IMDb RATING
7.5/10
6.4K
YOUR RATING
A nerdy college student will do anything to become popular on campus.A nerdy college student will do anything to become popular on campus.A nerdy college student will do anything to become popular on campus.
- Awards
- 3 wins total
James H. Anderson
- The College Hero
- (as James Anderson)
Leon Beaumon
- Student
- (uncredited)
Roy Brooks
- Tall Student
- (uncredited)
Rosalind Byrne
- Girl Caught in Suspenders at Dance
- (uncredited)
Charles Farrell
- Student Bell Ringer at Frolic
- (uncredited)
Wally Howe
- Gardener
- (uncredited)
Gus Leonard
- Waiter Who Takes Harold's Pants
- (uncredited)
King Lockwood
- Student
- (uncredited)
George Marion
- Train Passenger
- (uncredited)
The Wonder Dog Pal
- Pete the Dog
- (uncredited)
Oscar Smith
- Dean's Chauffeur
- (uncredited)
Summary
Reviewers say 'The Freshman' is celebrated for its slapstick comedy and character-driven narrative, highlighting Harold Lloyd's performance as a naive yet endearing college freshman. The film is praised for its innovative gags, particularly the football game finale and the party scene with the unraveling suit. Lloyd's ability to balance humor with pathos is commended, creating a memorable experience. The romantic subplot adds depth, and the film's influence on college comedies is noted. However, some find certain gags repetitive, and a few prefer Lloyd's other works. Overall, it is regarded as a classic silent comedy.
Featured reviews
THE FRESHMAN is the best college spoof film ever made. Outside being lap-slapping hilarious throughout, it has some most original, poetic, and convincing romantic moments as well, like when Harold saw the girl from the reflection of the mirror in his room; or while dancing with other women he saw how she revealed her love for him on the bouquet he gave her, that moment is a wonder. Besides the great football sequence, this film is full of wonderful gags, especially that little dance Harold invented, and the party sequence. Not only this film hasn't aged a bit, but the formula of this film is still used in Hollywood nowadays, but the results hardly, if ever, top this one here.
Lloyd plays Harold Lamb, a youngster who goes to college.He wants to become the king of campus but he becomes the laughing stock.But he has someone to comfort him, a girl named Peggy, who's played by the extremely beautiful Jobyna Ralston.The Freshman from 1925 is a hilarious silent film.Harold Lloyd is a comedian who never lets you down.Also Ralston is amazing as Harold's love interest.There's one dramatic scene between them, where Harold burst into tears into her lap.That's one fine scene as are the comedic scenes, which you can find many from this movie.The great football game in the end is just amazing.And I could also mention the one where the freshman is at the party and his tuxedo falls apart.This is a movie that will make you laugh and that may also make a few tears come out.I recommend The Freshman for all those who are at college and who aren't.
I know a lot of people consider this to be one of Harold Lloyd's best (and it's certainly one of his most famous) but I felt it came up a little short. Lloyd plays a decent chap trying his best to win popularity at his new school (like a lot of college comedies, going to class seems to be optional). There's some funny gags and inventive moments, and the football finale is rightfully iconic, but a lot of bits are drawn out far long or just aren't that funny. Watching Lloyd embarrass himself on stage or act as the team's tackle dummy or cope with an unraveling tuxedo is amusing at first but becomes tedious after a few minutes. The romance is also quite underdeveloped. I don't want to rag on it too much... as far as slapstick comedies go, it's far less annoying than most. I just expected more laughs. I prefer SAFETY LAST.
I was fortunate enough to have seen this film in the theater many years ago and I can owe it to this film for sparking my life-long love of the old comedies. I only recently saw it again but this time on DVD and found the film to be even better than I remembered.
For those used to seeing slapstick shorts (including those of Lloyd), this film is quite different. Instead of the focus of this film being comedy, the humor seems incidental to the story and the character development. Because of this, the first 1/4 of the movie does not have tons of laughs--because it's building and developing the story and not trying to elicit cheap laughs. However, as you watch, the humor increases and because this came as the character developed, you really find yourself hooked into caring for Harold and you are emotionally in-tune with him. So, as the movie continues, you find your heart breaking for the guy (yes, Chaplin was not the only silent comedian to use pathos). And, when the end of the picture arrives, you feel his triumph. An exquisite and highly artistic treasure.
PS--I watched the DVD with the optional commentary from Leonard Maltin et al. This REALLY improved my understanding and appreciation for the film. I rarely ever use this option, but as I was re-watching the film and since it was a silent, this option is a major plus.
Interestingly enough, Buster Keaton came out with a similar movie just a few years later (COLLEGE). However, it isn't even close to being as good as THE FRESHMAN. I love Keaton, but not this film. If you must seem one silent college picture, see THE FRESHMAN--and maybe the Marx Brothers' HORSE FEATHERS for a much stupider but terribly funny sound take on college life.
For those used to seeing slapstick shorts (including those of Lloyd), this film is quite different. Instead of the focus of this film being comedy, the humor seems incidental to the story and the character development. Because of this, the first 1/4 of the movie does not have tons of laughs--because it's building and developing the story and not trying to elicit cheap laughs. However, as you watch, the humor increases and because this came as the character developed, you really find yourself hooked into caring for Harold and you are emotionally in-tune with him. So, as the movie continues, you find your heart breaking for the guy (yes, Chaplin was not the only silent comedian to use pathos). And, when the end of the picture arrives, you feel his triumph. An exquisite and highly artistic treasure.
PS--I watched the DVD with the optional commentary from Leonard Maltin et al. This REALLY improved my understanding and appreciation for the film. I rarely ever use this option, but as I was re-watching the film and since it was a silent, this option is a major plus.
Interestingly enough, Buster Keaton came out with a similar movie just a few years later (COLLEGE). However, it isn't even close to being as good as THE FRESHMAN. I love Keaton, but not this film. If you must seem one silent college picture, see THE FRESHMAN--and maybe the Marx Brothers' HORSE FEATHERS for a much stupider but terribly funny sound take on college life.
As I continue to delve into the Harold Lloyd films, courtesy the Lloyd Collection DVDs, this movie still ranks as the most entertaining of his silent films. ...and perhaps his funniest, but humor is subject. So far it's number one with me and I know I'm not alone.
Many silent comedies, Lloyd's and others, take 15-20 minutes to warm up but this is fun right from the start. I love Harold's "jig" as he introduces himself to people, thinking he would be "cool" and accepted by doing that, and calling himself "Speedy." I laughed every time he did that, beginning with a very early scene as he prepares himself for college. He was ready to make a big first impression. Of course, all it did was make himself look like a sap, but that's Harold for you, and the type of character he liked to play: a meek, corny-but good-hearted guy who becomes the hero in the end of his stories.
Harold does what he can to become popular in college, figuring the best way would be to be a football hero, since the current gridiron star is the "big man on campus." Harold makes the team, but only out of sympathy for his "spirit." Then, the big game comes and all I can say is that this almost looked like the wild-and- crazy ending of the Marx Brothers in "Horse Feathers." It's not as crazy as the game in that film, but it isn't far behind.
That ending was total lunacy but great fun and Harold winds up making that silly jig and handshake which now has become "in" thing to do, since Harold is the hero! This is a great silent comedy, one of the best from anyone.
Many silent comedies, Lloyd's and others, take 15-20 minutes to warm up but this is fun right from the start. I love Harold's "jig" as he introduces himself to people, thinking he would be "cool" and accepted by doing that, and calling himself "Speedy." I laughed every time he did that, beginning with a very early scene as he prepares himself for college. He was ready to make a big first impression. Of course, all it did was make himself look like a sap, but that's Harold for you, and the type of character he liked to play: a meek, corny-but good-hearted guy who becomes the hero in the end of his stories.
Harold does what he can to become popular in college, figuring the best way would be to be a football hero, since the current gridiron star is the "big man on campus." Harold makes the team, but only out of sympathy for his "spirit." Then, the big game comes and all I can say is that this almost looked like the wild-and- crazy ending of the Marx Brothers in "Horse Feathers." It's not as crazy as the game in that film, but it isn't far behind.
That ending was total lunacy but great fun and Harold winds up making that silly jig and handshake which now has become "in" thing to do, since Harold is the hero! This is a great silent comedy, one of the best from anyone.
Did you know
- TriviaCredited as being the first "sports" movie produced.
- GoofsWhen Peggy is doing the crossword puzzle on the train, Harold tells her he has the solution for clue number "19 Vertical". The puzzle is shown twice in close-up, and there is no "19 Vertical" - clue 19 is horizontal only.
- Quotes
Intertitle: Tate University - A large football stadium, with a college attached.
- Alternate versionsA scene was filmed in which Harold cries and is comforted by Peggy (Jobyna Ralston). Harold Lloyd cut this scene when he re-released the film, thinking it was too overly sentimental, but the footage was recently reinstated by his granddaughter, Suzanne Lloyd Hayes.
- ConnectionsEdited into Oh quel mercredi! (1947)
- SoundtracksFreshie
(1925)
Written by Harold Berg and Jesse Greer
Used in the 2002 release by Permission of Shapiro, Bernstein & Co. Inc.
- How long is The Freshman?Powered by Alexa
Details
Box office
- Budget
- $301,681 (estimated)
- Runtime
- 1h 17m(77 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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