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6.8/10
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The tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood is threatened by a dangerous str... Read allThe tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood is threatened by a dangerous street gang.The tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood is threatened by a dangerous street gang.
- Awards
- 2 wins total
Bernard Berger
- One of Mickey's Boys
- (uncredited)
George Bookasta
- Boy Who Yells 'Cops'
- (uncredited)
Francis X. Bushman Jr.
- Young Hospital Intern
- (uncredited)
Cameo the Dog
- The Dog
- (uncredited)
Charles K. French
- Surgeon
- (uncredited)
Robert Gordon
- One of the Boys
- (uncredited)
Stanton Heck Jr.
- Audience Member at play
- (uncredited)
Stanton Heck
- Policeman bringing Bad News to Annie
- (uncredited)
Featured reviews
Honestly, if you're thinking of seeing your first ever silent film, this probably shouldn't be the one you see. Things like a 33-year-old actress playing a child are a little bizarre even if you think you're used to the style of the era. But as a showcase for Mary Pickford, it's a great film. The story and pacing is a little uneven, but her acting is excellent. The Flicker Alley DVD is a beautiful restoration and the score on the DVD is fascinating - not old-fashioned like a "typical" silent film score but not so modern like some other scores (usually for movies like Nosferatu or Metropolis) that are so good at making things seem terrifying or futuristic - I think it's a good fit for the movie, which is not horror or science fiction but has a little bit of just about every other genre you could imagine. Basically, you're in for quite a ride when you watch this movie. So glad this was available on DVD!
Although it might seem a bit bizarre to see a 32-year-old woman play the part of a 12-year-old, Mary Pickford soon makes you forget the incongruities and simply enjoy the fun.
Mary is a street kid in New York City, with her own lovable gang of mischief makers, whose attentions are engaged by the older William Haines (he was 25 at the time & just on the cusp of his own screen stardom.)
To give away too much of the plot would not be fair. Suffice it that Mary is great fun to watch & amply displays why she was Hollywood's first and most beloved super star. Production values are very good, with lots of extras making the NYC street scenes quite believable.
Mary is a street kid in New York City, with her own lovable gang of mischief makers, whose attentions are engaged by the older William Haines (he was 25 at the time & just on the cusp of his own screen stardom.)
To give away too much of the plot would not be fair. Suffice it that Mary is great fun to watch & amply displays why she was Hollywood's first and most beloved super star. Production values are very good, with lots of extras making the NYC street scenes quite believable.
Even at 5'1" and 33 years old, Mary Pickford pulls off the part of the 12 year old daughter of a policeman pretty well, and this is a silent film worth seeing. She looks a little out of place in the madcap early scenes where rival gangs are brawling and hurling a flurry of bricks at one another (think a slightly harder edged version of Little Rascals), but she's also pretty cute all wound up and throwing haymakers. The film includes Asian, Jewish, African-American, Greek, and Irish characters, and while there is a cringe-inducing scene where the black boy dances "the shimmy" in a grass skirt, stereotypes are reasonably contained. Nevertheless, these scenes with the gang were my least favorite, and they are a bit on the long side.
Where the film picks up is with little Annie Rooney's home life. Walter James is great as her even-keeled father, and the scenes of sibling rivalry with her older brother (Gordon Griffith) are cute. The other actors seem to tower over the petite Pickford, and I have to believe they made some of the furniture larger than normal to help her pull of the role. Director William Beaudine also takes advantage of the beautiful sets that were built, and captures some nice city shots. I don't want to spoil the plot, accept to say it takes an unexpected dramatic turn, and that made it interesting for me.
Pickford was a powerful force in Hollywood in 1925, and it's fascinating to me that she produced, wrote, and then took the part at her public's request. Four years later she was still pulling off a role of much younger woman in Coquette, a film I liked a little more, and so it's surprising that just four years after that, in 1933, she would play her final part as an actress. She had a rough time of it in life thereafter, battling alcoholism and depression. It seems this film captures her at the height of her powers, when she was on top of the world, and that adds to its charm for me.
Where the film picks up is with little Annie Rooney's home life. Walter James is great as her even-keeled father, and the scenes of sibling rivalry with her older brother (Gordon Griffith) are cute. The other actors seem to tower over the petite Pickford, and I have to believe they made some of the furniture larger than normal to help her pull of the role. Director William Beaudine also takes advantage of the beautiful sets that were built, and captures some nice city shots. I don't want to spoil the plot, accept to say it takes an unexpected dramatic turn, and that made it interesting for me.
Pickford was a powerful force in Hollywood in 1925, and it's fascinating to me that she produced, wrote, and then took the part at her public's request. Four years later she was still pulling off a role of much younger woman in Coquette, a film I liked a little more, and so it's surprising that just four years after that, in 1933, she would play her final part as an actress. She had a rough time of it in life thereafter, battling alcoholism and depression. It seems this film captures her at the height of her powers, when she was on top of the world, and that adds to its charm for me.
LITTLE ANNIE ROONEY is one of the best known and most frequently seen of Mary Pickford's movies. This is because for years the title has been in the public domain and there are numerous poor quality editions that have been issued over the years. Now thanks to The Mary Pickford Foundation and Flicker Alley, we finally have a high quality version that looks remarkable with its crisp images, subtle tints, and proper speed. It even comes with a newly commissioned score by Andy Gladbach which, while not always appropriate, is miles ahead of any other musical accompaniment which up until now has consisted of public domain classical music that has nothing to do with what's going on in the film.
Pickford made LITTLE ANNIE ROONEY in 1925 when she was 33 years old. Her previous 2 films, ROSITA (1923) and DOROTHY VERNON OF HADDON HALL (1924) in which she had played adult roles, did not perform well at the box office. When she polled her audience as to what they wanted her to do next, they all wanted her to return to "little girl" roles like POLLYANNA and THE POOR LITTLE RICH GIRL. She gave them what they wanted. Annie Rooney is a young teenager growing up in a NYC tenement populated by a variety of what would today be considered ethnic stereotypes. She enjoys scrapping with the street kids but still manages to take care of her older brother and widower father who is an Irish policeman. When tragedy strikes she must summon up the courage and the smarts to save the man she loves who is falsely accused of murder.
Her fans kept their promise and LAR was a huge hit but it also meant that Pickford would never play another fully adult role in the silent era. Although she won an Oscar in 1929 for playing one in COQUETTE, she made only two more sound films before retiring in 1933 at the age of 41. She never appeared on screen again and turned down two iconic roles, Glinda the Good Witch in THE WIZARD OF OZ (1939) which is clearly patterned after her, and Norma Desmond in SUNSET BOULEVARD (1950). She died in 1979 at the age of 87.
While LITTLE ANNIE ROONEY is not Pickford at her best, it shows her remarkable ability to capture the essence of youthful characters even when she was over 30. She was at the height of her powers as a producer at this time and LITTLE ANNIE ROONEY reflects this in the remarkable set design and the quality lighting and camerawork. The director, William Beaudine, had a long career in B movies and wound up directing episodes of TV's LASSIE in the 1950s. If you want to get a copy of LITTLE ANNIE ROONEY, make sure it is this one. Flicker Alley never disappoints. You not only get this best looking and sounding copy available, it comes as a Blu-Ray/DVD combination along with an informative 25 page booklet...For more reviews visit The Capsule Critic.
Pickford made LITTLE ANNIE ROONEY in 1925 when she was 33 years old. Her previous 2 films, ROSITA (1923) and DOROTHY VERNON OF HADDON HALL (1924) in which she had played adult roles, did not perform well at the box office. When she polled her audience as to what they wanted her to do next, they all wanted her to return to "little girl" roles like POLLYANNA and THE POOR LITTLE RICH GIRL. She gave them what they wanted. Annie Rooney is a young teenager growing up in a NYC tenement populated by a variety of what would today be considered ethnic stereotypes. She enjoys scrapping with the street kids but still manages to take care of her older brother and widower father who is an Irish policeman. When tragedy strikes she must summon up the courage and the smarts to save the man she loves who is falsely accused of murder.
Her fans kept their promise and LAR was a huge hit but it also meant that Pickford would never play another fully adult role in the silent era. Although she won an Oscar in 1929 for playing one in COQUETTE, she made only two more sound films before retiring in 1933 at the age of 41. She never appeared on screen again and turned down two iconic roles, Glinda the Good Witch in THE WIZARD OF OZ (1939) which is clearly patterned after her, and Norma Desmond in SUNSET BOULEVARD (1950). She died in 1979 at the age of 87.
While LITTLE ANNIE ROONEY is not Pickford at her best, it shows her remarkable ability to capture the essence of youthful characters even when she was over 30. She was at the height of her powers as a producer at this time and LITTLE ANNIE ROONEY reflects this in the remarkable set design and the quality lighting and camerawork. The director, William Beaudine, had a long career in B movies and wound up directing episodes of TV's LASSIE in the 1950s. If you want to get a copy of LITTLE ANNIE ROONEY, make sure it is this one. Flicker Alley never disappoints. You not only get this best looking and sounding copy available, it comes as a Blu-Ray/DVD combination along with an informative 25 page booklet...For more reviews visit The Capsule Critic.
Rambunctious Little Annie Rooney (Mary Pickford) lives in a poor tenement and leads her gang of fellow pre-teens in fighting against another group of kids. Her father is a respected incorruptible neighborhood policeman. Her brother Tim is hanging around the wrong crowd.
Thirty three year old Pickford returns to playing a child as she had done earlier in her career. It may seem unnatural for this work but there is a modern equivalent TV show right now. Pen15 has two young women around thirty playing 13 year olds around other actual 13 year olds. The comedy works because the surreal element allows more comedy to be injected. Once that happens, it can slip in some real heartfelt drama. That's what's happening here in this movie. It's great that the movie starts with that tenement fight between the two groups of kids. It's fun and the hilarity opens up the heart. Pickford was once a great Hollywood star and this shows why.
Thirty three year old Pickford returns to playing a child as she had done earlier in her career. It may seem unnatural for this work but there is a modern equivalent TV show right now. Pen15 has two young women around thirty playing 13 year olds around other actual 13 year olds. The comedy works because the surreal element allows more comedy to be injected. Once that happens, it can slip in some real heartfelt drama. That's what's happening here in this movie. It's great that the movie starts with that tenement fight between the two groups of kids. It's fun and the hilarity opens up the heart. Pickford was once a great Hollywood star and this shows why.
Did you know
- TriviaHugh Allan, a handsome but very inexperienced young actor, was originally cast in the lead male role. He proved unable to carry the part, so the producers let him go, covering with a fake story that he had broken his arm during production. He even got a fake cast for a publicity photo. Allan was grateful for Mary Pickford's kindness and remained on good terms with her.
- GoofsWhen the kids decide to put on a play, there's a close-up of the title on the sign: "The Sheriff and His Faithful Horse." But then in long shot, it reads, "Deadeye Dick and His Horse."
- Quotes
Title card: Up town a gang calls itself 'Society' - down town a gang calls itself a 'Gang' and lets it go at that - LET'S GO DOWN TOWN!
- Alternate versionsThe print shown on Turner Classic Movies prior to October 4, 2016 was a restored version (by Karl Malkames) copyrighted in 1976 by Killiam Shows, Inc. and distributed by Blackhawk Films. It had an original piano score by William Perry and ran 94 minutes.
- ConnectionsFeatured in Hollywood (1980)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Little Annie Rooney
- Filming locations
- Alameda Street and East 2nd Street, Los Angeles, California, USA(Anne and Joe drive by Haas, Baruch & Co. warehouse in his new truck at the end of the film, where Tim is directing traffic)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,100,000
- Runtime
- 1h 34m(94 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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