Une riche famille

This is an unusual domestic comedy for Harold Lloyd. Instead of spending the movie trying to "get the girl," he marries her in the first few minutes and spends the next hour dealing with the trials of wedded bliss.

In a way, the feature can really be seen as a melding together of 3 shorts. In the first, Harold attempts to navigate his way home with multiple small packages & a very live turkey. In the second, Harold illustrates the pitfalls of taking the in-laws (including a monstrous mother-in-law) for a ride about town in the new family car. In the third segment, well - it's hilarious, but you'll need to see it for yourself...

Harold Lloyd is wonderful throughout. But then you expected that, didn't you?

This Harold Lloyd comedy is fun and resourceful, squeezing a surprising amount of material out of a couple of simple ideas. The situations are simple and the plot is nearly non-existent, but the characters are entertaining and there are lots of props and gag ideas that are used creatively, with everything helped along by Lloyd's energy and expert timing.

The story is essentially three different loosely-connected sequences. Harold goes on a shopping trip and has all kinds of difficulty on a streetcar, then he takes his in-laws on a tumultuous ride in his new car, and then he faces some unsettling domestic disturbances. Each sequence has a slightly different feel, and uses Lloyd's character in somewhat different ways, giving him a chance to perform a number of different comedy ideas.

Josephine Crowell as the mother-in-law makes a good antagonist, and Charles Stevenson strikes the right note as the oafish brother-in-law. Jobyna Ralston doesn't get the chance to do a lot of comedy, but she is engaging as always.

It's good comedy, and it builds things up fairly well. There are many details that are used once for their own sake, and that then return in the frenzied climactic sequence, and some of the ideas are pretty clever. It's often deliberately far-fetched, and in a manner that comes off rather well.

The genius of Harold Lloyd's character was that he acted like he was an everyday person in today's world. Lloyd tapped into that normalcy, surviving in a world where occasionally an unlucky day crops up. Those circumstances are so surreal that most consider the day's a joke, providing hilarious fodder in relating the events later on. That was the world of Harold Lloyd, which made him one of the most successful silent movie comedians.

In October 1924's "Hot Water," Lloyd finds himself in an unusual situation as a happily married husband. A simple grocery errand, a leisurely ride in his new car, and a Freudian wish in a dream about getting rid of his dreaded mother-in-law, all make for one single day for Lloyd where he plays a spouse caught in a Kafka-like bizarro world.

Reminiscent to his earlier gag-heavy shorts, "Hot Water" is broken up into three segments, in which if separated could be standalone two-reeler shorts. A grocery list submitted by his adorning wife (Jobyna Ralston) turns out to be a handful for Lloyd after purchasing the goods. He seen shuffling a number of packages, compounded by a live turkey he won in a raffle, in a streetcar going home. When he finally arrives, his wife's in-laws, including her loafing brother and bratty kid brother, make their visit even more interesting.

The Harold Lloyd movies I've seen (The Kid Brother, Safety Last) tend to depend on Harold's brilliant ability to hang hilarious gags on a rather flimsy plot, and this film is no different. It has some very funny moments (Harold and the turkey; Harold and the battleaxe mother-in-law) and a superb opening scene in which he falls in love at first sight, but the later assaults on his in-laws aren't very well motivated. One feels sympathy for his wife's Wagnerian mother;she even cries in one scene. The very handsome Lloyd is much more intersting as a young swain. For obnoxious in-law comedy that really works try W.C. Fields' "It's a Gift" and "The Man on the Flying Trapeze," the latter containing some elements similar to Lloyd's film.

Hot Water (1924)

*** (out of 4)

Harold Lloyd feature about the married life and those annoying mother in laws. This film is pretty much broken into three segments, all of which are full of nice laughs even though this certainly isn't a classic. The second segment involving Lloyd taking the family out in his new car gets the most laughs as the family destroys the car within minutes. The final segment has Lloyd thinking he's killed the mother in law only to have her come back as a ghost.

You can get this short in New Line's box set.