Frigo et la baleine

It is the detail making difference by the other short films of Buster Keaton. A sad love story. A trip for cure the soul. A meet and a tyranic captain. A boat and military exercises. And the inspired end. The dream shadow is the perfect skin for what are more than adventures but interesting reflection about choices and heroism. And about adventures as root of perspective about life.

I watched this with my 2 kids aged 10 and 12 in attempt to give them some further experience of silent movies. We watched all the Our Gang comedies, including the silents, 5 years ago - we've seen several Chaplin films (Modern Times, City Lights). These few films we are watching of Keaton's will definitely start a new round of silent film appreciation. I think this is the funniest of the bunch we have right now, but my kids love the Navigator even more. They have even introduced a few of their friends to the joys of this classic era. It is painful to know of genius not recognized in its time, and I think that is why so many people compare Keaton and Chaplin so often. Chaplin got the fame and fortune, Buster got a bad deal and never lost his spirit. Keaton was an extraordinary human being as well as one of the film greats - remembered for his greatness of character and the depth of his on-film persona. I give this one a 10!

Buster Keaton decides to finish with the woman who breaks off their engagement and sail off to sea, but he ends up as a crew member of a ship run by a cruel captain who has a habit of throwing those who displease him overboard. Keaton's last short is a disappointingly average effort, suggesting perhaps that his mind was already on bigger things.

The great Buster Keaton's short films may have been inconsistent in quality, though certainly through no fault of his. There are some wonderful ones, such as 'The Scarecrow' and 'The Goat'. A few though disappointed, such as 'The Frozen North' and 'The Balloonatic', yet were still watchable (it takes a lot for me to consider any of Keaton's work unwatchable). What they have in common as the main reason to see them is Keaton himself, wholly deserving of his comedy genius reputation.

Keaton did though do a lot better than 'The Love Nest', not just short films but also his overall filmography. It is definitely worth seeing, has great things and Keaton himself doesn't disappoint, but for me the material, amusing but not his most inspired, and storytelling were flawed. If to rank his short films from best to worst, for me 'The Love Nest' is towards the bottom. Just to reiterate, it is far from terrible, actually did like it, just didn't love it.

A lot of good things can be seen here in 'The Love Nest'. Other Keaton short films may be more polished visually, with more refined editing, but the more surrealistic imagery is quite eerie and there is a lot of atmosphere in the stark photography. There is plenty of charm here, without being sappy, and enough amuses. Joe Roberts is a formidable nemesis.

What makes 'The Love Nest' worth seeing are two things. One is Keaton, who has great comic timing as ever, is daringly athletic and nobody before, during or since did deadpan more expressvely than him. When it comes to standout scenes, the highlight is the pretty ingenious, very funny and thrillingly staged climax.

So it was something of a shame that other aspects of 'The Love Nest' weren't as inspired. The story here is pretty weak, it takes a while to gain momentum, with the first third feeling over-stretched, and much of it feels rather thin and incomplete. It did feel like more was filmed but left out for time constraints, which would account for why structurally it felt slightly choppy at times.

Despite enough of 'The Love Nest' being amusing, not much is hilarious or particularly inventive. While the climax is brilliant, the very end is less so and felt almost like an abrupt easy way out. May be a little biased as it is a type of ending that has always come off as too much of a cheat and indicative of not knowing how to end it.

Overall, above average and worthwhile but generally not exceptional. 6/10

This short comedy is less polished than Keaton's best features, but it has some very funny moments, with a good finale that is clever and also suggestive. Keaton and the supporting cast pull of most of the gag ideas quite well. The setting might offer more limited possibilities than do many of Keaton's other short features, but they seem to have gotten the most out of the material.

The story opens with Buster, depressed because of romantic difficulties, setting off in a tiny boat to get away from it all, leading to many unexpected developments. Joe Roberts is well-cast as Buster's antagonist, and there are some amusing confrontations between the two. Virginia Fox also helps out.

Buster pulls off some good morbid gags, with his deadpan style serving well in making them work. There are also a number of nice subtle humorous touches. Most Keaton fans should enjoy this one.