Vaincre ou mourir

Charles Farrell, an enterprising young lad, becomes a member of the crew of the Esther, a merchant ship bound to Naples. On the way, he makes friends with bos'n Wallace Beery, George Bancroft, a gunner who deserted from the Constitution, cook George Godfrey, and pretty passenger Esther Ralston. However, the ship is captured by Barbary Pirates, Miss Ralston is scheduled to be taken, along wih the ship, as a gift to an emir, and the men thrown into a slave quarry. Our Hero and his three pals escape and make their way to the Consiution, which finally shows up nearly an hour into the movie, where Johnny Walker as Stephen Decatur is already engaging in heroics. This goes on and it is in the final twenty minutes that we actually get the Battle of Tripoli and everyone is rescued.

It's a bit leisurely in getting down to what everyone is waiting for, but when it finally happens, it's a well conducted reenactment, with director James Cruze doing a lot of beautiful model work, thanks to Farciot Edouart and his special effects team. Bancroft is a lot of fun in a terrible wig, and Beery gets a big shove from the villains he had been playing towards the big-hearted lout he would portray at MGM. It's a rousing Yankee Doodle of a movie, and the script offers a lot of nice touches, thanks to a writing team that included Laurence Stallings, Rupert Hughes, and Dorothy Arzner. Some sequences were shot and presented in Magnascope, but the copy I looked at lacked the effect.

Having enjoyed MASTER & COMMANDER: THE FAR SIDE OF THE WORLD with Russell Crowe and its incredible depiction of life aboard an early 19th century frigate, I decided to re-view this 1926 film of shipboard life. I was surprised to note that several scenes in OLD IRONSIDES are quite similar to scenes in MASTER & COMMANDER. Surely director Peter Weir must have screened this movie before making his. The battle sequences are very similar with sand being spread on deck to absorb blood, the crew hitting the deck to avoid a volley, young boys dying during the fighting, and fierce close up hand to hand combat. Both movies are set during the same time period but this story is very different with the USS Constitution versus the Barbary Pirates being the setting here.

Charles Farrell who was a big romantic lead in the 20's especially when paired with Janet Gaynor, shows here why he was so popular. He is vulnerable but heroic, reserved but not stoic and he possesses an effortless charm that makes him appealing. Although playing the standard damsel in distress role, Esther Ralston makes an engaging heroine who is not a total wimp when the going gets tough. Character actors Wallace Beery and George Bancroft have a field day as feuding sailors while George Godfrey is featured in a more significant role than black actors of the time were usually given. Add to that some brief nudity and a discreetly sexy performance from Ralston (she was once known as The American Venus) and you have a real winner on your hands.

This epic film was well directed by movie pioneer James Cruze (THE COVERED WAGON, THE GREAT GABBO) who is all but forgotten today due to virtually all of his films being lost. Finally Paramount with the help of Kino Lorber has released this on DVD/Blu-Ray along with several of the others in their VHS silent film series of over 30 years ago including THE COVERED WAGON and a new release of Rudolf Valentino's THE SHEIK. Now if we can just get a restored version of Erich von Stroheim's THE WEDDING MARCH, then we will have them all. Special features included with this release are background commentary, a booklet, and Rodney Sauer's piano reduction of the original 1926 orchestral score...For more reviews visit The Capsule Critic.

There is some grand cinematography in this telling of the early US Navy's attempts to combat the Corsair pirates from North Africa who demanded tribute from all who would sail the seas upon pain of terrible retribution from their well equipped and terrifying fleet should any default. The cast - Wallace Beery, lively as ever, and George Bancroft as his gunner mate, work well together, as do the appearances from the hunky, lovestruck Charles Farrell (rather inappropriately named "The Commodore") and the rather butter-wouldn't melt Esther Ralston ("Esther" - perhaps she had trouble remembering her own name?). To be honest, this isn't a great film, from a narrative perspective, for much of the first half - it really does take a while to get underway. When it does, however, we get some cracking maritime battle scenarios with loads of action, gun battles and technically impressive cinematography that captures some of the genuine jeopardy faced by those sailors from all nations who had to deal with this Tripolitan scourge. From an historical perspective, the fairly embryonic US Navy wasn't quite so successful as this would suggest, but success they had - and the old USS Constitution certainly played her part in arresting these terrors of the Mediterranean and beyond. It's a good watch, this - especially if you like your stories encrusted with salt and a cat 'o nine tails, but maybe the first half hour could have been condensed just a bit better by James Cruze (no puns intended).

Old Ironsides a good film but you have to wait for the real action to start,which does not come in to play until you near the end of the film.But do watch and wait for there is a fantastic ship explosion which is well worth waiting for.Wallace Beery plays a right devious hard nut character and he looks the part.Esther Ralston looks great and once again toward the end of the film she lets her hair down and looks even better.The start of the film is a bit slow then when it moves on to life on the ship there are some funny parts and you get a glimpse of what life on board may have been like.Just one downside to the film for me,the Wurlitzer organ,after ten minutes it drove me mad,what did I do?, I simply turned off the volume sat back and enjoyed the rest of the film.I must say take the time to watch Treasure Island (1934)which also stars Wallace Beery, he plays a fantastic Long John Silver.

"Old Ironsides" (1926) is a lavished production from the glory days of American silent cinema, helmed by director James Cruze. This is a two-hour historical epic, that takes place in the late 18th century, when Unites States was still a very young country. Pirates are terrorizing the Mediterranean, and U.S. politicians decide that they can no longer sit idly as this also affects their citizens. The opening is a tad questionable from today's perspective. The film demonizes the inhabitants of northern Africa, because they take white Americans as slaves. There is a bit of truth, historically. Muslim people were not allowed to take other Muslims as slaves, so in distant centuries slaves were found elsewhere. Yet this film's condemnation of African slave-merchants is a bit problematic, as the film glosses over America's own, similar history. If the film-makers would have wanted to be progressive, this film could have easily denounced all forms of slavery.

Yet, if one can get over these historical difficulties, this is a well-made adventure narrative with a big budget. There is a proper amount of action and also a romance between Charles Farrell and Esther Ralston. The real stars of the film, however, are the charismatic Wallace Beery and George Bancroft, who do a fine job here. However it is worth pointing out, that Bancroft's introductory scene shows him having a tattoo, which says "G. Bancroft", as it was the habit of silent films to also introduce the actors while the film was going on. Interesting curiosity. The film also included Gary Cooper and Boris Karloff as extras, though I didn't really spot either of them.

This film is well worth a watch for fans of naval adventures, as well as the fans of Wallace Beery.