Ça t'la coupe!

I have not seen very many Harold Lloyd movies, but if this film is any indication of his massive talent, I need to remedy that as soon as possible.

Harold is wonderful as Harold Meadows, a man so shy around women that he stutters until a whistle is blown. He is at work on a book about seducing women strangely enough and the imaginary scenes of him using his "techniques" on both a Vampire (Vamp) and a Flapper are early indications that this is going to be a very funny film.

The plot has been more than ably shared already, I will just add a few short observations.

It was a treat to see some of the earliest Our Gang / Little Rascal kids in this movie. In the opening scene in the tailor shop the wild-haired boy getting his pants stitched is Jackie Condon and the cute, chubby boy sitting on the floor is the first Our Gang "Fat Kid" , Joe Cobb. Later during the chase scene as Harold is riding horses, a freckle-faced boy calls out a cheer, this is Mickey Daniels, also of Our Gang fame.

I enjoyed, as everyone seems to of course, the chase/race at the end. It seems that they purposely used every form of land transport known at the time to get Harold to the place he needed to be.

Early product placement? Crackerjack boxes play a major role in this film.



All in all, this was am excellent introduction to Harold Lloyd for me, it makes me want to see more. I recommend it highly!

I initially went to the Film Forum's presentation to experience what going to the movies might have been like 80 years ago. To have an experience like my grandmother had (she used to rave about Harold Loyd). I thought the film was going to be OK. I was astonished at the wit of the film, its emotional content and the joy it brought to the audience. The gags were plentiful and quite clever, the action kept everything moving and the audience enjoyed themselves immensely (obviously a self selected group). The entire experience was enhanced by a live piano player and I think by the communal experience of seeing this film at the movies.

I highly recommend the film.

I had watched this for the first time while I was in Hollywood as part of a TCM marathon of Harold Lloyd films in November 2005 (to coincide with the DVD release of New Line's 7-Disc Set). I must say that in the past I had underestimated it, because I did not pick up the "Connoiseur Video" PAL VHS a few years ago (as I had done with 3 other available titles by this great comedian). The plot deals with a painfully shy tailor's apprentice (he stutters terribly at the sight of a woman) who has secretly published a lovers' manual, and himself falls for a wealthy girl (the demure but utterly charming Jobyna Ralston, a frequent Lloyd co-star) who is about to be married off to a bigamist heel.

The film displays dazzling invention throughout and is frequently hilarious, but also laces the proceedings with just the right dose of sentiment: the climactic exhilarating chase is spectacular and one of the very best of its kind, while the disruption of the marriage/abduction of the bride ending might well have inspired THE GRADUATE (1967)! Some of the funniest stuff includes: the fantasy sequences depicting Lloyd as an irresistible ladies' man, illustrating his theories on how to seduce a vamp and a flapper; the car exchange sequence (which sees Lloyd losing the ramshackle vehicle he ended up with down a cliff); and his hitching a clandestine ride on a car which is about to be parked in its garage.

This is an enjoyable feature with some good comedy and a good role for Harold Lloyd, giving him plenty of opportunities to show his athleticism and his slapstick skills while developing his character at the same time. The story follows the reliable pattern of pleasant light comedy as the plot takes shape, followed by an extended race-against-time sequence for the finale.

Lloyd's character is easy to sympathize with, despite his flaws and mistakes, and his stuttering and other habits help to make the character work. It's easy to identify with both his shyness and his overly-optimistic dreams, even when the character is completely self-deluded. Jobyna Ralston is effective as the gentle young rich woman, and their relationship's ups and downs are believably portrayed.

The pace is deliberate for the most part, until everything is set up for the climactic sequence. Lloyd gets to do some impressive stunts, and there are a lot of interesting details. One notable feature is that Harold makes use of almost every conceivable form of conveyance available at the time, which adds to the effect.

As is usual for a Lloyd feature, there are a lot of visual details here and there that often set off the main action nicely. The main character is just enough different from Lloyd's best-known roles to make him interesting yet largely familiar. The story is told effectively, with a couple of recurring visual references that work well in wordlessly conveying the characters' thoughts. The romance, comedy, and action make for an entertaining mix.

The great Harold Lloyd has a total triumph in 1924's Girl Shy. This films is jam-packed with wit, slapstick, and old-fashioned sweetness. Lloyd found his perfect leading lady in Jobyna Ralston, who had just the right amount of prettiness and comic timing. Lloyd, of course, was the master of comic timing in everything from set pieces to still-spectacular chases across Los Angeles downtown streets. I especially liked the daydream scenes where the shy Harold conquers 2 great 1920s stereotypes: the Vamp, and the Flapper. I'd love to know who plays theses women in this film. I think she also appears as the girl with the hole in her stocking. This actress is a hoot as the parody of the vamp and flapper..... Altho I admire Chaplin, Keaton, and Harry Langdon as master comics, Harold Lloyd may have been the most complete of these star performers. His acting range was the broadest and his characters were never quite as vaudevillian--Harold Lloyd's everyman persona still rings true 80 years later. Bravo, Harold Lloyd!