Ingeborg Holm

Again, this is an early not-that-bad drama from Sjostrom about a person driven mad by tragic circumstances. It has a nice sense of restraint, especially for its era, with a fine performance by Hilda Borgstrom and a well-paced story. Nothing about the movie sucks. It just takes a little something extra for me to get involved with a silent film... some sort of avant-garde twist or dazzling technique or some thrilling action. Yeah, it's a good plot with a sympathetic protagonist, but my heart just wasn't in it. I can't imagine anyone besides a Sjostrom scholar watching this more than once.

6/10

The classic narrative films so familiar in "The Golden Age of Hollywood" movies had its beginning in October 1913 with Sweden's "Ingeborg Holm." Writer/director Victor Sjostrom adapted the Nils Krok 1906 play about a family who sinks to the depths of poverty after the father dies just as he assumes ownership of a store.

What sets "Ingeborg Holm" apart from the movies produced previously to the autumn of 1913 was the breath of its plot. Instead of taking a slice of a full-scale biography of the characters and producing a film on one particular stand alone event, here Sjostrom portrays an entire family's history, beginning when the head of the household receives bank funding to begin his enterprise. He continues the plot until years later, concluding in an emotional reunion with the mother and her long-absent son.

"Ingeborg Holm" fits all the criteria in cinema's full narrative definitions. A classic narrative begins by introducing all the characters who will propel the plot forward, just as Sjostrom illustrated with the comfortable middle-class family embarking on its new enterprise. Narratives contain a triggering event which shakes things up. Here, the father dies and his assistant at the store rips off the family's profits. Sjostrom continues the narrative plot by showing the mother-led family sinking into poverty, with the kids shunt off to the poor house. Events lead up to the conclusion, where the director visually reveals Sweden's lack of a safety net for the country's poor caused by, through no fault of themselves, their hardships.

Hollywood would follow Sjostrom's pattern of full narrative movies, especially during its classic 1930's--1950's golden age. There are variations of the narrative pattern in movies today, but the Swedes were the first to put into practice on film what literature and drama had been delivering for centuries.

Today's movie viewers may be familiar with Sjostrom by his last appearance on the screen in Ingmar Bergman's 1957's "Wild Strawberries," where he had the leading role of an aging professor who rediscovers his past through a journey to receive a honorarium.

I dont know if netflix got involved before or after the restoration .but this a great achievement for1913 may be I'm a wimp but the end made me cry. More like this netflix please

The Holms are a happy Swedish family who live an easy bourgeoisie life. In order to further improve their living, Herr Sven Holm requests a line of credit in the amount of 10.000 kronor in order to open a grocery shop.

Unfortunately things will change drastically for the Holms when Herr Sven falls ill with tuberculosis and dies. The grocery store, in the meanwhile, was left improperly unattended by an employee. Frau Ingeborg Holm is left bankrupt and alone with her three small children. This forces her to ask for help in a poorhouse.

Sweden has contributed to mankind some debatable inventions. For example, there's the safe but unstylish tank automobiles made in that Northern country ( nothing in common with elegant "Hispano-Suiza" cars )... or.. that modernen and consequently, ugly furniture manufactured in pieces that the buyer must to try to assemble ( ah, the "Rococo" overloaded style! ) ...or ...with not a trace of a four string quartets, the Swedish instead tormented aristocracy with bands of four longhaired youngsters singing tunes that even today are popular among commoners… But certainly the most important Swedish contribution to the whole world was Social Security for their population via a program that provides protection to their commoners with unemployment insurance, poverty protection and pensions, among others. It's a public welfare state that other countries will model years later.

But unfortunately things weren't always that way as Herr Victor Sjöström depicted in his early silent film "Ingeborg Holm", directed by the Swedish director in the silent year of 1913.

The film was based on a play by Herr Nils Krok, who can be seen posing as the film starts in an elegant old photograph ( nothing in common with the coloured ones that the youngsters put in their modernen profiles ). The picture version tells the human tragedy of Frau Ingeborg Holm, who due to circumstances and the blows of fate, will face destitution. Her personal drama is worsened by the unsympathetic and strict poorhouse rules that during the last centuries were applied by Swedish officialdom.

Herr Sjöström admirably depicts the process of loss that affects Frau Holm's life and her desperation, abandonment, helplessness and finally insanity. It's a terrible sad odyssey that Frau Holm will suffer and includes making heartbreaking decisions such as when she is forced to put her children in an orphanage.

Certainly "Ingeborg Holm" is not an easy film. It is an uncomfortable drama in which Herr Sjöström denounces in a realistic and harsh way the injustice caused by strict central government laws that have no concern for their subjects.

Such bitterer sensations continue during the whole film climaxing at the end of the picture when Frau Holm, after 15 years, reunites again with one of her sons. This is a wonderful scene full of infinite sadness and very moving ( at this point it must be said that the original music score composed and performed by Herr David Drazin for the longhaired "Kino" modernen disc edition, is absolutely touching and elegant ).

But this is not a happy ending because there is no comfort in this reunion; there is not a chance in recovering the happy old days when times were better for Frau Holm and her three children. Instead Frau Holm has lived a miserable life in where everything she had and loved was destroyed. Herr Sjöström depicts a desperate, hard and moving portrait of a ruined life.

And now, if you'll allow me, I must temporarily take my leave because this German Count must pay a visit to his aristocratic fostered parents.

Over the weekend I watched "Ingeborg Holm" (1913), directed by Victor Sjöström, and starring Hilda Borgström as Ingeborg. This early Swedish feature is 96 minutes long, and it has recently been released by Kino Video. I must admit that the film rather astonished me because of the quality of pacing, of acting, of story - nearly everything; others from this year and before that were anything near a feature length, for the most part, are exceedingly antiquated by modern standards. "Ingeborg Holm" is anything BUT antiquated. I recently watched "Terje Vigen" (1917), also directed by Sjöström, and was riveted from beginning to end. It made me want to see more of his work. This became available to me, and I eagerly watched it. It certainly didn't disappoint. The story concerns what were called "workhouses" in Scandinavia. It begins by showing Ingeborg Holm's husband, through diligence and good economic behavior, being able to begin to operate his own grocery store. Unfortunately, just after opening, the husband suffers a hemorrhage and dies. Ingeborg takes over the running, but unfortunately, through the untoward grafting of an employee she ends up bankrupt. She and her three children are left with a choice to take 20 kronor a month or for Ingeborg to go work in a workhouse. She chooses the latter. I won't give away all the plot, but you can be sure that she suffers the incredible inhumanity that was inherent in that system at the time. It is said that this film nearly single-handedly began an improvement in the social system of Sweden.

I can't say enough nice things about this film because the comparison that most Americans will make will be with D. W. Griffith. Griffith only compares in a few shorts by 1913, maybe "Female of the Species", and others like it. But his next year's (1914) "Judith of Bethulia" doesn't begin to compare favorably with "Ingeborg Holm". "Ingeborg Holm"'s pacing is superb, its plot line developed as many feature silents wouldn't be for years yet. The acting has moments of early histrionic style, but for the most part it is remarkably realistic and measured. The film could bring tears to some. For me, it was a wonder to behold such an early film with such high quality.

The lead is Hilda Borgström. There were moments, especially near the end, where her eyes kept reminding me of Bette Davis. Those who have seen "Whatever Happened to Baby Jane?" will see the eye comparison immediately! Also, the man who plays the Poorhouse Superintendent, Georg Grönroos, looks so much like the American President, Theodore Roosevelt, as to be uncanny. His habit of taking off and putting on his reading glasses is so similar as to make one wonder if he wasn't copying Roosevelt. Anyway, it was nearly unnerving at times! One more note: the film, as with many of the period, is divided into acts, each act obviously following the length of a reel. At the end of each reel there is considerable nitrate deterioration. At the end of the picture there is massive deterioration, but still not enough to not be able to follow the picture. Overall, the quality is first rate, the picture usually quite good, if not excellent. If you're a fan of silent film, especially early silents, and if you like social drama, this is an outstanding way to quickly go through 96 minutes!