Miss Mend

This is a truly fascinating silent film from Russia of the 1920s. It moves along quickly with constant action. In spite of the five hour length, the picture held my interest. The leading characters are attractive and energetic. The plot takes constant twists and turns. The photography is terrific. It depicts Russia at the time in so many different ways. The costuming is realistic and represents how ordinary Russians dressed in that era.

The villains are very villainous - it is easy to identify with the lead characters and to deplore the villains.

While there is certainly an element of socialist realism and I'm sure the picture was heavily censored, it is believable and kept me on the edge of my seat.

I just sat down and watched it again, with only an interruption for dinner. Once again, it was quite worth the time as I saw many things that I missed the first time around.

I recommend this film to all who love silent movie adventures.

A three part Russian serial, running a little over four hours. It's a pretty big time commitment, but this series is darn entertaining. It's a sometimes uneasy combination of Soviet propaganda and American adventure, with the American adventure kind of winning out in the end. The film starts off more on the propaganda side, with three American reporters (Barnet himself, Vladimir Fogel, who starred in many famous films of the era including The Extraordinary Adventures of Mr. West, By the Law, Chess Fever, The End of St. Petersberg, and Igor Ilyinsky, who starred in Aelita: Queen of Mars) covering a workers' strike. As corporate lackeys, they only care about sensationalism, and the three of them fall for the factory's own Norma Rae, Miss Vivian Mend (Natalya Glan). The propaganda aspects start to fade into more Feuillade-inspired crime conspiracy territory, with villain Chiche (Sergey Komarov) using corporate funds to create a biological weapon he plans to use against the Soviet Union. The film also has some elements of German expressionism, with direct references to Nosferatu and The Cabinet of Dr. Caligari sprinkled in. Over the course of the serial, the three reporters and Miss Mend (who, truth be told, is a pretty passive heroine) follow Chiche to Russia to stop his plot. This film was not well regarded by Soviet critics of the day - they instantly noted that the film's ideologies were often eclipsed by its love for adventure - but audiences loved it, and it was one of the more popular films among general audiences at the time. It's a bit hard to follow at times, but it's worth the time.

This is quite a find. I'm watching this serial on TCM right now. A Soviet melodrama (with humour) based on a Russian pulp novel heroine modeled on "The Perils of Pauline" is the pretext for a satire of American institutions (wicked capitalists, anti-Soviet hatred, rampant racism) while never failing to entertain. Its central premise is a plot by rich American fanatics to poison the whole Russian population with bacterial warfare triggered by radio antennas. Its main protagonists are a resourceful typist and three reporters alternately channeling The Three Stooges and The Three Musketeers.

While referencing France's "Judex" and the much more somber Fritz Lang spy thrillers of the same era, the film keeps a light tone thanks to actors who are talented, easy on the eyes and physically fit, a necessary requirement for the many action scenes.

The many complex and involving story-telling tricks and subtleties are what will keep you riveted to the screen, however. These characters look and feel like real people you could actually care about. Many of the incidents in this serial would find their way in the comic-book "Adventures of Tintin" later on.

It's interesting to note that one of the co-directors, Fedor Ozep, went on to make films in France ("La Dame de Pique", 1937) and that Quebec's burgeoning cinema of the forties owes him two important early films ("Le Père Chopin" and "La Citadelle").

The depiction of an "imagined America" by a foreign filmmaker is very rare in the history of cinema, although Americans never had any compunction about slapping together their recreation of other countries in their own image on film.

One of the only other parallels I can think of is Henri Verneuil's 1953 comedy "L'Ennemi public numéro un"/"The Most Wanted man", starring Fernandel as a timid Macy's product demonstrator who gets mistaken for a notorious criminal. It was a satire of American gangster films as perceived by the French audience who had a love-hate relationship with them.

Of all the products issued by Flicker Alley, MISS MEND (THE ADVENTURES OF THE THREE REPORTERS) is certainly the most unusual so far. Intended by the Soviets as a satire of Western style entertainment, this movie has a little something for every silent film fan from the French serials of Feuillade to the American cliffhangers of Pearl White and Helen Holmes. Throw in a little Fritz Lang for good measure and you have a unique offering that can't quite seem to make up its mind as to what it wants to be.

It starts off as a protest film with our heroine, a lowly typist, getting involved in a worker's strike at the "Rockefeller" plant. Three "intrepid" journalists enter the fray each one pining after the heroine. We are then introduced to an engineer who is more than he seems at first and a cute little boy with a dark secret. Finally we meet the nefarious villain, Chiche, a demented capitalist who will stop at nothing to destroy Soviet Russia. This he hopes to accomplish through an early form of germ warfare. Can our heroine/heroes stop him in time? Stretch this out over 4 hours and you have a film that remains fascinating to watch although it can be hard to follow.

Flicker Alley & Co. Have done their usual fine job in bringing another silent offering to us. The film, transferred from 35mm material, looks very good especially considering its obscurity (it was panned by Soviet critics for incorporating the very things it was poking fun at although the masses loved it). I may have run across it in a reference book but if I did, I don't recall it so I am delighted to become acquainted with another title that I'm unfamiliar with.

The movie has been given new English intertitles and is accompanied by another fine score from Robert Israel. Part of the fun for me is listening for the classical music and popular music of the day quotations that he uses. While I can't imagine people lining up to buy the DVD, it is like all Flicker Alley offerings, a quality release worthy of our time and the extra cost. Just don't expect BATTLESHIP POTEMKIN or MAN WITH A MOVIE CAMERA or even THE PERILS OF PAULINE...For more reviews visit The Capsule Critic.

Miss Mend (1926)

*** (out of 4)

Russian serial lasting over four-hours was originally released in three parts but for the current DVD release it's presented as one long film. Office girl Vivian Mend (Natalya Glan) and three men fixated with her try to stop a mad scientist from spreading poison gas and killing everyone around. Considering this film runs over four hours that seems like a pretty short plot summery but that's about it in terms of story but there's plenty of action here. Apparently the directors were tired of "high class" films from Russia so they decided to spoof the various American and German movies that were being shown in the country. The best way to describe this film would be a mixture of the epics Lang was making in Germany with a bit of Chaplin and Keaton from America. I think there are a few very funny areas where the Russian directors are trying to "show" America as it was but come off horribly wrong. I'm sure there was nothing mean spirited behind this but it does add a few nice laughs to everything. The main reason to watch this epic are for the various stunts as it's clear the directors tried to throw just about everything they could think of into the film. There are chases via cars, boats and trains. There are fights with guns, bottles, chairs and various other items. We have car crashes, trains crashing into cars and of course the gas that can kill in a matter of seconds. Is the film fun? Sure, the thing has so many weird images and wild stunts that you can't help but find it fun. At the same time, I'm really not sure it needed to run over four hours. I think the running time is going to keep most people away, which is understandable but if you feel you can sit in one place for this long then MISS MEND is a pretty fascinating film.