The Night Before Christmas

A rather charming little film, which starts with Santa feeding hay to his reindeer, before moving back into his workshop to finish toymaking. The scene switches to a middle class house (parents, five children all about 4!, grandpa and maid). They tell the Christmas story, then hang up stockings before the children are packed off to bed (in two beds and one cot). The children get up, are chased back to bed, then have a proper pillow fight with feathers flying everywhere: I wonder how difficult this scene was to film. Santa checks his delivery schedule and inventory, loads up the sleigh and heads off - a superb animated sequence. Arriving at a chimney, he climbs down, fills stocking and otherwise creates a festive air before continuing his deliveries. The children and adults come down and are delighted. As a children's story, the film still works today.

'Twas THE NIGHT BEFORE CHRISTMAS and all through the house not a creature was stirring, not even a mouse...

The wonderful old poem by Clement C. Moore comes to life in this little silent film. Looking like a Victorian Christmas card, it has all the charm of a bygone era. The special effects, especially the scenic diorama used for St. Nicholas' ride, are quite effective.

Al Kryszak provided the score for the video compilation A Christmas Past, in which this film appears.

Twixt shots of Santa feeding the reindeer and polishing off one last puppet for the poppets, scenes of a family in the parlor celebrating Christmas Eve, children having a pillow fight, and some cute miniature work of the sleigh carrying gifts traveling over snow, we get verses of Clement Clark More's "A Visit From Saint Nicholas."

It's just the thing to watch during Christmastide in my apartment in Chelsea in Manhattan, where Moore wrote the poem so many years ago, helping to establish our modern idea of Old St. Nick. It captures the spirit of the poem perfectly. As another classic of the season urges, G*d bless us, every one.

Okay, all of you that CAN'T or WON'T look at an early silent film without immediately dismissing or laughing at it can stop reading this review. The likelihood you would even try watching this film or stick with it is absurdly low, so this review is more for lovers of historically important cinema. For 1905, this is an incredible picture in so many ways. The sets for the time were extremely expensive and complex. The special effects, though surely out of date, also took a lot of imagination and planning. So for a 1905 production, this film screams 'quality' from start to finish.

The movie is the poem THE NIGHT BEFORE Christmas and as the lines are written out on inter-title cards, the action takes place on the screen. Because of this, the film is short and relatively simple, but compared to the other films of the era, the movie is still very engaging today and worth seeing from an historical and curiosity standpoint. About the only negative, and you can't blame the film's producers, is that the version I watched online had a soundtrack from a much later sound cartoon in the public domain. It just didn't match the film and I had to turn the volume down since it was so annoying.

This early holiday-themed feature is enjoyable to watch, and it is also a good example of Edwin S. Porter's style in filming special effect or fantasy movies. The story, loosely based on the theme of the poem "The Night Before Christmas", is old-fashioned in a good way that works pretty well. It's also one of the earlier movies to feature the use of cross-cutting or parallel editing.

The story alternates between two story lines, with 'Santa Claus' getting everything ready for his December 24 deliveries, while at the same time the children from a large family are having difficulty falling asleep due to their excitement. The 'Santa' portions flesh out the standard legend with Porter's characteristic style, and the family sequences are easy to identify with, for just about anyone who remembers being a child.

As director and cinematographer, Porter takes his usual approach with this kind of material. Rather than striving to make the settings and visual effects seem as lifelike as possible, he instead aims to make them interesting and pleasing to look at in their own right. It works well here, and the images seem to fit in well with the story. It's short (less than ten minutes), yet the length seems just about right, and it makes for an entertaining little movie.