Metropolis
- 1927
- Tous publics
- 2h 33m
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a... Read allIn a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.
- Awards
- 7 wins & 6 nominations total
Fritz Alberti
- Schöpferischer Mensch
- (uncredited)
- …
Grete Berger
- Arbeiterin
- (uncredited)
- …
Olly Boeheim
- Arbeiterin
- (uncredited)
- …
Max Dietze
- Arbeiter
- (uncredited)
- …
Ellen Frey
- Arbeiterin
- (uncredited)
- …
Beatrice Garga
- Frau der ewigen Gärten
- (uncredited)
- …
Heinrich Gotho
- Zermonienmeister
- (uncredited)
- …
Dolly Grey
- Arbeiterin
- (uncredited)
- …
Anny Hintze
- Frau der ewigen Gärten
- (uncredited)
- …
Gottfried Huppertz
- Man Playing Violin
- (uncredited)
Storyline
Did you know
- TriviaUnemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 children to film the flooding sequences.
- GoofsWhen Freder and Josaphat are climbing down into the miner's city, Freder is barefoot. When they are taking the children up the stairs, he has shoes again.
- Crazy creditsRestoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv
- Alternate versionsA version restored by the German Democratic Republic in the eighties runs 115 minutes (still shown on German TV sometimes).
- ConnectionsEdited into Il volo (1975)
Featured review
Metropolis is surely one of the greatest films ever made. Its scope, its reach, its magnitude and its message are truly incredible even by today's standards of film-making. Seen in context of its premier in 1927, Metropolis is a giant of filmdom and film history. Lots of people always ask what makes a movie great, and in particular, Metropolis. A great film is one that stirs the imagination, leaves the viewer with images that will last perhaps forever, forces contemplation of issues dealing with the very essence of life, and achieves a kind of immortality. Metropolis is a film that succeeds with each of these criteria. Metropolis is a film that hailed in a new era of making films with it futuristic settings, halluciatory scenes, and its breadth of spirit and sheer scope, most clearly exhibited by its cast of epic proportions. There are images that blind the viewer with genius such as the beginning scene of the changing of the workers or the creation of the robot Maria. Metropolis challenges its viewers to think about their relationship with society both as a whole and with each individual, as well as contemplate the rationale of divisions amongst peoples and groups. Lastly, Metropolis has stood the test of time. It is a landmark film and an ignitor for the evolution of the science fiction/fantasy film genre. The story itself is simple,a Biblical allegory, about how people with a vision should share that vision in order to make it happen. The film is anything but simple. It is immense, and a rich legacy that director Fritz Lang has left us.
- BaronBl00d
- Jan 31, 2000
- Permalink
Details
Box office
- Budget
- DEM 6,000,000 (estimated)
- Gross US & Canada
- $1,236,166
- Opening weekend US & Canada
- $19,386
- Jul 14, 2002
- Gross worldwide
- $1,350,322
- Runtime2 hours 33 minutes
- Sound mix
- Silent(original release)
- Aspect ratio
- 1.33 : 1
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