, best remembered for "Freaks" is a dynamo as the wronged wife.
Great scenes of water and fog and birds serve as a backdrop to the drama that enfolds.
Bancroft and Compson won Oscar nominations in the early days of the award and are pretty much forgotten now, but they serve up sparks here in this terrific film. A must see!
For me, this comes a close second to "Underworld" in Sternberg's films: the twists and turns of the melodramatic plot become ultimately a little too much for me to swallow (a twist too far?), and I found some of the camera devices simply distracting, but even so the film is more or less won by virtue of the impressive acting from all concerned. Betty Compson (who was soon to receive a well-deserved Oscar nomination for her role in the part-talkie "The Barker") stands out as the fragile, cynical girl who has "had too many good times" already but allows herself to believe in the possibility of redemption; Baclanova is memorable as the petty officer's deserted wife, while George Bancroft is a cheerful, callous but not unkindly Colossus of a stoker. The weary, sensitive features of Gustav von Seyffertitz, in a small role as the threadbare Bible-basher who ministers to this godless 'flock', also make a strong impression. The film is almost all atmosphere, but it is atmosphere well-done.
What a good film and what good condition this film is in. The story is simple enough but delivered so well by a great cast.
Seaman(George Bancroft) gets shore leave for the night and goes looking for some fun. He saves a lady(Betty Compson) and is overwhelmed by her. One thing leads to another and he ask her out. From there all kinds of things happen. One of those things is love.
I was very impressed by Bancroft and Compson. They really seemed like they were living their parts rather than acting them out. Betty Compson was such a beautiful woman. That combined with her acting talent, I am surprise that she wasn't a big silent film star. I have never heard of her before.
I would recommend this film to all film lovers, silent and sound.
Seaman(George Bancroft) gets shore leave for the night and goes looking for some fun. He saves a lady(Betty Compson) and is overwhelmed by her. One thing leads to another and he ask her out. From there all kinds of things happen. One of those things is love.
I was very impressed by Bancroft and Compson. They really seemed like they were living their parts rather than acting them out. Betty Compson was such a beautiful woman. That combined with her acting talent, I am surprise that she wasn't a big silent film star. I have never heard of her before.
I would recommend this film to all film lovers, silent and sound.
Josef von Sternberg is a director not very well known among the normal audience. He is a legend to be learned thoroughly.
The movie is about a ship worker called Bill. He has just one night to spend ashore. He finds a young lady, Mae, trying to commit suicide in the sea. He helps her and takes to the near by bar. Later Bill asks her to marry him on an instant. The bar then gets ready for the wedding at that night. The rest you should watch and enjoy!.
It is hard to believe that the entire movie was shot on a Hollywood sound stage. The set was so perfect to be made up. Josef von Sternberg is always an expert at it.
If you are a movie freak, this movie should be added to the watch list. A worth watch.
#KiduMovie
The movie is about a ship worker called Bill. He has just one night to spend ashore. He finds a young lady, Mae, trying to commit suicide in the sea. He helps her and takes to the near by bar. Later Bill asks her to marry him on an instant. The bar then gets ready for the wedding at that night. The rest you should watch and enjoy!.
It is hard to believe that the entire movie was shot on a Hollywood sound stage. The set was so perfect to be made up. Josef von Sternberg is always an expert at it.
If you are a movie freak, this movie should be added to the watch list. A worth watch.
#KiduMovie
Did you know
- Trivia'Sugar' Steve tries to light Mae's cigarette from the same match he used to light Bill's and his own cigarettes while she is mending Bill's shirt. Mae blows out the match and says, "What are you trying to do, bring me more bad luck?" He must light a new match for her cigarette. At the time, "three on a match" was considered bad luck. Soldiers during the Crimea War believed that if three soldiers lit their cigarettes from the same match, one of the three would be killed, or alternately the third soldier to use the match would be shot. The superstition persisted with soldiers through World War II.
- Alternate versionsVideo version includes new score by Gaylord Carter.
- ConnectionsEdited into Spisok korabley (2008)
- How long is The Docks of New York?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Docks of New York
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 16m(76 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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