Les ailes

You could justifiably criticize WINGS lesser moments: the naive, "gee-whiz" dialog...the less than comedic "champagne" sequence in Paris...any of the romantic scenes...the idealized view of military life.... But as light entertainment, WINGS manages to hold its own, despite the passage of years. The battle scenes, easily the highlight of the film, may not have the intensity of later films, but the narrative is clear and precise. And this was not meant to be the last word in documentary accuracy: it's an adventure film tinged with romance, with engaging aerial fight scenes that capture your attention whenever they occur.

And personally, I felt that the music from the Wurlitzer organ tied together the film's various themes, musical and narrative, quite tidily.

This entertaining and occasionally impressive movie is still well worth seeing in spite of its flaws. The combat scenes alone make the rest of it worth watching, and Clara Bow gives a very good performance. She has plenty of energy as always, and here she makes her character especially sympathetic. But it has its weaknesses, too. The story is contrived and full of obvious holes, and except for Bow most of the acting is rather routine (Buddy Rogers is as likable as ever, but no more).

The highlights of "Wings" come in the battle scenes, and they are awfully impressive. Done without computers or other such advantages, they are exciting and are usually completely realistic. The aerial dogfight scenes are especially dazzling. This part of the movie is not shallow stuff, either, since it has a good balance between the thrilling and the horrifying. If the main story-line had been better, this could have worked very well as a classic film about the realities of war and its effects on the young persons who must carry the heaviest load in a war.

But unfortunately, it has the story that it has, which could easily have been better. It is far too heavy-handed, and is also riddled with unlikely coincidences, implausible developments, strange decisions by the characters, and many other such holes. If you can somehow look past all these problems, then it produces some moving and emotional moments, but such moments are too often undone by the contrived ways that they are set up. It's just the kind of mess that has often impressed the individuals who vote for well-known awards, but a movie with such strengths deserved to have a much better plot.

Nevertheless, it is still well worth watching for its strengths, and not just because it is the answer to some trivia questions. Just in case there are any modern movie fans who have accidentally wandered into the silents section of the database, please don't think that this is the best of what silent cinema has to offer, just because it won an arbitrary award. There are many silent film masterpieces that are vastly better than this. But it's good entertainment, and has some portions that were made with great skill.

For a feeling of what the silents were really like, look for the version of this film with Gaylord Carter performing the score on a Wurlitzer Theater Organ. Carter recorded this version in the 1980's when he was in his 80's. Amazing performance - basically 120 minutes of live, somewhat improvised music with establihed themes for each character. Incidental music was improvised live combining themes from the various characters.

Carter was one of the last musicians that performed during the silent era. Very few musicians understand how difficult this art form was, and Gaylor was one of the best. Each showing of the film was an original, never before heard version due to the improvisational nature of the music. The stamina required to play live music, on 3, 4 or even 5 keyboards with a pedal board and dozens of stops, thousands of pipes for over two hours cannot be overstated. Especially when one of these performers were expected to do so 3 or more times a day!

Orchestras are all well and good, but few theaters could afford them - Wurlitzer (and a few other companies) sold 40,000 instruments to theaters world wide during the 20's, and chances are, 90% of screenings of this film were accompanied by a theater organ.

David's expressions, when he is saying good-by to his family, are absolutely wrenching. The only one who overacts is Clara Bow, but she's supposed to be the bubbly, irrepressible girl-next-door, so I give her a pass.

(Was the yellow colorization added to flames then or recently? I found it distracting.)

The uniforms are perfectly detailed too, perhaps because the actual war was so recently in people's memories. Modern movie-makers have gotten very careless about uniform details, I think because they assume no one will notice.

Wonderful scene in the Folies Bergere -- note the female couple at one table in the opening clip -- nothing is new under the sun.

Beautifully digitalized restoration,astonishingly crisp. What a national treasure!

My cousin Clifford M. Blackstone Sr. was the person who filmed the flight scenes in this movie. His son Cliff sent me photographs of his Dad filming this movie as well as a few others with Paramount Studios. Cliff said his Dad was put in an airplane and sent up in the air to crank out all those amazing flight scenes. He said his Dad told him he wasn't even secured in the plane. Cliff Blackstone Sr. is from Mercer County, PA and Cliff Jr. says his Dad was the man who created the zoom lens. Just a side bar, Clara Bow, the lead actress in Wings, had a hairdresser Maryl who Clara introduced to Cliff Sr. Cliff Sr. married Maryl and they had Cliff Jr. It is really a nice story.