Idealistic farm boy Peter loves Amy whose fancy is urbane Harry. Peter discovers Harry is a bootlegger and turns him over to he prohibition agents, including Jane (Joan Crawford). Amy, at la... Read allIdealistic farm boy Peter loves Amy whose fancy is urbane Harry. Peter discovers Harry is a bootlegger and turns him over to he prohibition agents, including Jane (Joan Crawford). Amy, at last, is impressed with Peter.Idealistic farm boy Peter loves Amy whose fancy is urbane Harry. Peter discovers Harry is a bootlegger and turns him over to he prohibition agents, including Jane (Joan Crawford). Amy, at last, is impressed with Peter.
Gertrude Olmstead
- Amy
- (as Gertrude Olmsted)
Tony D'Algy
- Harry Benson
- (as Antonio D'Algy)
Edythe Chapman
- The Old Lady
- (uncredited)
Babe London
- Fat Girl
- (uncredited)
Viola Webster
- Girl at Booklovers Club
- (uncredited)
Featured reviews
The Boob is a charming silent comedy about a farm boy named Peter Good (George K. Arthur) who is in love with a girl named Amy (Gertrude Olmstead). Amy, as is so often the case, doesn't like Peter back. So, to prove himself to Amy, Peter dresses up like a cowboy and goes after bootleggers. Wait...what? Yeah, it's a little dumb plotwise but it's cute and funny. Nice performances from Arthur and Charles Murray as Cactus Jim. Contrary to the way the film is advertised on TCM as well as the DVD cover, it is not a starring vehicle for Joan Crawford. Joan has a small part as a revenue agent (!). This is also an early William Wellman film before he made it big with "Wings."
I recently viewed this film on Turner and found it to be an extremely enjoyable silent comedy. I was originally only interested in seeing Joan Crawford at this early point in her career. I thought the story line, while rather absurd, allowed the various situational "jokes" to be accomplished neatly. Interestingly, I found nothing in the role of the young black actor which was racist, an oddity considering the age of this movie. Perhaps denying him any credit for his work was deemed sufficient punishment. It was apparent that some portion of the script was edited out, since nothing was ever developed regarding the other ladies' objections to the elderly woman's "relationship" with the George K. Arthur character. Ultimately, the main attraction of this film is its absolutely stunning photography, courtesy of the great William H. Daniels. With the exception of some interior scenes, this was filmed like a collection of beautifully composed 19th century still photographs. Incidentally, I agree with the earlier commenter who thought the hero should have dumped Amy.
This movie just aired the other night for the first time on Turner Classic Movies. Although I missed the first few minutes, it is a lousy slapstick comedy with George K. Arthur in the lead as a dumb farm boy trying to help the law capture some bootleggers. Joan Crawford is the high point here, in one of her first films. She has a small supporting role as Jane, and Crawford herself also hated this movie. She thought she was being punished by MGM for getting this part. Earns *1/2 stars out of four.
Country bumpkin Peter Good is heartbroken to see his crush Amy fall for city guy Harry Benson. Hard-drinking Cactus Jim gives him a cowboy makeover, but it doesn't work on the girl. He suspects that Benson is a bootlegger and intends to take down the criminal.
I'm not here to sing high praises for this movie. My best complement goes to the dog. It's not great cinema, but the story is functional. There are fine elements. Peter and Cactus Jim are fine. I wouldn't give two seconds to Amy. She's meaningless. I don't really understand the premise of the old lady. It should be more compelling for the three characters and the dog to go off on an adventure together. Whatever. I like the dog.
I'm not here to sing high praises for this movie. My best complement goes to the dog. It's not great cinema, but the story is functional. There are fine elements. Peter and Cactus Jim are fine. I wouldn't give two seconds to Amy. She's meaningless. I don't really understand the premise of the old lady. It should be more compelling for the three characters and the dog to go off on an adventure together. Whatever. I like the dog.
The Boob is one of those ancient films rescued from perpetual obscurity by Turner Classic Movies, and while it may not be on a par with Keaton or Lloyd, it's still an entertaining and quite funny film. George K. Arthur is the Keatonesque milquetoast on the trail of bootleggers, and while he lacks Buster's acrobatic skills and doesn't really connect emotionally, he's alright. Charles Murray has some of the film's funniest moments as the perpetually soused cowboy Cactus Jim, but the film really stands out during some terrific fantasy sequences, including a flying bed scene and a Frederick Remington painting come to life. A genuine discovery for fans of silent comedy.
Did you know
- TriviaWilliam A. Wellman was fired by MGM after making this film.
- Goofs(at around 50 mins) After Cactus Jim and Ham pull Peter out of the stream, Peter has a few spots of mud on his face. Even after the dog licks his face, there is still a spot of mud on his nose under his right eye. When Peter stands up to go after Benson and Amy, the mud is gone.
- Quotes
Peter Good: What's the use of livin'?
Cactus Jim: No use a-tall. Life is jest one durned break after another!
- Alternate versionsIn 2003, Turner Classic Movies presented on television a 61-minute version with a piano score written by Arthur Barrow.
- ConnectionsFeatured in La grande parade du rire (1964)
Details
- Runtime
- 1h 4m(64 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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